On 21 February 1986, The Legend of Zelda (Nintendo EAD, 1986) was first released in Japan. The creation of legendary game designer Shigeru Miyamoto and Takashi Tezuka, The Legend of Zelda launched one of Nintendo’s most popular franchises. This year, I’ve been dedicating every Wednesday to Nintendo’s most famous silent protagonist, Link and his vast and enduring fantasy world of sword and sorcery.
Released: 22 September 2013
Developer: Nintendo EAD
The Background:
Selling well over 6.5 million copies and widely regarded as one of the greatest adventure games of all time, Shigeru Miyamoto’s original Legend of Zelda was a big success for Nintendo. Although its sequel was a more divisive title, it also sold well but both paled in comparison to the, game-changing, widely acclaimed best-seller that was The Legend of Zelda: A Link to the Past (Nintendo EAD, 1991). Not content with setting the template for the series going forward, A Link to the Past was also followed by a comic book and manga adaptation and an enhanced Game Boy Advance port. In 2009, development began on a new Zelda game for the Nintendo DS, one that emphasised communication. Miyamoto nixed this concept, however, and suggested a gameplay mechanic that would allow Link to merge onto walls as a 2D image; although this was met with praise, development was shelved to focus on launch games for the Wii U. The project was revived after the success of The Legend of Zelda: Ocarina of Time 3D (Grezzo, 2011) with an all-new team in place and reconfigured into a direct follow-up to A Link to the Past release exclusively on Nintendo’s 3DS system. The game’s top-down perspective raised a number of challenges for the team, resulting in a more slanted, 2.5D perspective to allow for greater field of view. Since the 2D mechanic had already changed their approach to puzzles and dungeons, the team also sought to give players more freedom by allowing them to rent items to proceed as they wished. A Link Between Worlds released to widespread acclaim and became the second highest scoring 3DS game of 2013; reviews praised the innovative gameplay, the rental system and the level of challenge it offered, as well as the visuals and music.
The Plot:
Apprentice blacksmith Link quests to rescue Princess Zelda from the clutches of the evil sorcerer Yuga, who seeks to resurrect the demon king Ganon using the power of the Seven Sages. When Yuga escapes through a rift into the parallel world of Lorule, Link follows, aided by a magic bracelet that allows him to merge into walls as a 2D painting.
Gameplay:
The Legend of Zelda: A Link Between Worlds is a top-down, 2.5D action/adventure game that’s stylised in classic Legend of Zelda fashion; more than anything, the game is essentially an updated version of A Link to the Past, taking place in the same world, featuring many of the same characters and locations, and updating the gameplay mechanics to utilise the optional 3D effects of the Nintendo 3DS and the touch screen. Series protagonist Link is now able to travel in all directions smoothly and effortlessly with the 3DS control stick; he still can’t jump but he’s able to pick up and throw pots, small (and, later, larger) rocks, and open chests and doors with A and attack enemies with his sword using B. Holding down B will see Link charge up and release his patented Spin Attack and, when he acquires the Master Sword later on, he’ll send out an energy waves when at full health. When Link gets a shield, it’s assigned to the Left trigger; holding L will defend Link from most attacks and, later, defend against certain magical and energy-based attacks. Both of these items are automatically assigned to their respective buttons and cannot be swapped out, but Link will naturally acquire other items throughout the game which can be assigned to the Y button via the touch screen.
Items are incorporated very differently in A Link Between Worlds than in other Zelda games. While Link will still find the odd weapon or upgrade in a big chest in the game’s many dungeons, the majority of his weapons are now rented from the mysterious Ravio, a tradesman located in Lorule. Link has an energy meter that depletes as he uses each item but which will replenish over time, effectively giving him infinite ammo; energy potions found by slashing grass, smashing pots, or defeating enemies will also fill this gauge and you can even extend the length of it later in the game. When you rent an item, it’s yours to keep until your hearts are depleted; then it returns to Ravio’s shop and you need to rent it again, however you can later permanently purchase each item at the cost of a few thousand Rupees and also upgrade their efficiency and range by finding lost Maiamais throughout the two worlds. This system offers a range of freedom rarely seen in the Zelda series and effectively means you can tackle the game’s dungeons in any order you wish, however you will need to explore some dungeons first to find a key item needed to access or complete others. Personally, I’m not a huge fan of this system; I constantly walk around slashing at everything to fill up my Rupees, meaning I was easily able to rent every item and, later, purchase them all to load Link up with all of his weapons early on and a lot of the fun of exploring a dungeon is now lost as defeating a mini boss generally only yields a warp point or opens the way to the boss key rather than awarding an item.
A Link Between Worlds’ other big mechanic is Link’s ability to merge with walls and become a 2D painting for as long as his energy gauge lasts. This is often used in clever ways to add new dimensions to the dungeons, allowing you to race around the perimeter of a room or tower to reach new areas, switches, chests, and levels to progress. When in his 2D form, Link cannot attack or do anything except run, but that’s okay as you won’t have to worry about enemies until the finale. While Link cannot bypass cracks or blockades in this form, he can attach to other surfaces; so you’ll often merge with a moving block and then merge into another to reach a higher or further platform and it can be pretty interesting to play around with the mechanic. As the game progresses, this system is essential as it’s the only way to travel to and from Hyrule and Lorule; ominous dark slits appear all over the map and allow you to travel to each world and, since Lorule is in a fragmented state, you’ll need to go to certain areas of Hyrule, travel between a rift, and then work your way to your destination in Lorule. Despite this, however, I don’t think the mechanic lives up to its full potential; it’s essentially just a quirky means of solving puzzles and navigating dungeons and to travel between worlds and I do feel like the developers missed an opportunity to expand upon it with 2D sidescrolling sections or mini games. There are hidden challenge rooms you can find that often make innovative use of the mechanic, but it’s rare that you’ll need it in a boss battle and a lot of the uses it has could’ve easily been supplanted by your items.
Thanks to the 3DS’ dual screens, the bottom screen makes item management and map navigation easier than ever. You can switch between the Hyrule and Lorule maps at the press of the screen, view your Rupee count and see how many Maiamais are hidden in each area, zoom in, and even place pins over the map (though you can’t label them so this can get a little messy). You can freely shuffle about your items and even make use of a quick-item function (though I never had a need for this); later, you receive a bell that lets you fast travel across the map courtesy of Irene the witch and her flying broomstick. This lets you fast travel to any of the weather vanes you’ve activated across the map; these vanes also act as your primary save point, which is a bit of a pain as I much prefer being able to save at any time and the vanes also have the gumption to encourage you to take a break if you’ve been playing for a while. If you’ve played A Link to the Past, the game world will be immediately familiar to you; even many of the dungeons are the same and the game has a very similar structure, with Link being tasked to find three pendants before venturing to a dark version of Hyrule to rescue the seven Sages. Link’s ability to navigate the world depends on what items you have; you won’t be able to blow up rocks without bombs, for example, or cross the desert without the sand rod or swim in water without the flippers and these items are also essential for uncovering secret caves, shortcuts, fairy fountains, and other areas. One new aspect you’ll come across a couple of times is the big bomb flower; you’ll need to press A to have this large bomb follow you and safely guide it to large cracked rocks to access new areas, but you need to be careful as one hit or knock and it’ll explode prematurely.
For the most part, puzzles and dungeons will be immediately familiar to any Zelda player, especially anyone who’s played A Link to the Past. You’ll be lighting torches with your lamp and fire rod, or extinguishing them, to open doors or spawn chests, acquiring small keys to unlock doors, climbing ladders and stairs, riding a variety of moving, spinning, and temporary platforms, and activating a number of switches and pressure pads. Sometimes this means dragging a statue onto them, other times you need to trick a Wallmaster into hitting them, and occasionally you need to do both while standing on a third. Blue and red switches will raise and lower their respective walls, partially invisible platforms and mazes dog your progress, requiring more innovative use of flames, and you’ll be hammering down pegs or springs to reach new areas, crossing narrow platforms, and pulling or hookshotting levers to open doors. A couple of times, you’ll need to find eyeball-like orbs to toss into statues to progress, or create temporary platforms using the ice rod, or melt away blocks of ice while skidding on slippery floors. You’ll be diving into water, crossing lava pits on pop-up columns that you must also guide boulders over, riding wind currents, dropping caged bridges to create safe passage, and making use of warp tiles to fast travel about. Many dungeons require more vertical navigation to utilise the 3D function, meaning you need to find new ways to travel upwards, push statues or fall down to lower levels to reach items and doors. You’ll also need to watch for flaming hazards and spiked logs, use your bombs to bring in some light to solve puzzles, use your hookshot to pull rafts across water and lava, navigate foggy mazes, rescue a thief girl and bring her safely to the dungeon’s exit, and even travel outside of some dungeons to reach new areas. Thankfully, you can make use of each dungeon’s compass to help you find your way and you automatically have a map available when you enter, though the only way to save is to exit to the outside, which respawns any enemies you’ve defeated.
Graphics and Sound:
Since I am a big fan of the classic, top-down perspective, I cannot fault A Link Between Worlds’s presentation. This was the best that a 2.5D Zelda had looked at the time and I love how the game has a kind of plasticine/figurine look that brings the characters to life in a way that recalls both the toon style and the classic Link to the Past aesthetic. Link is a squat, chubby little swordsman who grunts, screams, and pants as he attacks, gets hurt, or is low on health. He trots around nicely, all of his attacks and weapons are crisp and smooth, and he exudes a lot of personality and determination in his stances, victory poses, and facial expressions during the game’s few more dynamic cutscenes. For the most part, the game uses traditional text boxes and in-game graphics as non-playable characters (NPCs) deliver exposition or threats to Link but, sometimes, the game switches to a more cinematic presentation to showcase Yuga’s power or introduce new elements, like the 2D mechanic and Lorule.
As already stated, the game world is an almost exact recreation of the Hyrule seen in A Link to the Past; all the areas from that game are back, brought to life in eye-catching 2.5D and bolstered by the 3D effect if you can stomach it. There are numerous little new touches here, too, such as birds that fly away as you come close, Majora’s Mask appearing as an Easter Egg, and an array of paintings inside the now peaceful Hyrule Castle. Locations such as the Eastern Palace, Tower of Hera, Desert Palace, and Skull Woods all return, as do the Lost Woods (where you must again venture to claim the Master Sword), Kakariko Village (complete with Cuccos and blacksmith), the haunted graveyard, Zora’s Domain, Lake Hylia, and Death Mountain (complete with falling rocks from the erupting volcano). This naturally means that you’ll venture into many of the same dungeons, though the means by which you enter and their layouts and rewards are somewhat different, and that the game includes many remixed themes from A Link to the Past. One thing I really enjoyed about the soundtrack was how it slowly builds up in the early going; the full, triumphant Zelda theme doesn’t kick in until you acquire the Master Sword, allowing for a clear and recognisable feeling of accomplishment. This is matched by the progressive difficulty of the game; to start with, the dungeons are quite short, and the enemies only take a few swipes of even your normal sword to kill but, once you travel to Lorule (via a quick little cutscene that only slightly outstays its welcome), the dungeons become much more complex and the enemies, especially those on the overworld, become much tougher.
Although functionally similar, both in concept and visual execution, to A Link to the Past’s Dark World, Lorule is actually a completely different, desolate parallel dimension. Despite this, many of its areas are analogous to the Dark World and its dungeons, including a ransacked version of Kakariko Village, the Thieves’ Town, a skeleton-infested perversion of the Lost Woods, a poisonous and murky swamp, and the lava-spewing horrors of Turtle Rock. Perhaps my favourite aspect of Lorule was that Death Mountain is now a frozen wasteland and home to the Ice Ruins which, while essentially a remixed version of A Link to the Past’s Ice Palace, was enough of an alteration to hammer home how different the two worlds are. This is further reinforced by the different, far more ominous overworld theme, the fragmented nature of Lorule (some areas are inaccessible without finding a rift part in Hyrule), and the tumultuous dirge hanging over the central Lorule Castle. It’s a far cry from Ganon’s Tower and the Pyramid of Power, but Lorule Castle is seeped in a dark energy that can only be breached by the Sages’ power and the Triforce of Courage and is a perverted mirror of Hyrule Castle, awash in thunder and lighting and featuring almost every gimmick seen in previous dungeons, alongside some remixed boss battles. Furthermore, Lorule is home to counterparts of Link, Zelda, and even Ganon in the form of Princess Hila, Ravio (spoilers!), and Yuga as well as a gaggle of thieves and distraught citizens just trying to survive as their world crumbles around them.
Enemies and Bosses:
Both Hyrule and Lorule are populated by swarms of enemies who will be immediately familiar to A Link to the Past players. Blobs (including regular green one and electrifying yellow ones), bees, crows, Chasupas, Tektites, Deadrocks, Octoroks, Popos, rats, Poes, sand crabs, Ropes, and Like-Likes are commonplace across Hyrule but, once Yuga’s plan is set in motion, sword, spear, and archer soldiers start patrolling the overworld as well. Variants of these can be found in Lorule, such as the Dactos, Hyus, Ropas, and snap dragons but Lorule’s enemies are far more dangerous than Hyrule’s. Guys like the bomb- (or snowball) tossing Hinox, pig-like Taros, flame-spewing Zarak, shield-carrying Moblins, and far tougher Lorule soldiers can not only take a lot of punishment but also dish it out, too, immediately turning your carefree adventure into a fight for survival. And this isn’t even factoring in the formidable Lynels, teleporting elemental Wizzrobes, mummy-like Gibdos and the Freezors (who are extremely susceptible to fire…), jellyfish-like Biris, cyclopean Eyegores, mimicking Goriyas, and terrifying Wallmasters. Some enemies, like the mace-wielding soldiers, nimble Stalfos, sand worm-like Devalants, sliding Pengators, and flaming Gimos act as mini bosses in the game’s dungeons. Generally, this means they attack as a group or alongside other hazards, like flying tiles, moving platforms, or flaming obstacles, though the two flaming Heedles have lava pools in their path and require the tornado rod to defeat and you’ll need to time your attack against the Gigabari and it spawn to avoid being electrocuted.
The first boss you’ll face is the game’s primary antagonist, Yuga, who you first battle in the Eastern Palace. Yuga fires projectiles from across a pit hazard and hides in the wall as a painting when you get close, so you need to stun him with arrows to land a hit. As the battle progresses, Yuga gets faster and more aggressive and races around the room as a painting but you can simply wait for him to pop out to continue your assault. The second boss I fought was Moldorm, one of many returning bosses from A Link to the Past. This large, spherical worm-like thing slivers about on a small caged platform trying to knock you over the edge or down a hole into the bladed hazards below. Simply avoid this and slash at its tail to defeat it but beware as it becomes faster and more erratic as the fight progresses. I finished up Link’s initial quest by facing Margomill, a strange column with a fearsome central eye that awaits in the House of Gales; Margomill spins around the room trying to push you down the bottomless pit that surrounds the platform you battle it on. You’ll need to use the tornado rod to avoid its attack and reach its eye; however, every time you deal damage, it grows a new part to its body to make the eye harder to reach. Both Yuga and Moldrom return as mini bosses in Lorule and Hyrule Castle, respectively; while Moldorm isn’t too difficult, despite the expanding and contracting walls making it a close-quarters fight, Yuga is far more formidable. In this bout, you must strike the correct duplicate of Yuga or be forced to fend off increasing waves of enemies while avoiding his various magical projectiles. The real Yuga is identified through his glowing staff, but this battle can get pretty tough if you don’t keep your eyes open; at the same time, I found it just as easy to camp out in a corner and slash away, dodging his projectiles until I hit the right Yuga!
Once you’re in Lorule, you can effectively tackle its dungeons and bosses in any order provided you’re renting the right equipment. The first of the next set of seven bosses I fought was Stalblind, a monstrous spirit armed with a large sword and shield who you battle on a small platform surrounded by a bottomless pit. Stalblind makes innovative use of the 2D mechanic in that you need to merge onto his shield to stun him so you can attack, though you’ll need to avoid his dark magic. Stalblind’s attacks become more aggressive, but also more predictable, as the fight progresses; he eventually ditches his shield, busts out his own version of the Spin Attack, and even sends his head flying around to spit fire at you, though he’s left vulnerable when his sword gets stuck in the ground. As I next took on the Desert Palace next, I fought Zaganaga; this was quite a complex battle as you need to use the sand rod to create temporary platforms and reach the smaller columns to attack Zaganaga, who constantly moves around the arena and spits projectiles. Eventually, it switches to a far more devastating blast of sand and proved to be my first real challenge of the game, meaning my next boss, the returning Arrghus, was a cake walk in comparison. As long as you have the hookshot, Arrghus is barely a threat; simply extract the Arrgi surround it and destroy them, then avoid being squashed as it bounces around and the jets of steaming hot water and it’ll go down in no time. I fought Grinexx next, which is a massive rock turtle who blasts lava plumes up from a lava pit below. As it passes by the gaps in your platform, you must drop ice on it with the ice rod to damage it and eventually bring it to the surface. Then you need to attack its snapping head while blocking or avoiding its spinning shell attack and explosive shockwave for a fun battle that’s not too challenging as long as you’re quick on your feet and with the ice rod.
After that, I ventured to the Dark Palace and fought the Gemesaur King, which is functionally the same as A Link to the Past’s Helmasaur King; in addition to swinging its massive tail, the Gemasaur King spits crystals in a spread and is protected by its gem-encrusted helmet, which you must shatter with bombs. Once this is destroyed, Rupees scatter about, the Gemesaur King’s projectiles increase, and it snuffs out the torches to try and trample you in the dark. Relight the torches to expose it and unload with your sword to finally put it down for good but watch for its bite and surprising speed! The Knucklemaster awaits in the ominous Skull Woods; a giant Wallmaster encased in a gauntlet and sporting another glaring eye, this creature mainly attacks by flying at you as a clenched fist. You need to merge with the walls or use the tornado rod to avoid this attack and stun it so you can hit it, but it’ll get pissed off and try and squash you, which also causes it to destroy large chunks of the floor and thereby restrict your movements, but this was still another fun and pretty simple boss battle. The last of the regular bosses I fought was Dharkstare, which is basically the same boss as A Link to the Past’s Kholdstare; you need to melt its protective ice barrier with the fire rod while avoiding it as it hops about. You can then attack the unshielded monster, but it’ll speed up and become more aggressive as it takes damage; Dharkstare also encases you in use using a triangle of freezing energy and can be quite a frenetic boss, but it’s not too challenging to tackle, even when it doubles its freezing projectiles, despite the slippery ground and bottomless pit.
Once you’ve rescued the seven Sages, you’ll venture into Lorule Castle. Here, you’ll battle Moldorm, Gigabari, and Arrghus again in slightly different and more taxing encounters, alongside battling a Lorule soldier wielding a flaming mace; defeating all four will break the seal on the door and allow you to reach the top floor of the castle and its throne room, where Hilda (who had previously offered assistance as a disembodied voice) turns against you to acquire the Triforce and save her land. Her agent in this endeavour is an empowered version of Yuga, who fuses with Ganon’s Dark Beast form and gains both his dark power and the power of the Triforce of Courage for a two-stage final battle that’s fundamentally very similar to the final showdown against Ganon from A Link to the Past. Yuga Ganon wields a large trident that blocks your attacks and he also teleports around the throne room; you need to avoid his swipes and strike from behind with your sword, or from a distance with your bow. As he takes damage, Yuga Ganon will add thrusts and a charging attack to his arsenal, as well as rain projectiles down on you and toss his trident in a spinning arc. Once you’ve defeated his first form, he’ll absorb Hilda and the Triforce of Wisdom; now, he floats above the arena and launches projectiles that you must deflect back at him in a game of dead man’s volley. Succeed and he’ll be forced into a 2D painting; since he’s invulnerable to conventional damage, Zelda will gift you the Bow of Light, which you can only use when you’re in 2D and in this battle. You need to merge with the wall, distract him with a Light Arrow, then unmerge and merge behind him to force him out of the wall so you can attack with your sword. After that, Yuga Ganon adds a charge to his 2D attack, forcing you out of the wall faster, and finally shrugs your arrow off entirely, forcing you to fire it in the opposite direction for the final blow, with him summoning purple blasts of energy that turn into unblockable and unkillable bats between hits
Power-Ups and Bonuses:
As ever, Link will pick up Rupees and hearts to purchase new items and replenish his health, respectively. Fairy fountains will also refill his health, or yield small fairies that you can catch in a net and keep in a bottle to refill some of your hearts when you’re defeated. Link can also store various potions in his bottles, which he can have brewed up for him by gifting the various monster parts he finds to an old witch. Link’s maximum health can be increased by finding four Pieces of Heart or defeating bosses, which yields a Heart Container; as mentioned, he can also increase his energy gauge by finding the Stamina Scroll but he can find a Blue and Red Mail that will not only change his outfit but also dramatically increase his resistance to damage. Finally, the Bee Badge has wild bees help rather than hinder you, the Zora’s Flippers allow you to swim and dive in water, and the Pegasus Boots let you charge around with the Right trigger to knock down keys or shake Maiamais, Rupees, or apples out of trees. Many of Link’s most recognisable weapons return in A Link Between Worlds; the bombs, boomerang, hookshot, and bow are all present and accounted for and function exactly as you’d expect. I never really found much use for the boomerang, especially compared to the fire and ice rod, which are essential for a couple of dungeons. The sand rod is only really useful in and around the Desert Palace, same with the tornado rod, which I didn’t use much past the House of Gales. You can also get a pair of Hint Glasses, which will expose a helpful ghost who will offer assistance in exchange for a Play Coins (acquired automatically if you walk around with the 3DS in your pocket). You can also purchase scoot fruit and foul fruit, which allow you to quickly exit dungeons and defeat all onscreen enemies, respectively, and upgrade the efficiency, range, and effectiveness of each of Link’s weapons by finding all one-hundred lost Maiamai and bringing them to their mother.
Additional Features:
These lost Maiamai are all over Hyrule and Lorule; you’ll hear them squeak when they’re close by and your map will show you how many are in a given arena, and you’ll need to knock them out of trees, uncover rocks, cut down grass, and push them off walls using your 2D ability. Finding all one-hundred will upgrade Link’s Spin Attack to the more powerful Great Spin Attack in addition to powering up each of his weapons. There are also five bottles to be found, with some being gifted after you complete tasks, though there’s no trading sequence to complete here. There are a couple of challenges available to you, from navigating obstacle courses to races, Rupee-collecting games, and Octoball Derby, all of which yield Rupees or a Piece of Heart. There are twenty-eight Pieces of Heart to be found, either in hidden caves, these mini games, or accessed using your different items and collecting them all with vastly increase your chances at the Treacherous Tower, where the Tower of Hera once stood. In here, you’ll face off against waves of enemies in three different difficulty modes, with each one costing more to take on, culminating in a boss battle and earning you higher Rupee rewards and eventually an upgraded net. You can also acquire a pouch that lets you use two items instead of just one, find Master Ore that is used to upgrade the Master Sword, and completing the game will unlock the more challenging “Hero Mode” for you to play through.
The Summary:
This was only my second playthrough of The Legend of Zelda: A Link Between Worlds, and I first cleared it before I beat its predecessor, A Link to the Past, and yet I really enjoyed this fun little handheld throwback to a new-bygone era of Zelda gaming. Don’t get me wrong, I enjoy the large, expansive open world nature of modern Zelda games but the top-down, 2D/2.5D perspective is very nostalgic and timeless for me and always my preference. The game looks and sounds fantastic; at the time, it really was the most visually impressive revamp of the classic Zelda style and it’s great to see this world come to life with this plasticine aesthetic. I enjoyed how the game was both familiar and yet different enough to be its own beast; it’s extremely similar to A Link to the Past and, in many ways, is a modern remake of that game but has enough new mechanics to be unique. I may not have loved the rental system, energy gauge, or the 2D mechanics, but they added new levels of freedom to the tried-and-true Zelda gameplay; I just think they could’ve done a little more with them rather than make them simple gimmicks. Although I didn’t play with the 3D effects on, the game is nicely geared towards it with a lot of vertical sections; I enjoyed the remixed tunes and locations, and the returning or altered bosses, even though the game was a little too easy at times thanks to my habit of farming Rupees and your ability to hold 9999 right off the bat (wallet restrictions might’ve helped with this). Ultimately, this was a really enjoyable, classic Zelda experience with a sprinkling of fun new mechanics and colourful characters that worked perfectly as a follow-up to A Link to the Past while still expanding upon that game’s lore in interesting ways.
My Rating:
Great Stuff
Have you ever played The Legend of Zelda: A Link Between Worlds? If so, how do you think it compares to A Link to the Past and did it work as a sequel for you? What did you think to Lorule and do you think there was enough to distinguish it from the Dark World? Did you enjoy the rental system and Link’s ability to turn into a 2D painting? Which of the dungeons, bosses, and weapons was your favourite? What did you think to the visual presentation of the game and the incorporation of the 3D mechanic? Did you ever find all of the lost Maiamai and fully upgrade Link’s arsenal? How are you celebrating the franchise this month? Whatever your thoughts on A Link Between Worlds, leave a comment below or share them on my social media.
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