In April of 1985, the first issue of the ground-breaking, twelve issue Crisis on Infinite Earths (Wolfman, et al, 1986) was published. This event, which was easily the biggest in DC Comics at that point (and for many years), saw the destruction of the “Multiverse”, an infinite number of parallel worlds, and the awkward establishing of one unified DC canon. Over the years, DC have returned to this concept again and again, retconning it, expanding upon it, and milking it to the point of excess but that doesn’t change how influential this massive crossover was. To celebrate this momentous event, I’ve spent every Sunday this month discussing multiversal crossovers in an event I dubbed “Crossover Crisis”.

Air Date: 8 December 2019 to 14 January 2020
UK Network: Sky One and (eventually) E4
Original Network: The CW
Stars: Stephen Amell, Grant Gustin, Melissa Benoist, Ruby Rose, LaMonica Garrett, Tyler Hoechlin, David Ramsey, Carlos Valdes, Chyler Leigh, Caity Lotz, Brandon Routh, Tom Cavanagh, and Jon Cryer

The Background:
Crisis on Infinite Earths was, easily, the biggest and most influential crossover in DC Comics history back when it was first published; even now, the reality-changing events of the twelve issue series can be felt in DC and cosmic events and crossovers are an important part of the comics industry. Still, such an event seemed irrevocably tied to the comics books; even DC’s animated ventures rarely attempted to tackle an event of such magnitude so to say that I never expected Arrow (2012 to 2020), of all things, to led to, and end with, a massive crossover between not just the “Arrowverse” but also the wide spectrum of live-action DC adaptations would be an understatement, to say the least. Crisis on Infinite Earths was first hinted at in the first episode of The Flash (2014 to present) but was explicitly referenced throughout the Elseworlds (Various, 2018) crossover and revealed in the conclusion of that event. The Crisis then become the focal point of the entire Arrowverse, with almost the entirety of Arrow’s eighth season and The Flash’s sixth season specifically preparing characters for the oncoming Crisis, visiting and destroying parallel worlds, featuring Mar Novu/The Monitor (Garrett) as a frequent guest star, and setting the stage for the biggest comic book crossover in television history as the writers and showrunners crammed in cameos and references galore to pay homage to DC’s many live-action adaptations. The result was some of the best-received and highly-praised episodes in all of the Arrowverse and a significant change in the presentation of the Arrowverse going forward as worlds lived, died, and were forever changed by the event, which saw both Supergirl (2015 to present) and Black Lightning (2018 to present) merged into a new version of the Arrowverse Earth.

The Plot:
When a wave of destructive anti-matter threatens all life in the multiverse, the Monitor gathers seven heroes – Oliver Queen/Green Arrow (Amell), Barry Allen/The Flash (Gustin), Kara Danvers/Supergirl (Benoist), Sara Lance/White Canary (Lotz), Kate Kane/Batwoman (Rose), Doctor Ray Palmer/The Atom (Routh), and Clark Kent/Superman (Hoechlin) – to face the crisis. Facing overwhelming odds, the team must journey across time, space, and the expanse of the remaining multiverse to find seven “Paragons” who will decide the fate of all reality!

The Review:
Crisis on Infinite Earths hits the ground running and kicks off with a massive bang in “Part One” (Warn, 2019), which was the ninth episode of Supergirl’s fifth season and saw the devastating wave of anti-matter obliterate Argo City and threaten the very fabric of Supergirl’s world, Earth-38. In a change for these crossovers, Supergirl and her supporting cast are given a prominent role right off the bat as she is forced to watch her home and family be destroyed by the mysterious, unstoppable wave of energy. She is overjoyed to see that Superman and Lois Lane (Elizabeth Tulloch) survived the destruction but deeply affected by the death of her mother, Alura Zor-El (Erica Durance), and the loss of her home, and the fact that the entire first episode actually takes place on her Earth allows her supporting characters to actually contribute in a meaningful way towards the Crisis.

Faced with the impending destruction of their world, Alex Danvers (Leigh), J’onn J’onnz/Martian Manhunter (David Harewood), and Querl Dox/Brainiac 5 (Jesse Rath) are forced to call in every debt they are owed, and even turn to the unscrupulous Lena Luthor (Katie McGrath) for help evacuating as many people as possible to Earth-1. Interestingly, it is Superman who has the crisis of conscience in this first episode and finds his resolve faltering after failing to save Argo City and out of concern for his baby son, Jonathan; despite the losses she has suffered in such a short space of time, it is Supergirl who lifts his spirits and encourages him to remain hopeful in their ability to succeed. After discovering that the Book of Destiny has been recovered, Kara, as the Paragon of Hope, makes every effort she can, despite the incredible risk, to use the Book to restore her Earth, bringing her into a moral conflict with Kate.

The anti-matter wave spreads throughout all of time and space, however; throughout the most recent seasons of Arrow and The Flash, Oliver and Barry have been struggling with their impending deaths since the Monitor foretold that each of them would die in the coming Crisis. This has been particularly trying for Oliver, who, like Barry, has been trying to prepare for the coming event and get his team ready to operate without him once he’s gone but has been struggling with time travel shenanigans, which saw him meet his future daughter, Mia Smoak (Katherine McNamara). Normally the more grounded and pragmatic of the Arrowverse heroes, Oliver has had extensive experience not just with multiversal events by this point but also with the anti-matter’s effects thanks to his travels with the Monitor in preparation for the Crisis.

Despite his lack of superpowers and being more of a tactician, Oliver plays a vital role throughout the Crisis as we seen his disillusioned Earth-16 counterpart run through some of this greatest hits (again…), and see that he is less than impressed to find that the deal he made with the Monitor to sacrifice his life in exchange for Barry and Kara’s is no longer valid. Though Oliver is angered at the deception, the Monitor purposely arranged for this to ensure that Oliver would be at his most prepared by planning for every eventuality; as if seeing multiple worlds be destroyed in short order wasn’t proof that the stakes for Crisis on Infinite Earths was unimaginably high, Oliver’s untimely sacrifice to cover the evacuation of Earth-38 certainly is. Of course, Oliver’s story doesn’t end there as he ultimately sacrifices himself again, first by taking on the role of the Spectre and then by giving his life once more to end the Anti-Montor’s threat.

Since Oliver is now well-versed in multiversal crossovers and events, and unexpectedly killed before his time, it is Batwoman who brings the pragmatic cynicism and is the fish out of water in Crisis on Infinite Earths. “Part Two” (Belsey, 2019), which was the ninth episode of Batwoman’s (2019 to present) first season (although it was the last episode here in the United Kingdom), explores her attempts to adapt to the unusual situation she finds herself in. Failing to see how her abilities, as vast as they are, can measure up to cosmic threats, Kate is distrustful of her colourful associates and begrudgingly agrees to tag along purely on Kara’s word and in the face of a clear and present threat. The revelation of the Paragons drives Kate into an unexpected voyage of self-discovery; initially, she believes her destiny is to recruit the Bruce Wayne of Earth-99 (Kevin Conroy) and, in the process, comes across a jaded and broken version of her cousin who has descended into a murderous and disillusioned crusade. Rattled by this incarnation of Bruce, and her actions in contributing to his death (to keep him from killing Supergirl), Kate is somewhat sceptical to learn that she is the Paragon of Courage.

The quest for the Paragons takes Superman, Lois, and Iris West-Allen (Candice Patton) to first Earth-167, where they briefly encounter a depowered version of Clark (Tom Welling), and then to Earth-96 and an older, far more troubled incarnation of the Man of Steel (Routh). In possession of the Book of Destiny, Lex Luthor (Cryer), who was returned to life to play a vital role in the Crisis, travels throughout the multiverse killing Superman and, ultimately, forces Superman to fight his Earth-96 counterpart in a brief, exhilarating moment before Lois and Iris wake up and realise that they can just punch Lex out. Lex, however, gets the last laugh by manipulating the Book of Destiny to replace the Earth-96 Superman with himself as the Paragon of Courage

As mentioned, Barry has also been trying to prepare for his untimely end; he’s been aware that he disappears, most likely due to his death, in a red-sky Crisis and he is so angered at Oliver’s death and the Monitor’s manipulations that he is driven to using the restorative nature of the Lazarus Pits to bring Oliver back to life in a crazed state with the help of John Constantine (Matt Ryan). “Part Three” (McWhirter, 2019), which aired as episode nine of season six of The Flash (2014 to present), leads Barry to facing his fate in the worst way possible when he is forced to watch the Earth-90 Flash (John Wesley Shipp) sacrifice himself to destroy an anti-matter cannon. Although Barry is more than willing to fulfil what he believes is his destiny, his counterpart takes his place willingly and, in the process, allows Barry to live on for his friends and family while also providing a fantastic excuse to showcase some highlights from Shipp’s turn as the Flash back in the nineties.

Of course, the intangible threat of the destructive anti-matter wave and the ominous fate that awaits Oliver and Barry isn’t the only threat facing the Arrowverse characters; throughout their journey across the multiverse to defend the Monitor’s Quantum Towers, they must battle against fittingly Grim Reaper-like “Shadow Demons” that, despite being easily destroyed, have the advantage through sheer numbers and their threat is escalated by the fact that Oliver was practically torn apart by them offscreen. Additionally, thanks to messing around with the Book of Destiny, Luthor manages to position himself as a man of incredible metahuman powers who first attempts to kill Supergirl in an effort to usurp the Monitor’s destiny and then, reluctantly and unwillingly, to join forces with the heroes. Lyla Michaels/Harbinger (Audrey Marie Anderson) also takes on a brief antagonistic role when she ends up falling under the influence of the crossover’s primary, physical antagonist, Mobius/The Anti-Monitor (Garrett), which causes her to betray and murder the Monitor against her will and set in motion the final days of all reality.

The Monitor himself is a deceptive and mysterious character; thanks to Luthor’s manipulations, we learn in “Part Four” (Winter, 2020) that it was he, in his far more mortal form, who birthed the Anti-Monitor in a desperate and misguided attempt to view the creation of the universe. Of course, while the Monitor inspires much distrust and anger from the heroes (especially Barry), the Anti-Monitor is a form of pure, unadulterated evil; similar to other crossover threats, the Anti-Monitor is an elusive and ominous being who isn’t revealed in full until the conclusion of “Part 2”. His motivations are nothing less than pure destruction, making for a decidedly one-dimensional villain but, in truth, the Anti-Monitor has always been that way; he simply exists as a singular, cosmic force of evil for the heroes to unite against.

Fittingly, for an adaptation of the greatest and most devastating storyline in DC Comics history, the stakes couldn’t be higher in Crisis on Infinite Earths; though a prevailing concept throughout the crossover is the idea of hope conquering above all, the odds are constantly against our heroes as entire worlds are wiped from existence, killing many of the supporting characters, and leaving the handful of remaining characters trapped at the Vanishing Point with no hope of escape and alongside Luthor, of all people. In their darkest hour, Oliver, as the Spectre, comes to them with a vague shot in the dark at reversing their fortunes but, even then, the cost is high. This, again, gives the crossover another excuse to run through some of Arrow’s greatest hits so that the disparate parts of his personality can be reunited in the speed force and empower him to transport them to the anti-matter universe and the inevitable showdown with the Anti-Monitor. I won’t lie; I can’t say that I’m a massive fan of the grim, gritty, grounded vigilante ultimately being to one to save and restore the entire multiverse and being the saviour of all humanity but even I have to admit that it’s an almost peerless heroic end for the character.

In the end, with all seven Paragons gathered and united (however reluctantly, in Luthor’s case) and the Spectre locked in a dual with the Anti-Monitor, the heroes are able to light the spark that reignites a new version of not just Earth-1 but the entire multiverse. Though he dies in the process, Oliver is finally at peace and leaves the future to his friends and family who, in “Part Five” (Smith, 2020), find their world has radically changed as a result; for one thing, many characters and locations are now on an amalgamated world dubbed “Earth-Prime” and, for another, Luthor is a world-renowned hero, and no one has any memory of what happened except the seven Paragons. Thanks to J’onn’s psychic powers, they are able to piece together what happened but, while they are able to ultimately banish the Anti-Monitor to the microverse, they are heart-broken to discover that Oliver is not among those restored by the entire process. In celebration of Oliver’s sacrifice, the Flash, Supergirl, J’onn, Batwoman, and Black Lightning hold a memorial service for their fallen comrade and officially give birth to the Arrowverse incarnation of the Justice League that, sadly, will look decidedly different in the near future.

The Summary:
For such a large and ambitious crossover, Crisis on Infinite Earths does pretty well when it comes to its special effects; again, as we’ve seen in the other Arrowverse crossovers, some of these hold up better than others (Ray Terrill/The Ray (Russell Tovey) still looks terrible even in his brief appearance, as does Lyla’s teleporting effects and the “temporal zone”, but the destruction of the infinite worlds is disturbingly effective) but I’d say the CW did really well, especially when you consider that Marvel Studios spent billions of dollars on its big screen crossovers and it’s frankly ludicrous that they ever decided to greenlight an adaptation of Crisis on Infinite Earths. As you might expect, costume design is absolutely spot on; Nash Wells/Pariah (Cavanagh), the Monitor, and Anti-Monitor look a little goofy but I can’t fault the fidelity to the source material and the crossover delivers an absolutely fantastic adaptation of Bruce’s exoskeleton armour and the Kingdom Come (Waid, et al, 1996) Super-suit.

Of course, one of the most appealing and entertaining aspects of Crisis on Infinite Earths is the sheer abundance of cameos and references to other live-action adaptations of DC Comics; most of these are fleeting, appearing onscreen simply to be destroyed in seconds, but some are prominent aspects to the crossover’s massive narrative. Accordingly, we get much-appreciated and surprising appearances by Dick Grayson (Burt Ward) from the Batman sixties show, Alexander Knox (Robert Wuhl) from Batman (Burton, 1989), Hank Hall/Hawk (Alan Ritchson) and Jason Todd/Robin (Curran Walters) from Titans (2018 to present), Helena Kyle/The Huntress (Ashley Scott) and Barbara Gordon/Oracle (Dina Meyer) from Birds of Prey (2002 to 2003), Alec Holland/Swamp Thing (Derek Mears) from Swamp Thing (2019) and the cast of both Stargirl (2020 to present) and Doom Patrol (2019 to present). The crossover also splices in surprise appearances by Wil Wheaton, Wentworth Miller, comic creator Marv Wolfman, and even Ezra Miller alongside numerous references and allusions to comic book arcs such as the Death of Superman (Jurgens, et al, 1992 to 1993), and even setting up a potential spin-off for John Diggle (David Ramsey) after he appears to find a Green Lantern ring.

Interestingly, despite all these cameos (and more) and the myriad of characters from across the Arrowverse, Crisis on Infinite Earths does a surprisingly good job of balancing its pace, action, and cast; in the beginning, things are very rushed and frantic but, once everyone is gathered together, the story focuses up quite nicely. The stakes stay high and ominous throughout as we’re constantly reminded of the impending doom but there’s still time for a few amusing character moments, such as Mick Rory/Heat Wave (Dominic Purcell) realising his paternal instincts. Of course, with so many characters included and so much at stake, Crisis on Infinite Earths features a wide array of action and fight scenes; to make the best use of the many powers and characters in the crossover, these are largely ensemble pieces that truly unite the Arrowverse in a way we haven’t seen before. Even those who are largely side-lined throughout the crossover, like Diggle, for example, get something to do (he is incensed at Oliver’s death and joins Constantine, and Mia in journeying to Purgatory to retrieve Oliver’s soul) and many of the supporting characters contribute to the overarching plot even though their efforts are ultimately in vain. Some cameos, however, are all-too-brief; many of the Legends and Team Arrow get short-changed this time around, Lucifer Morningstar (Tom Ellis) was a welcome and unexpected inclusion but, sadly, the crossover chose not to bring Emmett J. Scanlan back as Jim Corrigan and, despite Ryan Choi (Osric Chau) and Black Lightning’s pivotal roles in the larger narrative, they’re not as heavily showcased as the more recognisable and established Arrowverse characters.

I said at the start that I never expected to see Crisis on Infinite Earths ever be the basis for an adaptation, much less a live-action adaptation; it barely works in the comics, to be honest, as it requires quite a lot of knowledge about DC Comics and outlandish concepts like the multiverse. Thankfully, the Arrowverse version of events focuses its adaptation by concentrating on the main Arrowverse characters, surrounding them with a myriad of cameos and references, and buildings its concept around these familiar aspects. If you’ve never watched an Arrowverse show before then of course it’ll be quite a daunting first start but, like its comic book namesake, it is clearly not intended for casual fans or newcomers. It’s interesting watching these Arrowverse crossovers back-to-back as Invasion! (Various, 2016) feels so rushed and frantic in comparison and Crisis on Infinite Earths does a much better job of balancing a far bigger and more diverse cast, which I honestly wouldn’t expect considering how daunting its concept is. Of course, this crossover would never have been possible without the long-running, episodic nature of the CW shows and that’s exactly why it works in a way that DC’s cinematic films often fail; rather than trying to cram everything into a couple of films, or tossing it all into a four-hour long epic, the Arrowverse was able to naturally build towards this crossover and deliver from start to finish and it’s honestly a shame that the films couldn’t have followed suit and that the Arrowverse is basically coming to an end now.

My Rating:

Fantastic

What are your thoughts on Crisis on Infinite Earths? Did you ever expect to see the Arrowverse culminate in an adaptation of one of comics’ biggest crossover events? How do you feel the adaptation was handled? Which cameo was your favourite and which would you have preferred to see be featured more prominently? How did Oliver’s death affect you, if at all, and which of the CW Arrowverse shows is/was your favourite? Are you sad to see that the Arrowverse has changed following this event or do you feel it’s time for it to move on? Do you agree that building towards such an elaborate crossover is a matter of time, patience, and character development or were you not bothered by Zack Snyder’s attempts to cram it all into a couple of movies? Which of the many multiversal crossover events was your favourite, whether in comics, videogames, TV, or movies? Whatever your thoughts, go ahead and drop a comment down below and check back in again for more superhero content throughout the year.

In April of 1985, the first issue of the ground-breaking, twelve issue Crisis on Infinite Earths (Wolfman, et al, 1986) was published. This event, which was easily the biggest in DC Comics at that point (and for many years), saw the destruction of the “Multiverse”, an infinite number of parallel worlds, and the awkward establishing of one unified DC canon. Over the years, DC have returned to this concept again and again, retconning it, expanding upon it, and milking it to the point of excess but that doesn’t change how influential this massive crossover was. To celebrate this momentous event, I’ve been taking a look at multiversal crossovers every Sunday in April in an event I’m calling “Crossover Crisis”.

Air Date: 9 December 2018 to 11 December 2018
UK Network: Sky One
Original Network: The CW
Stars: Stephen Amell, Grant Gustin, Melissa Benoist, Jeremy Davies, Tyler Hoechlin, David Ramsey, Carlos Valdes, Chyler Leigh, and Ruby Rose

The Background:
The “Arrowverse” may have started as a grim, gritty reimagining of the life and times of Oliver Queen/Green Arrow (Amell) but it soon expanded to include all kinds of elaborate, comic book plotlines: time travel, metahumans, and parallel worlds were now all par for the course and annual crossovers with other superhero shows on the CW were a regular occurrence. After executive producer Marc Guggenheim noted that the cast and crew were pretty burned out by these massive crossover events, the CW relented that DC’s Legends of Tomorrow (2016 to present) would not have to be included in the next crossover. Elseworlds was heavily inspired by a comic book concept from the mid-to-late-nineties which, in the absence of the usual infinite parallel worlds, allowed writers and artists to tell out of continuity tales of popular DC characters. The event was also primarily constructed to finally introduce Gotham City, and Bruce Wayne/Batman, to the Arrowverse and setup a new Arrowverse show, Batwoman (2019 to present) through the introduction of Rubt Rose as Kate Kane/Batwoman. Each of Elseworlds’ three episodes were received very positively and the production of the crossover not only saw a Batwoman spin-off take off not long afterwards but also brought the entire Arrowverse, and most of DC’s live-action adaptations, together for perhaps the biggest superhero crossover ever attempted the following year.

The Plot:
When psychiatrist John Deegan is gifted the Book of Destiny by a mysterious individual and begins rewriting reality to his every whim, Oliver Queen and Barry Allen/The Flash (Gustin) inexplicably switch bodies! After seeking help from Kara Danvers/Supergirl (Benoist), the three travel to Gotham City to track down Deegan, who plans to use the Book’s power to assume the powers and abilities of Clark Kent/Superman (Hoechlin).

The Review:
Elseworlds begins in earnest with, appropriately enough, “Part 1” (Tancharoen, 2018), which was the ninth episode of season five of The Flash (2014 to present). At that time, The Flash was knee-deep in the confusion and drama of Barry and Iris West-Allen’s (Candice Patton) daughter, Nora West-Allen/XS (Jessica Parker Kennedy), coming back in time to meet her father before his fated disappearance during a mysterious “Crisis” and to help Team Flash track down the big bad of the season, Orlin Dwyer/Cicada (Chris Klein).

The central concept, and humour, of the crossover begins immediately after John Deegan is gifted the Book of Destiny by the mysterious Mar Novu/The Monitor (LaMonica Garrett) and Oliver Queen wakes up in the body of Barry Allen. Confused and disorientated, Oliver attempts to adapt to the confusing situation on the fly but, while he does blag his way through breakfast with Iris, he struggles to adjust to Barry’s superspeed and metahuman abilities. It’s amusing and entertaining to see Oliver struggling for a change; for all his training and preparation and adaptability, he’s totally out of his depth hanging around with Team Flash and having to be more open and honest with his feelings.

Similarly, Barry finds himself without his superspeed and at the mercy of a beating from John Diggle/Spartan (Ramsey) and suddenly involved in Team Arrow’s campaign against Ricardo Diaz/Dragon (Kirk Acevedo). While Oliver struggles with his newfound powers and the bright, chippy nature of Barry’s team and city, Barry revels in having Oliver’s physical abilities; he only becomes motivated to get to the bottom of it all when Iris exhibits no recognition or belief in him. Normally, I’m not a massive fan of body swap storylines but seeing Barry and Oliver having to adapt to each other’s specific abilities and attitudes was an amusing twist for both; Barry has to dislocate his joints and adopt a far darker approach to his actions since Oliver’s focus and determination come from all of the anger and torment he’s been through. Conversely, Oliver must try and master (or, at least, stumble through) picking up Barry’s metahuman abilities and learn to act out of his feelings of love and positivity from his team and family. To try and get to the bottom of the body swap, which has also caused disconcerting red skies to cover the city, Oliver and Barry manage to escape and travel to Earth-38, where Kara is reconnecting with her cousin, Clark, and his partner, Lois Lane (Elizabeth Tulloch). This includes not only a fantastic little homage to Smallville (2001 to 2011) but also an amusing scene where Barry is in awe of Clark and Oliver puffs his chest out, and in which Oliver attempts to teach Barry how to actually use his abilities rather than relying on his powers and his team.

Annoyed at Barry’s pranks, Olivier tries to get a rise out of him but finds that he’s equally handicapped by Barry’s superspeed; in the end, the two are forced to admit that they are two very different people, with different motivations and experiences, which literally places each one in the other’s shoes. This forms the main conflict of the first episode and the crossover, leading to a lot of digs and points of contention between the two. Luckily, the two are able to focus their issues on a common enemy: the Anti-Metahuman Adaptive Zootomic Organism (A.M.A.Z.O.). Even better, Supergirl and Superman accompany them back to Earth-1 to battle the android, which can adapt to and counter their attacks and has absorbed a multitude of metahuman abilities. This means that Superman and Supergirl aren’t enough, by themselves, to defeat the android, which helps to emphasise the new teamwork dynamic of the crossover, and that actually gets to play a vital role in a crossover for the first time, a role that only increases in prominence and danger when Deegan takes over his body in “Part 3” (Warn, 2018).

Deegan is largely absent for a great deal of Elseworlds but his ominous presence is felt through Cisco Ramon/Vibe’s (Valdes) visions and the chaotic events of the crossover. For the majority of Elseworlds, the heroes are on the backfoot, forced to adapt to new situations and constantly chasing tangential leads about the source of their body swap. “Part 2” (Bamford, 2018), which was episode nine of season seven of Arrow (2012 to 2020), leads Barry, Oliver, and Kara to Gotham City, a location often hinted at in the Arrowverse but never seen or explicitly referenced beyond cheeky allusions. A great deal of focus in the second episode is placed on the urban legend of the Batman; similar to how he felt emasculated in Clark’s presence, Oliver is annoyed and frustrated at the idea that he isn’t the “original vigilante”. Barry, however, continues to exhibit his crossover-characteristic enthusiasm for visiting Gotham and potentially meeting the Batman, whom Oliver is convinced is merely a myth used to scare criminals.

After a run-in with some muggers (including one of my favourite characters and stuntmen, Daniel Bernhardt), the three are arrested (mainly because Oliver’s identity as the Green Arrow is public knowledge by this point) on the corner of “Burton and Nolan” but are bailed out by Kate Kane. Stoic and unimpressed with their presence, Kate is only interested in getting the three out of Gotham as quickly as possible; it’s through their interactions that we are brought up to speed with the state of Gotham, which is noticeably different compared to what we see in Batwoman. Bruce Wayne is gone, having been missing for three years, and with him the Batman; the Crows are nowhere to be seen and the Gotham City Police Department are still in full force; the Bat-Cave looks entirely different; and Kate is already Batwoman, making this episode’s placement in Batwoman’s continuity a bit difficult to judge. Supergirl mainly acts as peacemaker between Barry and Oliver throughout the crossover, painting her in a noticeably different role than in other crossovers, where she’s generally the optimistic and polite ace in the hole (one thing I continuously find odd is that Kara insists on wearing her glasses when on Earth-1, which may be out of habit more than anything). However, Kara gets a chance to shine by connecting with Kate, mainly due to Clark and Bruce being friends on her Earth, and is able to learn a little more about both Kate and Bruce and get a more definitive lead on Deegan at Arkham Asylum (which includes a number of references to famous Bat-foes and even Guggenheim himself). Despite Batwoman’s callous attitude and no-nonsense approach, she is won over by Kara and the two end the second episode having taken the first steps towards what would, unfortunately, be a friendship fated not to last thanks to behind the scenes drama and shenanigans.

While Barry and Oliver deal with their identity crisis and, alongside Supergirl, attempt to track down Deegan, Team Arrow and Team Flash join forces to try and get to the bottom of the chaotic red skies that seem to follow Barry and Oliver everywhere they go. Team Flash, especially, are more of a hindrance than a help in the first episode as they lock Barry and Oliver up and refuse to even consider the possibility that they have switched bodies; Team Arrow are, surprisingly, more open to this suggestion, meaning the three get far more co-operation from the likes of Diggle, Felicity Smoak (Emily Bett Rickards), and Curtis Holt/Mister Terrific (Echo Kellum) than they do from Ralph Dibny/Elongated Man (Hartley Sawyer). Eventually, however, the teams are able to pool their resources, which leads to them making contact with the Flash of Earth- 90 (John Wesley Shipp) and discovering the source of Deegan’s powers: another, far more powerful and manipulative individual, the Monitor, a mysterious, enigmatic figure that appears to be behind not only the Book of Destiny and Deegan’s actions but also the disconcerting tumultuous red skies. Despite appearing to be a threatening, antagonistic force, the Monitor is eventually revealed to be simply “testing” Earth’s heroes for an oncoming, far greater Crisis by putting them up against overwhelming odds in preparation for a far more powerful threat.

The ninth episode of Supergirl’s (2015 to present) fourth season sees the culmination of this storyline and the shift to another altered timeline where both Barry and Oliver, lacking their abilities, are wanted criminals and Deegan has cast himself in the role of a hero as a black-suited version of Superman. Already an unhinged character even before he acquired the Book, having performed immoral experiments on the inmates of Arkham Asylum, Deegan is driven to near insanity by the Book’s magics and revels in Superman’s unmatched power. Deegan perverts not just Superman’s image and symbol but also the Team Arrow/Team Flash dynamic by usurping their friends and resources; although he paints himself as a hero, he’s a near-tyrannical despot but is, ultimately, handicapped by his lack of control, arrogance, and turbulent emotions that make him an aggressive and unpredictable, but easily out-witted, foe. One of the downsides to the previous crossovers was how easily the big bads were defeated and Elseworlds changes that, somewhat, thanks to Superman’s incredible powers being put to evil and the reality-changing powers of the Book of Destiny requiring a little more than just an anti-climatic fist fight this time around.

The Summary:
Elseworlds, despite dealing with shifting realities and timelines, is a much less crowded and elaborate crossover than Crisis on Earth-X (Various, 2017) and, although the body swap storyline is a central focus of the crossover, action is still frantic and varied throughout Elseworlds; we get comically over the top fight scenes involving the likes of A.M.A.Z.O. and Superman but also gritty, down to Earth scuffles during the breakout in Arkham Asylum. Thanks to effects of Doctor Johnathan Crane/The Scarecrow’s fear gas, we also get brief cameos by Eobard Thawne/The Reverse-Flash (Cavanagh) and Malcolm Merlyn/The Dark Archer (John Barrowman) when Barry and Oliver believe that they are their greatest foes.

Elseworlds is also a far more amusing and entertaining crossover thanks to its central focus on the identity crisis between Oliver and Barry; this dynamically changes their understanding of each other and the nature of their teamwork and allows them to understand each other a little more intimately. The fact that they spend pretty much the entire crossover either struggling with each other’s powers, abilities, and supporting cast, or depowered entirely, means that there is no easy solution to anything this time around. They are constantly on the backfoot, having to adapt on the fly and find new ways to figure out what’s going on, which makes for a decidedly unique dynamic for each character and those around him. Once again, Supergirl gets shafted quite a bit, with only Alex Danvers (Leigh) really having a significant role outside of Supergirl and Superman; while Supergirl doesn’t really get a whole lot to do besides be the straight woman in the bickering banter between Oliver and Barry, she finally comes into her own, appropriately enough, in the final part when she is able to reach her rewritten sister and stand up to a corrupted version of her cousin.

One thing I enjoyed about Elseworlds, and the majority of the Arrowverse crossovers, is how each of the heroes has a significant role to play no matter how powerful they are; Superman and Supergirl may have incredible powers and abilities far beyond those of mortal men but they alone are not enough to turn the tide against Deegan or to stand up to the Monitor’s power. Oliver, faced with incredible situations and God-like beings far beyond his comprehension and experience, struggles to adapt and, yet, still finds ways to not only be relevant but also forever affect not only this Crisis but the coming Crisis as well by bargaining with the Monitor. In the end, Elseworlds was an enjoyable crossover that was both amusing and action-packed, gritty and elaborate, and managing to both be an interpersonal drama in a unique way while also setting up a far bigger, more insane crossover than I, for one, never expected to see.

My Rating:

Fantastic

What did you think to Elseworlds? Did you enjoy the body swap plot and the introduction of Batwoman? Were you disappointed that Supergirl didn’t have a slightly bigger role or were you happy to see her and Superman showing different sides to their personalities? What did you think to John Deegan and the ominous presence of the Monitor? Did Elseworlds leave you excited for its far bigger crossover? What are some of your favourite Elseworlds stories from DC Comics? Whatever your thoughts, drop a comment below and check back in next Sunday for my review of the final Arrowverse crossover and the last week of Crossover Crisis!

In April of 1985, the first issue of the ground-breaking, twelve issue Crisis on Infinite Earths (Wolfman, et al, 1986) was published. This event, which was easily the biggest in DC Comics at that point (and for many years), saw the destruction of the “Multiverse”, an infinite number of parallel worlds, and the awkward establishing of one unified DC canon. Over the years, DC have returned to this concept again and again, retconning it, expanding upon it, and milking it to the point of excess but that doesn’t change how influential this massive crossover was. To celebrate this momentous event, I’m been taking a look at multiversal crossovers every Sunday in April in an event I’m calling “Crossover Crisis”.

Air Date: 27 November 2017 to 28 November 2017
UK Network: Sky One
Original Network: The CW
Stars: Stephen Amell, Grant Gustin, Melissa Benoist, Caity Lotz, Carlos Valdes, Dominic Purcell, Chyler Leigh, Brandon Routh, Franz Drameh, Victor Garber, and Tom Cavanagh

The Background:
After the success of Invasion! (Various, 2016), the scope and interconnectivity of the “Arrowverse” began to steadily grow; The Flash (2014 to present), in particular, began to explore more and more of the multiverse while DC’s Legends of Tomorrow (2016 to present) exclusively dealt with concepts of time travel and alternate timelines. Invasion! ended up being the first of many annual crossovers between the CW shows and, accordingly, development of the next big crossover began in 2016. This time around, the showrunners were able to better plan and prepare for the crossover; however, while this allowed for Supergirl (2015 to present) to be included in the line-up, Black Lightning (2018 to present) was notably absent from the event, which drew inspiration from the annual crossovers between the Justice Society and Justice League of America in the Silver Age of DC Comics.

The Plot:
When the long-awaited wedding between Barry Allen/The Flash (Gustin) and Iris West (Candice Patton) is interrupted by evil doppelgängers from Earth-X, a dystopian world populated by Nazi versions of the Arrowverse heroes, they must call upon Oliver Queen/Green Arrow (Amell), Kara Danvers/Supergirl (Benoist), and the time-travelling Legends in a desperate battle to save their world from becoming over-run by their totalitarian doubles.

The Review:
Crisis on Earth-X begins, appropriately enough, in “Part 1” (Teng, 2017), which was the eighth episode of the third season of Supergirl and introduces us to Earth-X, a parallel world that is under the iron grip of a Nazi regime. Oliver Queen/Dark Arrow (Amell) is the Führer and leader of the ruling cabal, the New Reichsmen, who use brute force and murderous tactics to spread fear amongst the populace and rule largely unopposed except for a band of plucky Freedom Fighters who are hopelessly outmatched. Hungry for new worlds to spread their regime to, they seize a temporal gateway and travel to Earth-1 in search of further conquests.

Most of our heroes from Earth-1 are concerned primarily with the impending marriage of Barry and Iris; the daily routine of our multiversal time travelling heroes is given a comedic background as Green Arrow, the Legends (Sara Lance/White Canary (Lotz), Mick Rory/Heat Wave (Purcell), Jefferson Jackson (Drameh) and Doctor Martin Stein (Garber)/Firestorm, Ray Palmer/The Atom (Routh), Nate Heywood/Steel (Nick Zano), Zari Tomaz (Tala Ashe), and Amaya Jiwe/Vixen (Maisie Richardson-Sellers)), and Supergirl (Benoist) put their individual issues and missions on hold to travel to present day Earth-1 for the wedding, bringing these characters together for a happier, more social event rather than an impending crisis. Amidst this, Kara is still reeling from the return of Mike Matthews/Mon-El (Chris Wood) and her sister, Alex (Leigh), is struggling with a recent breakup. The revelation that Mon-El is not only alive but also already married has shaken Kara’s usually positive outlook; like any good CW/TV lesbian, Alex decides to throw herself at the nearest bisexual character (Sara); and Oliver is motivated by Barry’s plunge into marriage to (unsuccessfully) re-propose to long-term love interest Felicity Smoak (Emily Bett Rickards). Additionally, Stein and Jackson are facing the sudden realisation that their time as Firestorm may be coming to an end thanks to a cure developed by Cisco Ramon/Vibe (Valdes) and the Earth-2 Harrison Wells (Cavanagh).

Although Stein is overjoyed at the prospect of returning to his family and a normal life, Jefferson is struggling with the idea of losing their partnership, friendship, and the bond that Firestorm brings the two. Characteristically, Stein misinterprets Jefferson’s feelings regarding the situation and attempts to fashion a way for Jax to continue being a super-powered Legend without him or Firestorm. With all this drama hanging in the air, tensions are a little highly strung on the morning of the wedding and it’s something of a relief (for everyone but Barry and Iris, that is) when Kara Zor-El/Overgirl (Benoist), Dark Arrow, and Tommy Merlyn/Prometheus (Colin Donnell) gate crash the ceremony with their troops. Of course, a massive fight scene breaks out (it’s super lucky and convenient that guys like Oliver and Mick brought their weapons to the church…), the main focus of which pits Overgirl against Supergirl, Oliver against Dark Arrow, and Sara and Alex against Prometheus in a bit of a mirror match, of sorts. Of course, it isn’t until the fight is concluded and Prometheus is captured that the true identities of their opponents are revealed since all the Earth-Xers are sporting bad-ass masks.

“Part 2” (Bamford, 2017), which took place in season six, episode eight of Arrow, delves into the consequences of this; as always when he comes face to face with Tommy Merlyn, Oliver is shaken by the appearance of his long dead best friend. Harry also offers a quick bit of exposition into the background of Earth-X, a 53^rd Earth that is so horrific that it lacks the usual numerical designation; unlike in Invasion!, Oliver is now far more adjusted to the concept of the multiverse and metahumans but his emotional attachment to Tommy (which is fuelled by his own feelings of grief and guilt at his Tommy’s death) blind him to Prometheus’s uncompromisingly cruel nature. Oliver’s already dramatic and brooding life is further complicated by Felicity’s unexpected rejection of his proposal, which kind of just exists simply to add to the character’s aggro; it’s a common thing in Arrow that seemingly every time Oliver tries to grow as a character and a person, normally dependable people suddenly let him down and then he’s the one who has to learn a lesson to adjust to this before things just work out anyway, which is kind of how the Arrowverse likes to handle its dramatic moments: needless conflict amidst actual, tangible conflict.

Crisis on Earth-X also features an appearance by Jessica Parker Kennedy, who would later be revealed to be Barry and Iris’ time-travelling daughter, Nora; once again, though, in a crossover featuring a slew of cameos and characters, Wally West/Kid Flash (Keiynan Lonsdale), John Diggle/Spartan (David Ramsey), J’onn J’onnz/Martian Manhunter (David Harewood), and Mon-El are completely side-lined but the event has time for appearances by Ray Terrill/The Ray (Russell Tovey), the Earth-X Leonard Snart/Citizen Cold (Wentworth Miller), Metallo (Frederick Schmidt), Red Tornado, and even a much welcome appearance by Paul Blackthorne as SS Sturmbannführer Quentin Lance. Perhaps the best thing about Crisis on Earth-X’s large cast of characters is the return of Cavanagh as the Reverse-Flash, still the most charismatic and memorable of all the Flash’s villains. Thawne is, it turns out, the actual Thawne from Earth-1, having cheated death thanks to complex (and convenient) time travel shenanigans. While Green Arrow and Supergirl are naturally disturbed and disgusted with their evil counterparts, Barry’s fight against Thawne is far rawer and emotionally charged given their history and Thawne’s sadistic vendetta against him.

Once again, despite neither him or his Earth-X doppelgänger sporting superpowers, Oliver manages to find a way to make himself relevant and useful in the explosive conflict; his Kryptonite arrow, however, is far less useful than one might expect but Dark Arrow ends up being skilled and competent enough to take on Heat Wave, Doctor Caitlin Snow/Killer Frost (Danielle Panabaker), Curtis Holt/Mister Terrific (Echo Kellum), Rene Ramirez/Wild Dog (Rick Gonzalez), and Dinah Drake/Black Canary (Juliana Harkavy) all at the same time. This is especially evident in “Part 3” (Helbing, 2017), which aired as the eight episode of the fourth season of The Flash), when, trapped on Earth-X alongside Barry, Sara, Alex, Stein, and Jefferson, Oliver is the only one able to break free of their power-dampening restraints thanks to his ability to freely dislocate his thumb.

While this quickly becomes a moot point as they are soon rescued by the Earth-X Snart, who introduces them to the pitiful Earth-X resistance movement, Oliver is able to (briefly) successfully impersonate his doppelgänger to infiltrate a convenient, if well-guarded, facility that offers their only chance of returning home. Concurrently, their Earth-1 allies are trapped in the anti-metahuman cells at Scientific and Technological Advanced Research Laboratories (S.T.A.R. Labs) and Kara is held captive under power-dampening red sunlight. For all the power, greed, and conviction of the Earth-Xers, their motivations come down to a desperate need to save Overgirl from dying through a heart transplant with Supergirl with only Felicity and Iris left behind to help her. It’s interesting, and surprising, for a crossover between the Arrowverse’s greatest heroes that two non-powered supporting characters end up being the key to turning the tide against the Earth-Xers as they rescue Kara using little more than their grit and ingenuity and the foresight to summon the remaining Legends.

The finale, “Part 4” (Smith, 2017), was the eighth episode of the third season of DC’s Legends of Tomorrow; similar to the final episode of Invasion!, saving the Legends episode to last causes a sudden and noticeable flood of characters to join the already inflated cast. The timely intervention of the Atom saves Kara but, unfortunately, even Gideon (Amy Louise Pemberton) is not capable of saving Stein’s life from a fatal bullet and he dies having sacrificed himself to return everyone to Earth-1 and to keep Jefferson alive. It’s an emotional and dramatic moment for the entire team but, especially, for those two, whose relationship has developed into a fantastic father/son dynamic amidst the dysfunctional family of the Waverider and would forever change the Legends dynamic going forward.

Though hurt and grieving following Stein’s death, Oliver and Sara’s pragmatic attitude galvanises the heroes into uniting against the Earth-Xers and their own version of the Waverider, the Wellenreiter, which they use to launch a devastating attack on Earth-1 unless Kara turns herself over to them. Rather than go gallivanting off through time and space, the Legends join their fellow heroes for an all-out counterattack against the Earth-Xers, resulting in a massive brawl in the streets. In the end, the day is won through a combination of teamwork and co-ordination to disable the Wellenreiter and Overgirl succumbing to her solar poisoning. Her explosive death directly leads to Oliver executing his counterpart and, thanks to Barry suitably scaring off Thawne, the crisis is averted, and Barry and Iris are finally married. Invasion! was a very rushed and lacklustre excuse to bring together the Arrowverse against a simple extra-terrestrial threat; while the spirit of each show was evoked as best as possible and each episode did its best to focus on a core group of characters amidst a bloated cast, the crossover was let down by a frantic pace and some dodgy CGI. Crisis on Earth-X, in comparison, is a far more well balanced affair and, in many ways, seems like a much easier and more simpler concept to bring together the CW shows as it doesn’t require fully CGI characters or entirely new ideas; it’s simply a fight between the heroes of the Arrowverse and their violent and sadistic doppelgängers. Of course, it’s not the first time many of these heroes (especially Green Arrow and the Flash) have fought against dark versions of themselves but it’s a pretty simple and effective narrative device; plus, not only does it allow characters to literally fight against their own dark nature, it’s fun to see the actors portraying such radically different versions of themselves. While Dark Arrow isn’t that much different from Green Arrow, Overgirl is the exact opposite of Kara’s normally optimistic and enthusiastic nature, allowing Benoist to flex her range into sadistic bitch territory.

The Summary:
There’s a definite sense in Crisis on Earth-X that the Arrowverse was really beginning to hit is stride and becoming much more ambitious with its characters, concepts, and crossovers; the shows have come a long way from the relatively grounded Arrow (2012 to 2020), almost being unrecognisable with their fragrant and frequent use of obscure and complex sci-fi concepts such as time travel, aliens, and the multiverse. Thanks to having the time to properly focus on these concepts in shows like The Flash and Legends of Tomorrow, crossovers such as these were not only able to occur in the first place but actually felt like a natural and inevitable inclusion rather than being a rushed and desperate attempt to catch up to the competition like in the movies.

Of course, dodgy CGI does raise its head once again in Crisis on Earth-X, particularly in the scene where Green Arrow helps Flash and Supergirl reinforce a collapsing superstructure by firing a load of CGI arrows and lines across the girders and whenever the Ray’s powers are on show. Still, these moments are far less intrusive and noticeable than in Invasion!, which is surprising considering Crisis on Earth-X features far more super-powered individuals and a much bigger scope. Once again, the costume design is absolutely spot on; the Earth-X Schutzstaffel-inspired uniforms give the normally bright and colourful heroes a dark and menacing look that is only exacerbated when the narrative switches to Earth-X and we see just how different the totalitarian parallel world is to Earth-1 and the rest of the multiverse.

Something I really enjoyed about this second crossover was that there was a lot more for everyone to do this time around and far more dynamic and varied character interactions, largely thanks to the fact that the pacing and focus of the crossover is much better this time around; each episode feels like a part of a larger, unified narrative that is the geared towards serving the purpose of the crossover rather than being a regular episode of its main show with the crossover plot shoe-horned in. The ramifications of the crossover had lasting effects on the Arrowverse as a whole as well; not only did it end with the long-awaited marriage of Barry and Iris, and open the doors for bigger and better multiversal events in the future, but it forever changed the dynamic of Legends of Tomorrow, and Jefferson’s character, through the sudden and dramatic death of Stein. Invasion! had the suggestion of high stakes but the plot was so concerned with focusing on the interpersonal drama rather than actually depicting the Dominators as a meaningful threat that there was never really the suggestion that the heroes could fail or lose in any way. This time around, the loss of Stein and the depiction of a dystopian alternative world where many have either died or are pure evil raised the stakes for future crossovers, allowing for a degree of unpredictability to permeate subsequent events.

My Rating:

Great Stuff

How did you find Crisis on Earth-X? Did you prefer it to Invasion! and where would you rank it compared to the other Arrowverse crossovers? What did you think to the concept of evil, Nazi versions of the Arrowverse heroes? Were there any characters you would have liked to see have more focus in the crossover or were you, like me, far more impressed with the pacing and balance this time around? How did you feel about Stein’s death and which of the four shows is your favourite? Whatever your thoughts on Crisis on Earth-X, be sure to leave a comment below and check back in next Sunday as Crossover Crisis continues!

In April of 1985, the first issue of the ground-breaking, twelve issue Crisis on Infinite Earths (Wolfman, et al, 1986) was published. This event, which was easily the biggest in DC Comics at that point (and for many years), saw the destruction of the “Multiverse”, an infinite number of parallel worlds, and the awkward establishing of one unified DC canon. Over the years, DC have returned to this concept again and again, retconning it, expanding upon it, and milking it to the point of excess but that doesn’t change how influential this massive crossover was. To celebrate this momentous event, I’ll be taking a look at multiversal crossovers every Sunday in April in an event I’m calling “Crossover Crisis”.

Air Date: 29 November 2016 to 1 December 2016
UK Network: Sky One
Original Network: The CW
Stars: Stephen Amell, Grant Gustin, Melissa Benoist, Caity Lotz, Carlos Valdes, Dominic Purcell, David Ramsey, Brandon Routh, Willa Holland, and Victor Garber

The Background:
In October 2012, Arrow (2012 to 2020) premiered on the CW; a successful first season saw the show not only continued for another eight years but also herald the start of the “Arrowverse”, a series of interconnected superhero shows that kicked off with The Flash (2014 to present), explored time and space in DC’s Legends of Tomorrow (2016 to present), and delved into the multiverse with the advent of Supergirl (2015 to present). Characters and concepts from each show would often cross over and, in time, the Arrowverse became a surprisingly complex continuity that, inevitably, led to a massive three-episode crossover. The event, titled Invasion!, was heavily inspired by a DC Comics event of the same name from the late-eighties, united the Arrowverse heroes against an external, extra-terrestrial threat. The three episodes were shot concurrently and gave the CW its most-watched week in six years. Invasion! was met with largely favourably reviews, with each series’ episodes ranked amongst the highest for their respective seasons. The success of Invasion! led to further, increasingly elaborate crossovers between the CW shows, all of which I’ll be covering throughout April.

The Plot:
When an aggressive extra-terrestrial race known as the Dominators (Micah Fitzgerald) arrive on Earth looking to conquer the planet, Barry Allen/The Flash (Gustin) and his team at Scientific and Technological Advanced Research Laboratories (S.T.A.R. Labs) team up with Oliver Queen/Green Arrow and his allies, Kara Danvers/Supergirl (Benoist), and the Legends, led by Sara Lance/White Canary (Lotz), to combat the threat of invasion!

The Review:
Each of the three parts of Invasion! are, quite helpfully and naturally, titled “Invasion!”. The crossover begins in media res with season three, episode eight of The Flash (Downs, 2016) before flashing back to ten hours earlier, where Team Flash are in the middle of testing out Wally West’s (Keiynan Lonsdale) recently acquired super speed. Though he shows a great deal of potential and promise, his sister, Iris (Candice Patton), urges the team not to encourage his dreams of following in Barry’s footsteps out of worry for his safety.

The team is in a bit of a fractured state as Cisco/Vibe (Valdes) is having trust issues with Barry after his time travel shenanigans in the “Flashpoint” episode (Warn, 2016); Barry’s main arc in the crossover was trying to live with the ramifications of his selfish actions, which caused numerous alterations to the timeline and affected his confidence and relationships. In the midst of this, the Dominators suddenly arrive on Earth, which surprises even Barry, who by this point has already travelled to other parallel worlds. Thanks to information provided by Advanced Research Group United Support (A.R.G.U.S.) director Lyla Michaels (Audrey Marie Anderson), the team learns that the Dominators have been arriving on Earth since the 1950s, attacking and abducting humans and then disappearing seemingly at random. Lyla asks the team to stand down, believing they would be no match for the Dominators so, obviously, Barry immediately ignores that decision and goes to Oliver for help.

Against Oliver’s wishes and Felicity Smoak’s (Emily Bett Rickards) objections, his sister, Thea/Speedy (Holland), and John Diggle/Spartan (Ramsey) agree to help rendezvous with the Legends at an abandon S.T.A.R.S. warehouse. Barry then immediately jumps over to Earth-38 to recruit Supergirl and the first tentative meeting of the Arrowverse super friends takes place. Thanks to the inclusion of the Legends, Invasion! immediately becomes compounded by an influx of characters: there’s team leader Sara, Mick Rory/Heat Wave (Dominic Purcell), Doctor Martin Stein (Garber) and Jefferson Jackson/Firestorm (Franz Drameh), and Ray Palmer/The Atom (Routh), amidst all the supporting characters from both The Flash and Arrow. While this threatens to bog the narrative down a bit and can be overwhelming for newcomers, each episode smartly places much of its focus on the main cast of their main series. Accordingly, much of the Flash part of the crossover focuses on Wally’s resentment of the team’s distrust in his abilities, Cisco’s issues with Barry, and Doctor Caitlin Snow’s (Danielle Panabaker) struggles with adjusting to her newly discovered ice powers, which Stein helps her reconcile.

Supergirl brings a modicum of background knowledge of the Dominators from her Earth but, by virtue of Oliver’s suggestion, Barry is named the team leader; Oliver, however, is largely distrustful of Kara upon first meeting and, as the more serious and grim of the entire group, pushes her, and the entire team, not to hold back in order to fight with peak efficiency in the coming battle. Because of her unmatched superpowers, she is made the guinea pig for the team to test their skills and teamwork out on and this (and the frosty reception she later receives in crossover) causes some notable friction between her and Oliver since she isn’t impressed at being treated like an alien. A cautious, distrustful character by nature, Oliver characteristically take some time to warm to others as it is but his relationship with Kara is particularly unique as, just as he was forced to adapt to and accept “metahumans” (DC’s name for superpowered individuals), he initially struggles to trust and accept aliens and the idea of a multiverse. Because of this, and her status as an outsider to the remainder of the cast, Supergirl’s optimism and enthusiasm is tested during Invasion! as she must work to prove herself in the eyes of her new team mates but, thankfully, her drive and abilities are enough to win over even her most ardent doubters.

The tension is only exacerbated when Cisco pressures Barry to reveal the implications of Flashpoint to the team, which drives a wedge between them; while Kara still trusts Barry regardless, it’s only through a tough love pep talk from Oliver that Barry snaps out of his self-doubt and realises that he can still make a positive difference despite the mistakes of the past. Ultimately, these plot points converge somewhat when the Dominators force Oliver and Barry to fight their mind-controlled friends, wherein the unique and surprisingly effective teamwork of the two is enough to free them from the control of the Dominators. The second part of the crossover, which takes part in season five, episode eight of Arrow (Bamford, 2016), is probably the weakest of the three since it doubles as an anniversary episode of Arrow; with Oliver trapped in a virtual reality dreamland, Team Arrow (Curtis Holt/Mister Terrific (Echo Kellum), Rene Ramirez/Wild Dog (Rick Gonzalez), and Rory Regan/Ragman (Joe Dinicol)) work with Cisco and Felicity to figure out how to locate and free Oliver from his prison. Fittingly, given the largely more grounded and practical nature of Arrow, Rene echoes Oliver’s scepticism and distrust of metahumans but, nevertheless, agrees to pool their resources for the greater good just like Oliver.

Normally a grim, pragmatic, and focused individual, Oliver is overwhelmed by the fantasy world the Dominators have placed him into but, because of the horrors of his past and the trauma he has lived through, is quickly able to sense and recognise that he is living in a dream world. Despite being reunited with his mother (Susanna Thompson), father (Jamey Sheridan), and deceased former love, Laurel Lance (Katie Cassidy), Oliver ultimately chooses to reject the promise of a peaceful, “normal” life in favour of returning to his never-ending fight because he is driven to atone for both his sins and those of his father through his work as Green Arrow. Sadly, as heart-breaking as the Arrow-centric episode is (and as fun as it is to get cameos from Malcolm Merlyn (John Barrowman) and Damien Darhk (Neal McDonough)), the focus on this dream world is a jarring left turn for Invasion! and seems more like a regular, standalone episode of Arrow rather than a continuation of a big crossover event. As a result, the Dominators and the larger plot basically disappear from the crossover until the very end of the episode in favour of focusing on reliving all of Arrow’s greatest moments and characters in celebration of the show’s 100^th episode. While I’ve never been the biggest fan of Legends of Tomorrow, the final episode of Invasion! (Smith, 2016), which takes part in the seventh episode of Legends’ second series, at least gets the crossover back on track towards the larger Dominator plot.

After regrouping with the rest of the super friends, and returning to Lyla’s intel from the first episode, the team splits into groups, with one group travelling back to 1951 in the Waverider to interrogate a Dominator and another group staying behind to work on a way to defeat the Dominators with the resources they have. Interestingly, none of the primary superheroes travel with the Legends; this allows Heat Wave, Nate Heywood/Steel (Nick Zano), and Amaya Jiwe/Vixen (Maisie Richardson-Sellers) a chance to shine in battle with the Dominators while Cisco works through his aggro with Felicity and, back in the present, Stein attempts to adjust to the sudden appearance of a daughter (Christina Brucato) in his life after the events of “Pilot: Part 2” (Winter, 2016). This time-travel jaunt, and these concurrent plot threads, converge in the revelation of the Dominators’ physiology, capabilities, and true mission: the destruction of all metahuman life because the aliens have deemed them a threat.

A couple of things that are generally quite consistent about the Arrowverse are the interactions between characters (which usually strikes just the right balance between humour and drama but, quite often, steps a bit far into one side or the other as the narrative demands) and the action and fight scenes. Each character fights and approaches battles in a different way, with the Flash being very innovative, Green Arrow utilising his hard-hitting and efficient martial arts, Supergirl ploughing ahead with her peerless strength, and each of the Legends showcasing equally unique strategies in battle (Atom uses his robotic suit, Canary her weapons and martial arts, Firestorm their nuclear powers, and so on). The result is a wide variety of individual personalities and abilities who, while often clashing, work really well together; the actors have a great rapport with one another (some more than others, like Barry, Oliver, and Kara, for example), which allows for some great moments of levity and drama, and it’s a thrill to see these colourful and distinct superheroes all coming together in the face of a greater threat.

I also really like that the conflicting dichotomies of each show is held intact; accordingly, Arrow’s Star City is ominous, dangerous, and constantly shown at night-time and characters like Oliver and Rene are stoic and distrustful, especially of metahumans since they (as in Team Arrow) are comprised, largely, of normal, non-powered individuals and somewhat resent the abilities of those with superpowers. Although none of Supergirl’s supporting cast make an appearance in this particular crossover, she brings an almost naïve and near-boundless enthusiasm and positivity despite the rough welcome she receives from some members of the cast. This is echoed in Barry and the more vibrant, colourful world of Central City, all of which are presented as a thematic parallel to Arrow throughout the Arrowverse. The controlled chaos of Legends of Tomorrow is similarly evoked; Legends has always focused more on the dysfunctional family dichotomy that the crew of the Waverider share as, while they’re all very distinct and opposing personalities, they are able to function as a time-travelling team and take their mission to police and protect time very seriously (even if they don’t necessarily act serious 100% of the time).

However, one of the main things holding back Invasion!, much like many of the CW’s shows, are the special effects; for a television budget, the shows have always been ambitious and done pretty well, especially when it comes to costume design. Unfortunately, Invasion! decides to use CGI to render the Dominators rather than practical or more traditional effects, which does knock the quality of the crossover down quite a bit since they don’t hold up too well. The Dominators, for all their obscurity, make for a relatively formidable threat to bring the Arrowverse together; sporting advanced technology, mental capabilities, super strength, and a vicious, bloodthirsty nature, they are as cruel as they are fearsome, the Dominators are able to turn friends and allies against each other and place their victims into a virtual reality dream world in order to manipulate their thoughts and steal their knowledge.

The Summary:
For the first proper crossover between the Arrowverse shows, Invasion! is decent enough but a far cry from the crossover events that would follow; I think the main issue with the crossover is that it feels very rushed and clearly takes place in the middle of a number of unrelated and conflicting storylines for each character and show in the Arrowverse. As if the Arrow-centric episode wasn’t proof enough of this, the fact that Supergirl isn’t included with the crossover is and it all comes down to the simple problem of time. Later crossovers handled the placement and build-up of their crossovers a lot better, either purposely writing them to be standalone events or spending a great deal of time building up to them; Invasion!, though, is tonally all over the place, moving at a near breakneck pace and yet also being jarringly slow when it should be far more action-packed.

Still, it’s not bad for a first attempt; the Dominators may not be a particularly well-known threat in the DC universe but they serve their purpose here. Their design, while suffering from dodgy CGI, is ambitious, impressive, and suitably horrific and they are depicted as a significant threat. While we never really get a sense of their actual limits or power, they are certainly perceived as a force formidable enough to bring all these heroes together and even have Barry volunteer to sacrifice himself to end their threat. Their danger comes, mainly, from their intricate and advanced technology, their unique approach to warfare, and their sheer numbers, all of which hang over the crossover like an ominous cloud, making the Dominators as much an existential threat as an extra-terrestrial one. Essentially, they exist as the perfect excuse to bring together the Arrowverse super friends, so they’re mainly there just to be defeated (with an anti-climactic amount of ease, it has to be said) but at least they don’t operate on a hive mind, which is a refreshing change of pace.

I’ve complained a bit about Invasion!’s conflicting focus and pace and, while that is an issue, it does allow the crossover to focus on something that is a big part of the Arrowverse: interpersonal drama. Despite the powers, abilities, and experience of each hero, these are all flawed and vulnerable characters and, if there’s one thing regular watching of the Arrowverse will teach you, it’s that our protagonists must learn new lessons about themselves, the world, and their team as much as they must battle against more tangible, often overwhelming, odds. The best thing about the crossover, beyond seeing all of these superheroes coming together for the first time, is the development of the Arrowverse Trinity (Kara, Barry, and Oliver), which would be the tentpole of further Arrowverse crossovers going forward and opened the door for so many new stories, characters, and possibilities which, as we’ll see in the coming weeks, the Arrowverse explored far deeper than I ever expected at the time.

My Rating:

Pretty Good

How did you find Invasion!? Which character, cameo, and part was your favourite? Which of the CW Arrowverse shows was your favourite and why? What did you think to the Dominators as a threat? Are there any DC characters you’d like to see used in the Arrowverse or, perhaps, get their own show? Did you ever read the comic book Invasion! is based upon and, if so, how do you feel the crossover handled the story? Which of the Arrowverse crossovers was your favourite? Whatever your thoughts on Invasion!, and the Arrowverse in general, feel free to leave a comment below and check in again next Sunday as Crossover Crisis continues!