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So, for no better reason than “Mar.10” resembling Mario’s name, March 10^th is widely regarded as being “Mario Day”, a day to celebrate Nintendo’s portly plumber, an overalls-wearing mascot who literally changed the videogame industry forever and shaped the home console market of the nineties.

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Released: 11 January 2019
Originally Released: 18 November 2012
Developer: Nintendo EPD
Original Developer: Nintendo EAD
Also Available For: Nintendo Wii U (Standard Edition)

The Background:
After the videogame industry crumbled following an influx of numerous overpriced consoles and mediocre titles, Nintendo pretty much single-handedly saved the industry with the runaway success of Super Mario Bros. (Nintendo EAD, 1985) and, following the “Console Wars” of the mid-nineties, Nintendo and their famous mascot continued to be an innovative and reliable staple of the videogame industry. After a successful venture into the third dimension resulted in some of Mario’s most beloved titles, Nintendo decided to return Mario to his roots with the release of New Super Mario Bros. (Nintendo EAD, 2006) on the Nintendo DS, a 2.5D title that spruced up the platformer’s classic sidescrolling gameplay with new features and modes and which proved to be a hit. Two follow-ups soon followed, one for the Nintendo Wii and one for the 3DS, with both receiving high praise for their multiplayer functionality and addictive gameplay mechanics, and the development of a further follow-up for Nintendo’s unfortunate Wii U console soon began. The first Super Mario title to feature high-definition graphics, New Super Mario Bros. U was designed specifically with the Wii U GamePad in mind and emphasised single-player vertical exploration. The game was highly praised and sold over 4.8 million units; as part of the 2013 to 2014 “Year of Luigi” campaign, an expansion pack was created as both a separate physical release and downloadable content which featured shorter, tougher levels and focused on Luigi’s unique playstyle. After Nintendo bounced back in the home console market with the Nintendo Switch and achieved great success with Super Mario Odyssey (Nintendo EPD, 2017), this enhanced port of the game was developed for the console; containing all previously released material, and some additional features, New Super Mario Bros. U Deluxe was also met with positive reviews and become one of the best-selling games for the Switch.

The Plot:
Bowser, King of the Koopas, and his children (Bowser Jr. and the Koopalings) invade Princess Peach’s castle and hold her hostage, flinging Mario, Luigi, and two Toads far away. The portly plumber and his friends then resolve to travel across the land, defeating Bowser’s minions along the way, in order to rescue Peach and restore her castle to normal.

Gameplay:
Like the classic Super Mario games of the bygone 8- and 16-bit days, New Super Mario Bros. U Deluxe is a sidescrolling platformer but, in the style of the New Super Mario Bros. subseries, it’s a 2.5D title. The game allows up to four players to team up and travel across eight colourful, whimsical Worlds, hopping across platforms and on enemy’s heads in their quest to defeat Bowser’s minions. Each of the five playable characters controls a little differently and has slightly different power-ups and mechanics tied to them, meaning that the game’s difficulty is directly tied to which character you pick (Mario is an all-rounder, for example, while Luigi has poor traction, and Nabbit cannot be harmed by any enemies, making him the default “Very Easy” mode of the game). Each character has their own set of lives, but shares any collectibles they find along the way, and you can easily revisit and replay previous Worlds with whichever character you like from the overworld screen and the submenu. As is also the style of these kinds of Super Mario games, the controls are as simple as you could want: by default, the A and B buttons allow you to jump and you can hold the X and Y buttons to run, though you can swap these two sets of controls around if you like. Jumping three times in succession, especially while running, will allow you to pull off a triple jump to reach higher areas. When jumping, you can kick off walls to wall jump higher or potentially save yourself from falling down a pit (though you’re just as likely to accidentally wall jump off a platform or block and die if you’re not careful), press down to perform a block-smashing butt stomp, or press A, B, L, or R to perform a little twirl for a bit of extra height. You can also climb up and down ladders, press down when on a slope to slide down and kick any enemies out of your path, and tap the jump buttons when underwater to swim along. X and Y can also be used to hold certain items or characters, such as a Koopa shell or a Baby Yoshi, and you can release the button to throw these at enemies or to collect out of reach Coins.

Jumping, however, remains your primary method of attacking enemies; with well-timed jumps, you can clear gaps and entire sections of the game using the triple jump and gaining extra height by bouncing off an enemy’s head, but it pays to not be too complacent as some enemies either can’t be defeated by jumping on them or will hurt you if you try. Similarly, other enemies can only be dispatched by jumping at the blocks or platforms beneath them to either knock them off or tip them over, and you’ll also want to make use of the game’s many different power-ups and suits to help take out enemies faster. By default, each character begins the game with five lives and in their base form; this means that one hit will kill you, so be sure to search out a Super Mushroom or similar power-up as soon as possible to gain an extra hit point. When playing as Toadette, the Super Crown will transform her into “Peachette”, allowing her to float and double jump just like Princess Peach is known to do, while Nabbit doesn’t actually power-up from any of the items (but is immune to damage to compensate). When playing, you’re battling against a time limit, which alerts you when it counts down to the last 100 seconds and speeds the game’s music up accordingly to help push you forward. As if this, and the high number of hazards and projectiles you’ll eventually face, wasn’t bad enough, you also have to keep an eye out for the bevy of bottomless pits, which eventually expand to cover the majority of the ground in later Worlds. Handy checkpoints placed within Worlds will power you up and allow for a respawn point, but you still get kicked out of the World and have to manually re-enter, in your base form, to try again. Fail enough times and a “Super Guide” block will appear to help show you how to succeed, but the World will be flagged as incomplete until you finally reach that flagpole unassisted by this mechanic. Your main objective, unsurprisingly, is to head to the right of the screen, jumping over pits, hopping to platforms and blocks, and taking out any enemies in your way to reach the flagpole. Along the way, you’ll contend with such hazards as fog-spewing clouds, rising and falling platforms, swaying mushrooms, giant toppling heads, cannons, temporary platforms, and plumes of both water and sand.

While gameplay is, by the nature of its presentation, quite linear, there are opportunities for exploration; paths are hidden behind the background, leading to Coins and blocks, you can spawn vines to reach upper platforms, and you can enter pipes to explore underground areas, again usually for Coins or to find one of the three Star Coins hidden in each World. Sometimes, you can wall jump beyond the boundaries of the screen to take shortcuts or reach Secret Exits, which create new paths (or bypass Worlds entirely) on the overworld map so you can reach the Koopaling’s castle for that World. Some Worlds feature autoscrolling sections, either horizontally or vertically, that force you to stay on the move to keep from being crushed or boiled by rising lava, and, after clearing World 2, the game will ask you to choose a path to tackle either World 3 or World 4 (though you can, and absolutely should, backtrack to play both of these Worlds regardless). These Worlds add a new wrinkle to the overworld map in the form of the haunted locations (usually mansions, but there’s a shipwreck, too) infested with Boos. Boos will only advance towards you when your back is turned, and these stages tend to feature confusing door mazes, temporary platforms formed by hitting P Switches to turn Coins into blocks, and light-based mechanics where you need to carry a Baby Yoshi to light the way and scare off Boos. Other Worlds favour tilting platforms, slippery ground, an abundance of pits and crushing hazards, and you’ll even find yourself jumping to and swimming in bubbles when progressing vertically through World 7. You’ll also have to watch out for bigger enemy variants, instant-death lava and poison, and weighted platforms that either require you to jump to keep them moving or will stop if too many enemies and items drift onto them. There’s a lot of fun, colourful variety on offer and your platforming and jumping skills will be progressively put to the test as you clear each World, with more and more hazards and gimmicks being thrown in your path; thankfully, the controls are tight and responsive enough to manage these, but it’s true that the jumping can tend to be a bit spotty at times and you can easily find yourself slipping off a platform or falling to your death when you didn’t mean to.

Graphics and Sound:
I’d played New Super Mario Bros. before, so I was well aware of how great Mario and his Worlds look in 2.5D but New Super Mario Bros. U Deluxe is absolutely gorgeous to behold; Mario, Luigi, and their friends have never looked better in 2.5D thanks to the Switch’s high-definition graphics, with each of them sporting cute idle animations and victory poses when finishing a World. This emphasis on adorable character models and animations even carries through to the enemies, who still hop and dance to the jaunty themes playing in the Worlds to not only give you an opening to attack but also to allow you to better time your jumps or anticipate enemy movements. As is often the case, there’s no spoken dialogue in the game and the characters largely rely on gibberish and pantomime and simple cries of “Yahoo!” and “Oh, no!” to make their point, which is fine by me, though you will encounter non-playable Toads who will offer encouragement, power-ups, and challenge you to mini games in their houses. There can often be a lot happening on the screen at any one time, between the enemies, moving platforms, obscured paths, and projectiles, but everything pops out and has a discernible pattern and it’s simply a matter of skill and timing to overcome the obstacles in your way.

Similarly, the Worlds on offer here are just as vibrant and visually interesting as the character models; there’s a lot to see in the background and foreground, often to tease you into taking a risk on a hidden path or entice you into trying a different power-up to make a tricky jump. While the Worlds are pretty standard Super Mario fare, ranging from colourful fields to snowy landscapes and lava-ridden castles, there’s also some fun throwbacks to previous Mario games, like Soda Jungle (which features retracting vines, rotating logs over poisonous water, and enlarged enemies and blocks), and the haunted houses. You’ll also traverse a desert full of quicksand, shifting sand, and statues to jump from, a beach-front and coral reef where jets of water blast you along underwater, tricky jumps to chains and up and across the rocky landscape of the mines, and a whimsical but taxing trip through the clouds. Every World also features two castles, which adopt an ominous stone-and-magma aesthetic and feature crushing blocks, buzzsaws, and rotating platforms, and you’ll also have to endure a cannonball and Bob-omb filled obstacle course when whisked onto Bowser’s battleship.

Enemies and Bosses:
The vast majority of the enemies you’ll encounter in New Super Mario Bros. U Deluxe are returning baddies from previous other Super Mario videogames, such as the mushroom-like Goombas, green and red Koopas, Boos, Thwomps, Chain Chomps, Bullet and Banzai Bills (which are frequently invulnerable), Piranha Plants, and Monty Moles. Most of these are pretty harmless, wandering back and forth or in easily recognisable patterns, but they quickly fill up the screen in larger numbers and some of the more annoying enemies, like the Hammer Bros (and their fire, ice, and boomerang variants) and Dry Bones, can cause headaches with their arching projectiles and ability to respawn, respectively. Naturally, there are also some new enemies in the game as well, such as the squirrel-like Waddlewings (which often carry Super Acorns for your consumption), walrus-like Flipruses, the screen-filling Dragoneel, homing Targeting Teds, and the mischievous Nabbit, who steals Toad’s items and must be captured in a race against the clock in previous Worlds.

In addition to the seven bosses you’ll encounter, you’ll also have to contend with a couple of mini bosses along the way. Not only will your platforming skills be tested if you choose to go back and capture Nabbit (and you really should, if only to get him off the overworld and get his items), but six of the Worlds include a tower guarded by Boom Boom, a muscular Koopa who is afforded new abilities by Kamek as the game progresses. Primarily, Boom Boom will attack by flailing his pythons at you, either in a charge or a jumping, spinning attack, but he also grows in size and sprouts wings to dive down at you. While the arena you battle him in is often altered by cosmetic changes befitting the World (such as water and lava), the area you fight him in is never really a hazard and it’s actually beneficial to use the walls to get better height and bop him on the head three times, which is usually easier to do than with the Koopalings since Boom Boom doesn’t attack while protected by his shell. In World 6, the tower is defended by a Sumo Bro who is enlarged by Kamek; this hulking brute can’t be attacked from above and causes electrical shockwaves by stomping his feet, and can stun you with his jumps. To defeat him, you need to jump into the platform he’s standing on while beneath him to tip him onto his shell and then jump on his exposed belly three times to put him away. World 7’s tower is guarded by Kamek himself, who magically spawns in blocks containing enemies. You can hop around on these to try and jump on his head when he teleports in, but he’ll cause them to rain down and hurt you, or release their captives, and he also flings magical bolts at you that cause the ground to become temporarily unstable. Sticking to a set pattern and staying off the floor is your best chance at winning this battle, and it’s not too difficult to jump on his head when he teleports in nearby. You’ll also battle Bowser Jr. one-on-one twice in the game, once after clearing World 5 and then again after World 7. You need to traverse the cannons of Bowser’s battleship to reach him, and both battles are a little different. In the first, you’re underwater and must lure the Targeting Teds into his craft while avoiding the Bullet Bills that fire horizontally and vertically through the arena. The second battle is much tougher; you’re on a precarious metal-blocked platform and Bowser Jr. floats just out of reach, occasionally tossing Bob-ombs at you. His craft sports boxing gloves which can wreck and temporarily destroy the ground beneath you, or extend to shove you right off edge, but you can quickly hop on his head as he passes by or run up them to bonk him if you’re fast enough. Bowser Jr. also causes trouble in World 8, ramming into you, blocks, and platforms to try and hurt, kill, and force you into lava and also joins his father for the finale.

Before you can reach that climatic battle, however, you have to contend with the seven Koopalings, each of whom awaits after clearing a castle filled with death traps and hazards, and each of them will erratically spin at you in their spiked shells after you land a hit, which can be tricky to avoid. First up is Lemmy Koopa, who tosses progressively larger bombs at you, though you can hop onto these for an extra bit of hang time. Morton Koopa Jr. awaits in World 2 and knocks segments of a giant, caterpillar-like Pokey at you from across the arena that you need to jump over or duck under. This battle’s made a little tougher thanks to Morton shaking the ground with his stomps and the two gaping holes to a bottomless pit at either side of the platform, though you can use the walls to help avoid the Pokey projectiles. After this, you have a choice of your next destination; I chose to visit World 3 first so I battled Larry Koopa next; this pint-sized sucker fires bolts from his magic wand and can be tricky to hit thanks to the three water jets that burst up from the arena floor. The arena is similarly against you when you visit World 4, as Wendy Koopa skates about on the slippery ice and causes icicles to drop from the ceiling. The only way to reach Iggy Koopa is to find the Secret Exit in World 5; this leads you to one of the more troublesome boss battles as Iggy constantly runs away through the pipes, appearing on the floor and the ceiling, and fires bolts at you that can also cause up to two large Magmaarghs to pop up. His shell attack is also a pain as he’ll reverse direction, which can catch you off-guard and result in a hit, but once you figure out which pipe leads him to where you can anticipate his movements and hit him accordingly. Roy Koopa is a pretty simple and enjoyable fight; he fires Bullet Bills from a bazooka and hops up onto the stream of floating platforms to evade you, which means there’s a fall hazard in play here, but I found this the easiest boss of them all as you can just hop on his head, take the high ground, and instantly repeat without him getting off another shot. Finally, there’s Ludwig von Koopa, who hovers at the top of the arena, duplicating himself and filling the screen with diagonal projectiles that can be tough to avoid. Naturally, you need to hop on the head of the real Ludwig to score a hit, and the projectiles only increase with each successful blow.

Finally, after beating all the other Worlds and crashing Bower’s airship, you’ll dispel the dark cloud surrounding Peach’s Castle and tackle the final, most aggravating World of the game. The once lush and verdant castle has been transformed into a stony, lava-filled hellhole; flaming meteors fall from the sky, lava rises and falls beneath your feet, and you must not only cross the sea of burning magma on a raft but also watch out for Bowser Jr.’s attempts to crush and boil you alive. Succeed, and you’ll reach the final battle, which begins familiarly enough with you ducking under and jumping over fireballs spat by the Koopa King himself. When faced with Bowser, you’ll need to jump over or duck under his fireballs and quickly run underneath him to hit the switch and cause the bridge beneath him to collapse, but this is only the appetiser to the game’s true finale. Enlarged by Kamek’s magic and joined by Bowser Jr., Bowser battles you to the end on the castle rooftop, again spitting high and low fireballs and jumping about the place. To defeat him, you need to dodge Bowser Jr.’s Bob-ombs and hop on his head after avoiding his craft slam; you can then commandeer the Junior Clown Car with B, tapping B to hover over Bowser’s head, and then hit R to crash onto him. Like his kids, Bowser becomes a spinning dervish after he’s hurt and you’ll need to run under his shell when you get the chance to avoid being hurt or killed, and then dodge the rain of fireballs he spits into the air to repeat the same cycle over, dodging more Bob-ombs and fireballs as you go but, as long as you have at least a Super Mushroom and are mindful of your jumps and hit box, this shouldn’t be too difficult to do.

Power-Ups and Bonuses:
Many of Mario’s most famous power-ups are here for the taking, including the Super Mushroom, 1-Up Mushroom (with extra lives also awarded with every 100 Coins you collect), Super Stars, and Fire and Ice Flowers. Super Stars are rare in the Worlds themselves but endlessly helpful as they make you invincible for a short time (and speed you up and add a nifty somersault to your jump) and successfully defeating a bunch of enemies in a row in this state will net you an extra life, but it won’t protect you from instant death hazards, unfortunately. The Fire and Ice Flowers let you shoot off a bouncing projectile with X or Y, with the iceballs temporarily freezing enemies to create platforms or allow you to throw them. Other power-ups include the Mini Mushroom, which grants you a moon jump, the ability to run up walls and enter tiny pipes, but costs you your ability to actually defeat enemies. POW Blocks will defeat all onscreen enemies, the aforementioned Super Crown lets Toadette become Peachette, and you can also hover through the sky with the Propeller Mushroom or slide along the ground or water (and fire off iceballs) with the Penguin Suit.

If you can knock Lakitu out of the sky, you can briefly take control of his cloud to fly over stages, and you’ll also come across the new Super Acorn power-up, which transforms you into a flying squirrel and allows you to glide, cling to walls, and perform an arch to gain a little extra height. You can also win P-Acorns from the various mini games which allow you to mid-air jump indefinitely, and you’ll find Yoshi eggs hidden in blocks throughout the game. Yoshis come in four styles, the regular green (which you ride as normal, using his tongue to eat and spit out enemies, chow down fruit for power-ups, and make use of his flutter jump to reach higher areas), and three Baby Yoshis: magenta (which swells up into a balloon to help you bypass hazards), blue (which spits out bubbles), and yellow (which can light up dark and/or haunted areas). Each of these baby Yoshis will also automatically eat up any enemies or projectiles that come your way and can be throw, but it’s usually better to keep them in hand. Every now and then, a Toad will offer you a power-up at the end of a World, and you can play mini games in their houses to collect Coins and earn more power-ups (though you’ll lose out if you get a Bowser tile), and you’ll also find power-ups on the overworld on occasion, too.

Additional Features:
There are 246 Star Coins to find in New Super Mario Bros. U Deluxe, three in every World, and collecting them will really test your patience and platforming skills as they can be well hidden or hanging in precarious positions. When you finish the game as any character, you’ll unlock the ability to save at any time on the overworld (previously, the game saved after towers and castles and you could only create a one-time save point), the Secret Island (a kind of pointless overworld inclusion that lets you view the credits and various other in-game records, and the Superstar Road. This is where those Star Coins will come into play as you can unlock eight new challenge stages by collecting every Star Coin in each of the game’s other worlds, which is easier said than done. Accomplishing all this adds another Star Stamp to your save file, which allows you to brag that you’ve finished the game to 100%, though finishing the game as the other characters doesn’t factor into this achievement. There are also some alternative paths on the overworld beyond the Secret Exits where moving to certain points causes you to collide with enemies and be warped to a special challenge (usually involving the Super Star) or be automatically taken to different Worlds.

Being as it’s the most complete version of the game available, New Super Mario Bros. U Deluxe also features the New Super Luigi U content, which excises Mario from the playable roster, expands upon Luigi’s controls and physics to make him slippery and light as all hell, and reduces both the length and time limit of each World. Worlds are also full of references to Luigi, from statues to sprite work and silhouettes and an abundance of green, as well as being restructured into bite-size obstacle courses that will offer the greatest challenge of the game by far. With checkpoints gone and hazards everywhere, it’ll take every bit of skill and precision jumping to best this mode, which pushes you to use your triple jump, loose physics, and the game’s power-ups in new ways to bop off enemies, avoid death traps and hazards, and reach the goal flag. The game also offers a few additional challenge modes, including time trials and speed runs, Coin collections, and 1-Up collections, all of which deny you the use of power-ups, put you against a tough time limit and meeting criteria (like not touching the floor), and award you either a Bronze, Silver, or Gold Medal depending how well you do. Boost Rush allows you to take on rejigged versions of the World’s according to certain criteria (such as focusing on the balloon Yoshi, Penguin Suit, or Squirrel Suit) to nab Coins and speed up the tempo of the game and the enemies. Finally, you can go head-to-head against other players in Coin Battle, or put together your own courses using Coin Edit to challenge your friends, and all of the game’s modes can be played with other players, who will respawn in bubbles after losing lives.

The Summary:
Although I’ve never had the greatest relationship with Super Mario titles since I notoriously struggle with his classic titles and only really got into the franchise once it moved into 3D, I really enjoy these 2.5D throwback games and New Super Mario Bros. U Deluxe truly is an exemplary title that showcases the very best of this side of the franchise. Colourful, visually appealing, and bolstered by jaunty music and cute, cartoony attention to detail, the game impresses with its tight controls and a fantastic implementation of some of Mario’s 3D skills (such as the triple jump and wall jump). While it can be frustrating at times because of the precise nature of its platforming and how inconsistent the physics and wall jumps can be with some characters, this is purposely implemented as part of the game’s difficulty curve and, more often than not, any mistakes you make will be because of you rather than the game being unfair. Every enemy, challenge, and obstacle can be overcome with skill and patience, and you’ll find yourself using Mario’s power-ups (especially the new Squirrel Suit) to take risks that invariably pay off to launch you off enemies and towards the coveted flagpole. The inclusion of four additional playable characters, each with their own strengths and weaknesses, really helps to add some variety to the gameplay (though I would’ve preferred there only being one Toad and to have Peach be playable by default, no matter how little sense that makes) so that anyone of any skill level can pick this up and enjoy it, and the boss battles, while simple, were pretty fun thanks to the challenging castles you have to go through beforehand. Super Luigi U was a much-appreciated additional feature, if one I found far more harrowing and frustrating, and I enjoyed all the extra challenges and features to help extend the game beyond the main story. Overall, this is easily my favourite 2.5D Super Mario adventure by far; it takes everything that worked so well in Mario’s better 16-bit titles and infuses them with the Switch’s high-definition graphics and mechanics, and it was an extremely fun and challenging gameplay experience from start to finish.

My Rating:

Fantastic

Did you enjoy Super Mario Bros. U Deluxe? How do you feel it compares other Mario titles, specifically the previous Super Mario Bros. games? Which of the playable characters was your favourite and why? Did you enjoy the new power-ups and the challenge offered by collecting the Star Coins? Which of the boss battles did you struggle with, and did you ever get all of the Star Stamps on your save file? What did you think to Super Luigi U? Which of Mario’s Switch games was your favourite and how are you celebrating Mario’s birthday this year? Whatever your thoughts on Super Mario Bros. U Deluxe, feel free to share them below or drop a comment on my social media and be sure to check back in for more Mario content throughout March!

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So, for no better reason than “Mar.10” resembling Mario’s name, March 10^th is widely regarded as being “Mario Day”, a day to celebrate Nintendo’s portly plumber, an overalls-wearing mascot who literally changed the videogame industry forever and shaped the home console market of the nineties. To commemorate Mario Day this year, March is once again “Mario Month” and I am spending every Thursday of this month celebrating everyone’s favourite Koopa-flattening plumber.

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Released: 27 October 2017
Developer: Nintendo EPD

The Background:
After the videogame industry crumbled under the weight of numerous overpriced consoles and lacklustre titles, Nintendo basically single-handedly rebuilt the industry with the blockbuster success of Super Mario Bros. (Nintendo EAD, 1985) and, following the “Console Wars” of the mid-nineties, Nintendo and their portly plumber continued to be an innovative and reliable staple of the videogame industry. On 3 March 2017, Nintendo struck again with their first high-definition console, the Nintendo Switch, an inventive little machine that could be played on the go or “docked” to play on televisions, with gamers using detachable “Joy-Cons” (with the usual motion control trappings Nintendo is now known for) to play. Accompanying this new console was an all-new Mario title, one that was aimed squarely on Mario’s long-term fans and would emphasise dense, open-world exploration over linear gameplay. To mix things up, producer Yoshiaki Koizumi aimed to have the player travel across multiple worlds (known as “Kingdoms”) and collect Power Moons instead of Power Stars, and to bolster Mario’s move set with Cappy, a mechanic specifically designed to incorporate the Switch’s unique control schemes. Upon release, Super Mario Odyssey received critical acclaim as critics lauded the game’s addictive gameplay, and originality, and it became a best-seller for Nintendo’s powerful little system.

The Plot:
Bowser, the King of the Koopas, has once again kidnapped Princess Peach and his underlings, the Broodals, have laid waste to the Bonneteer’s Cap Kingdom. Mario teams up with a Bonneteer, Cappy, a sentient hat who joins him on his quest to power up the Odyssey airship and chase after Bowser before he can force Peach into marriage!

Gameplay:
Super Mario Odyssey is a 3D, semi-open world action/adventure with a heavy emphasis on platforming, exploration, and performing elaborate jump tricks to progress further and track down the game’s 880 (!) Power Moons. Although you only need 124 to finish the main story, and 500 to unlock every Kingdom in the game, you’ll quickly find that collecting Power Moons becomes an addictive and fun-filled adventure as you spend another ten, twenty, thirty minutes scouring the latest Kingdom for one more Power Moon. If you’ve played any of Mario’s 3D adventures before, you’ll be instantly familiar with Mario’s controls; for me, the game clearly draws inspiration from Mario’s moveset from Super Mario 64 (Nintendo EAD, 1996) and Super Mario Galaxy (Nintendo EAD Tokyo, 2007) and Mario features all of his athletic abilities from those games. Players press A or B to jump; pressing either button in consecutive order will see Mario perform a triple jump to reach higher platforms, and he can crouch with ZL to enter small spaces or perform a backflip by pressing B. If you press ZL and B while running, you’ll fly ahead with a long jump, and pressing ZL and Y in mid-air will see him dive ahead. You can also perform a ground pound to flatten enemies or uncover secrets by jumping and pressing ZL (you can even press B as Mario hits the ground to spring up for a boost jump), perform side jumps, wall jumps, pick up and throw items, and swim through water by tapping B. While you can rotate the left stick to spin around and knock back enemies, you’ll notice that Mario can no longer punch or kick enemies; instead, you need to hop on their heads to defeat them or press X/Y/flick the Joy-Con to toss Cappy at enemies.

This will allow you “capture” certain enemies; sometimes, you’ll need to knock a hat or other headwear off their heads first, and not every enemy can be captured (and you can sometimes capture inanimate objects such as boulders and trees), but this is the game’s big new mechanic. Cappy can be used to uproot posts, collect Golden Coins, activate switches, clear away poisonous gunk, open doors, smash and hit brick blocks and ? blocks, and extend Mario’s jumps by holding Y to spin it in place. However, you can capture Goombas to walk along slippery surfaces without fear (and even stack them up to reach higher areas), frogs to leap to higher platforms, a fireball to safely pass through lava, and capture a spark pylon to travel across powerlines as a bolt of electricity. You can even capture bigger creatures, such as Chain Chomps that let you bash through blocks and a Tyrannosaurus rex to barge across the landscape (though this latter puts a great strain on Cappy). Capturing Bullet Bills lets you fly across the Kingdom for a short time, as do Paragoobas (though you need to tap B to keep these aloft), while Glydons let you glide across the landscape, Cheep Cheeps let you swim without far of drowning, and Uproots let you extend up to new areas. Moe-Eyes are slow but let you see hidden platforms, Wigglers let you stretch across gaps like a xylophone, Gushens let you blast up and across the area with temporary jets of water, and you can capture Hammer Bros, Yoshi, and even Bowser in the finale! You can press ZL at any time to return to normal, and often get a jump boost at the same time, and the enemy will temporarily remain nearby if you need to capture it again, but the capture mechanic really helps to expand your abilities and is essential to solving puzzles, reaching new areas, and finding more Power Moons so be sure to toss Cappy at everything you see.

Once again, Mario’s health is measured by a pie chart; you’ll need to collect Power Moons or life hearts to replenish Mario’ health, and can temporarily extend it up to six hearts like in Super Mario Galaxy, and you can open up the map screen with the – button to read up on the Kingdom and warp around the map to the checkpoint flags you’ve activated. Mario can take three hits before failing, but the life system has been abandoned. When you fall, land in instant-death gunk, or lose all your health, Mario will lose a number of his accumulated Coins and respawn back at the last checkpoint flag. Coins are also used as in-game currency and can be spent at shops in each Kingdom to purchase additional hearts, Power Moons, and outfits for Mario to wear; each Kingdom also has its own unique currency in the form of Purple Coins that can be used to buy regional outfits, stickers, and souvenirs. If you’re having a hard time with the game, you can activate “Assist Mode” to have arrows guide you along and bounce you back after a fall, but the game really isn’t too difficult for the most part so you shouldn’t really need this as various non-playable characters (NPCs), menu screens, Cappy, and tutorials are available to keep you on track. When you reach a Kingdom, you’ll be encouraged to explore high and low for Power Moons, which you can collect multiples of without having to restart the Kingdom. Some of these are hiding in plain sight, others require a bit of wall jumping or platforming, others need you to race across or up temporary platforms (sometimes without the benefit of Cappy) against a time limit, and others are hidden underneath bridges, behind walls, or even underground and require a ground pound to spit out. You’ll also come across rabbits that need to be caught, find Captain Toad hiding out in each Kingdom, race against Koopas, open chests (sometimes having to open them in the right order), destroy blocks or pillars, enter pipes and cross spinning or moving platforms, blossom flowers, herd sheep, pace walk across arrows, and complete picture puzzles to collect additional Power Moons.

Power Moons can also be bought, assembled by collecting Moon Pieces, spawned by collecting musical notes against a time limit, navigating mazes, finding hidden areas using Cappy, activating scarecrows to take on timed platforming challenges, rocketing up to new areas, playing a Slots game, and clearing away snow, gunk, or enemies and blast open cages to find even more Power Moons. “P” switches will activate temporary platforms or bridges, the Switch will rumble when you’re over secrets to indicate a ground pound, and you’ll need to capture and stack up multiple Goombas to activate pressure pads. Sometimes a vulture will steal Cappy from you, meaning you’ll need to chase after it and lure it near to columns that you can raise up by ground pounding a neighbouring column to knock Cappy loose. You’ll also need to plant seeds to grow vines to reach new areas, enter pictures to warp to secret, far away areas of the game’s Kingdoms, and capture puzzle pieces to solve puzzles. Thankfully, there are no sections of the game that require the use of the Switch’s motion controls; you can even turn these off at the main menu, and the motion controls are nicely focused on giving the console a shake to boost Mario’s speed or attacks in certain situations. The story also quickly offers the choice to travel to different Kingdoms and back so you can explore and play the game at your own pace. The hunt for Power Moons will be where you’ll find the bulk of the game’s variety, as you’ll often have to capture a variety of enemies or objects or use your jumping abilities in interesting ways to clamber over the environment and find hidden areas. You can even enter the iconic Mario pipes and pop out in 2D areas that harken back to Mario’s 8-bit routes and see you hopping onto or over enemies and fireballs, traversing ledges and girders, and collecting Coins and Power Moons and bringing you out to new areas.

Graphics and Sound:
Super Mario Odyssey is easily the most colourful, charming, and graphically advanced Super Mario title I’ve played so far. As is always the case, cutscenes play out using a mixture of gibberish, limited sound bites, and subtitles but the body language of Mario, Bowser, and Peach make these perfectly adorable and there’s very little, if any, distinction between the in-game graphics and the few cinematic sequences. While there are some noticeable loading times, especially when travelling between worlds in the story mode, most of these seem to be purposely implemented as an excuse to have Cappy give players a quick rundown on Mario’s abilities as you can eventually skip these sequences with the + button. Mario, especially, looks at his very best; his cap lifts off his head when he jumps, he gets covered in ash when burned, and has a number of idle animations (falling asleep in most Kingdoms, sweating in others, or shivering when cold) and is full of life and charm, which is good as he’s the only character you’ll be playing as this time around. For a sentient cap, Cappy is surprisingly full of life as well; occasionally, he’ll hop off your head to deliver hints and his big, cartoonish eyes make him very expressive.

As you might expect from a Super Mario title, the game is full of unique and interesting locations to visit; you start off in the Cap Kingdom, which has been covered in ash from Bowser’s attacks and is full of large hat-like structures and a thick fog that masks a death pit. You’ll then travel to thirteen additional Kingdoms, each one sporting their own unique trappings, currency, and Power Moon designs; you’ll hop around waterfalls and prehistoric terrain in the Cascade Kingdom, cross a vast, scorching desert in the Sand Kingdom, and explore the depths of the coral-like Lake Kingdom in your search for Power Moons. In the Wooded Kingdom, you’ll find a great forest, dark undergrowth, and an overgrown factory while poisonous lakes and large tropical trees await you in the Lost Kingdom. You can also briefly travel to the upper atmosphere above the clouds in the Cloud Kingdom and battle Bowser’s vicious dragon in the medieval ruins of the Ruined Kingdom, brave an aggressive blizzard in the Snow Kingdom, and explore the beach at the Seaside Kingdom. Upon first visiting many of the Kingdoms, you’ll find the region in a state of chaos that must be addressed by defeating a boss; this will calm the blizzard in Snow Kingdom, for example, and restore power to Metro Kingdom.

Metro Kingdom is probably the area most familiar to people since it featured heavily in the game’s advertising; New Donk City is a massive city full of skyscrapers, construction sites, realistic NPCs, and numerous references to the Super Mario franchise and, more specifically, the Donkey Kong franchise (Nintendo R&D1/Various, 1981 to present). Not only does Pauline make a long-awaited return to the series but you can even race across an expanded 2D section that is a fantastic call-back to Donkey Kong (Nintendo R&D1, 1981) and many of the street names, business, and billboards directly reference characters or locations from the franchise. The Luncheon Kingdom is probably the game’s quirkiest area as it’s populated by anthropomorphic cutlery and a veritable explosion of vivid colours and giant foods, while Bower’s Kingdom is fittingly the largest and most dangerous area in the game and draws its aesthetic inspiration from Japanese temples. The finale takes place in the Moon Kingdom, where gravity is much lighter and allows you to jump much higher and fall much slower; while the surface of the Moon is a barren wasteland, you’ll find an ornate church there and battle your way through a lava-and-trap-filled cavern to reach your final confrontation with Bowser. After besting the Koopa King, you get to travel to the Mushroom Kingdom, which is both a loving recreation and an extension of the same area from Super Mario 64, featuring paintings, Toads galore, and even Power Stars replacing the Power Moons. Each area is further bolstered by remixes and recreations of classic Super Mario tracks, and even a catchy vocal tune, “Jump Up Super Star!”, by Kate Higgins.

Enemies and Bosses:
Long-time fans of the series can rejoice here as many of Mario’s most famous enemies make a return in Super Mario Odyssey, and can even be controlled thanks to Cappy; you’ll bounce off Goombas and Paragoombas, stretch across gaps as Wiggler, smash trough blocks with Chain Chomps, barge through obstacles as Chargin’ Chuck, and hop on Koopa Troopas and use their shells to smash apart blocks. There are also some new enemies to be found here, such as the Trapbeetle (which captures Cappy when he’s thrown at him and charges at you, but you can use this to clear blocks from your path), the Stairface Ogre (who tries to squash you with a giant mallet but leaves itself vulnerable and allows you to reach higher ledges), Sherms (tanks that are great fun to take control of), Pokios (needle-nosed birds that let you awkwardly climb up and across the walls of Bowser’s Kingdom), and Chinchos (mummy-like creatures that Cappy simply passes tough harmlessly). Many of these can be captured and used to your advantage, but many more will also respawn, especially if you need to capture them to progress, and while they’re all pretty goofy and simple to get around, you’ll also find them placed in precarious positions or in large numbers as the game progresses, which helps keep the game’s difficulty nicely balanced. To restore each Kingdom or solve problems for the NPCs, you’ll have to battle a few bosses; defeating these earns you a “Multi Moon” that counts as three Power Moons. Although each Kingdom features at least one boss, the game does reuse and recycle these for other Kingdoms and boss rushes, the most obvious cases being that of the Broodals.

These mean little bunnies replace Bowser’s usual Koopalings and are each fought at three separate points throughout the game, with the battles getting tougher each time. Topper bounces around and is protected by his green top hats; you must throw Cappy at him to knock these off and avoid being hit by them as they ricochet around so you can bounce on his head. As the fight progresses, more hats come into play and Topper swings them around to try and hit you as well. Harriet’s head is protected by a spiked helmet and she tosses explosive maces at you that you can hit away with Cappy, but they leave temporary flaming puddle son the floor. When she tries to crush you with the maces on her pigtails, you can smack these back to stun her, and you can also knock her out of the air when she withdraws into her helmet by hitting the bombs she drops. Spewart protects himself by spraying poison gunk all over the place, but you can use Cappy to clean it up and stun him, and to knock him away when he retreats into his hat and leave a trail of the muck in his wake. Rango tosses his sawblade-like hat at you from afar, but you can flip them over with Cappy and use them as a trampoline to twirl onto his head; as the fight progresses, Rango tosses more hats and also hops around trying to hit you, and you’ll have to battle each of the Broodals again in Bowser’s Kingdom and in succession in a gruelling gauntlet on the Dark Side of the Moon Kingdom.

You’ll encounter the Broodals’ mother, Madame Broode, in the Cascade Kingdom; this rotund bunny sends her golden Chain Chompkin after you, but you can easily avoid it, knock its hat off, and capture it to launch it back at her. Although she tries to swipe at you, and more hats are added to later bouts, it’s pretty easy to stay out of her way and knock her on her ass. In the Sand Kingdom, you’ll find Knucklotec, a statue-like head who tries to crush you with its fists. However, you can trick it into hitting ice so you can capture its fist and fly it right into its face, but you’ll have to watch out for the projectiles it shoots out to protect itself. Torkdrift, a large UFO, awaits in the Wooded Kingdom; luckily, there are Uproots nearby for you to capture and stretch up into Torkdrift’s glass underbelly, but you’ll have to dodge the shockwaves it sends out and the flaming lasers it fires, and smash through thick blocks to flip it over and deliver additional damage to it. After unsuccessfully trying to attack Bowser’s airship, you’ll fall into the Ruined Kingdom and face off with the Ruined Dragon, a massive beast that sends out rings of lightning; when it collapses from exhaustion, you have a brief window of opportunity to hop onto its head, remove the stakes from its skull, and ground pound its weak spot but its attacks will become more aggressive and harder to dodge as the fight goes on.

The latter Kingdoms offer some of the more interesting boss battles; Metro Kingdom’s Mechwiggler clambers about on the side of a building firing energy bolts at you and charging at you through portals, but you can pilot a Sherm to blast its glowing weak spots and deal big damage to it, and you’ll have to battle two at once in the Mushroom Kingdom rematch. Similarly, you’ll need to capture a Gushen to chase after and defeat the Seaside Kingdom boss, Mollusque-Lanceur, a giant octopus that floats around the beach (or above the clouds in the rematch) firing torpedos and spiked bombs. However, he’s vulnerable on his head so you can jet after him with Y and gush water down onto him with B once you’re hovering over him. In the Luncheon Kingdom, you’ll do battle with Cookatiel in a giant stew pot; Cookatiel spits vegetables as projectiles, but also spews up a stream of vomit that you can travel up as a fireball to bounce on his head. Each of these bosses is fought again by jumping into paintings in the Mushroom Kingdom, and the battles are made harder by the presence of additional enemies and hazards, less health items, bottomless spits, and more aggressive attacks from the bosses.

Before you can finally face off against Bowser, you’ll have to battle the Broodals once again, this time in a giant mech! To defeat the RoboBrood, you’ll need to avoid the bombs it throws out and capture a Pokio to hit them back at its feet, toppling it over and leaving it vulnerable for you to fling yourself up and attack each of the Broodals’ pods. The RoboBrood becomes temporarily invincible after each pod is destroyed, targets you more directly, and it gets harder to scale it with each hit as well. Bowser himself is also fought twice, once in the Cloud Kingdom and again in the Moon Kingdom (and a third time at the end of the super-hard Darker Side of the Moon Kingdom). Both times, you must toss Cappy at his top hat to flip it over and take possession of it; you must then hop over the shockwaves caused by his jumps, avoid or punch away the rocks he throws at you, and put a beating on him when he’s stunned. As the fight progresses, Bowser jumps faster, throws more projectiles, defends himself from your punches and tries to swipe at you with his tail, and spews out flames in anger, but he’s not particularly difficult to best in the main encounters. After defeating him, you’ll need to capture him to use his massive claws to escape, which is pretty fun (if harrowing because of the temporary platforms).

Power-Ups and Bonuses:
Mario’s primary power-up is his ability to capture enemies and other objects with Cappy; this allows you to leap higher, protects you from lava, activates switches, allows you to flip, fly, or travel to new areas, and is crucial to solving some of the game’s puzzles and tracking down the Power Moons. There are, however, other power-ups you can find in each Kingdom; bubbles will restore your air meter when swimming, Life-Up Hearts temporarily add three extra hits to your life meter, Keys unlock additional Power Moons, scooters and catapults will allow you to travel quickly across areas, and Rocket Flowers let Mario blast ahead, and up sharp inclines, with a burst of speed but at the cost of his manoeuvrability.

Although there are no extra life mushrooms, cap power-ups, leaves, or invincibilities in the game, you can capture Yoshi in the Mushroom Kingdom and use his flutter jump and long tongue to eat fruit, and you can also spend your Coins on stickers to adorn the Odyssey with, souvenirs to fill it with, and outfits to change Mario’s appearance. Each Kingdom has one door that is blocked to you unless you buy and wear the regional outfit, but otherwise these are purely cosmetic items to wear. However, the range of them is quite impressive: you can dress up as Doctor Mario, Luigi, Waluigi, Wario, and even Diddy Kong; wear Mario’s Hawaiian shirt, his spacesuit, and even be rendered as his polygonal model from Super Mario 64 or in blocky 8-bits. You can dress up in the Broodals’ outfits, wear Peach’s wedding dress, and even mix and match the head wear with the clothing to create bizarre combinations. Sadly, though, these are simply costumes rather than new skins and the only character you’ll ever play as is Mario, which is a shame considering Luigi was playable in Super Mario Galaxy.

Additional Features:
With nearly 900 Power Moons to collect, you’ll never be short on things to do in Super Mario Odyssey. After you defeat Bowser, you can travel to the Mushroom Kingdom to find more Power Moons (this time rendered as Power Stars), rebattle the game’s bosses, and be awarded additional Power Moons for completing Toadette’s objectives. You can also return to the previous Kingdoms to track down Princess Peach for another Power Moon and break open Moon Rocks and access tough platforming or puzzle sections for additional Power Moons, and cause even more Power Moons to be spread across each Kingdom. You can keep track of these in the – menu by reviewing your lists, and once you have powered up the Odyssey with 250 and then 500 Power Moons, you’ll unlock two new areas of the Moon Kingdom.

Dark Side has you scaling a tower and battling the Broodals in a tough gauntlet with no checkpoints or health power-ups between or during the bout, and the Darker Side is home to the game’s most challenging, and frustrating, course as you must cross lava, avoiding spikes, fireballs, and all manner of hazards and obstacles in a true test of you skills. Furthermore, players can find Luigi in each Kingdom and take on the Balloon World mini game, which is basically an online version of hide-and-seek and has you racing to locate balloons and comparing your time and scores with other players. The game can also be played in a rudimentary two-player mode where one player controls Mario and the other controls a captured enemy, and you can also use Amiibos and the Switch’s snapshot feature to find additional hints or unlock costumes, respectively.

The Summary:
I was actually very surprised by how much I enjoyed Super Mario Odyssey. I had heard so much about the game since it first released, all of it nothing but praise, and it was getting to the point where the game felt a little overhyped to me. Once I got a Nintendo Switch, I knew that the game was going to be a must-have for my collection, but I was a little apprehensive as I have a bit of an odd relationship with Super Mario games. However, it didn’t take long for my worries to be completely set aside; Super Mario Odyssey harkens back to the days when games could be played in fun-filled little bursts and its addictive gameplay and eye-catching visuals make it a title that’s simple to pick up and hard as hell to put down. The game gets progressively more challenging as you progress and visit new Kingdoms, but it’s never unfair or punishing and any mishaps you might make simply come down to a mistake on your part rather than due to a janky camera or controls. Mario’s athletic prowess and the additional abilities afforded to him by Cappy mean that there is always another way, or multiple ways, to accomplish tasks, explore further, or obtain Power Moons and the sheer amount of options available to you is impressive, but never too daunting. Colourful, endlessly entertaining, and fun from start to finish, Super Mario Odyssey is a fantastic entry in the franchise; I loved the call-backs to Super Mario 64, particularly the rendition of the Mushroom Kingdom, and all the outfits available to you (though it was disappointing to only be able to play as Mario again). The Kingdoms were all fun and unique areas, finding Power Moons was a great little distraction, and the bosses were enjoyable little challenges that never outstayed their welcome. There’s something on offer here for players of all skill levels, from beginners to advanced players who fancy tackling the super-tough optional areas, and I found myself having a great time from start to finish.

My Rating:

Fantastic

Have you every played Super Mario Odyssey ? If so, did you enjoy it and how do you think it compares to other 3D Mario titles? Which of the game’s Kingdoms was your favourite? What did you think to Cappy and the capture mechanic, and which enemy was your favourite to take possession of? Did you enjoy collecting Power Moons or were you a bit overwhelmed by the sheer amount to find? What did you think to the game’s bosses and the Broodals? Did you ever best the Dark and Darker Side of the Moon Kingdom? Which outfit was your favourite and would you have liked to see skins or other playabale characters? Whatever your thoughts on the Mario’s cap-based adventure, feel free to sign up and leave a comment below or leave a comment on my social media.

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So, for no better reason than “Mar.10” resembling Mario’s name, March 10^th is widely regarded as being “Mario Day”, a day to celebrate Nintendo’s portly plumber, an overalls-wearing mascot who literally changed the videogame industry forever and shaped the home console market of the nineties. To commemorate Mario Day this year, March has been “Mario Month” as I have celebrated everyone’s favourite Koopa-flattening plumber on each Wednesday of the month.

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Released: 18 September 2020
Originally Released: 1 November 2007
Developer: Nintendo
Original Developer: Nintendo EAD Tokyo
Also Available For: Nintendo Wii and Nvidia Shield

The Background:
The concept of Super Mario Galaxy’s gameplay finds its genesis in Super Mario 128, a tech demo designed to showcase the power of Nintendo’s GameCube compared to the Nintendo 64 and other consoles at the time. Specifically, it was the concept of running, jumping, and exploring shifting, spherical bodies that caught Mario creator Shigeru Miyamoto’s imagination and many of the game’s concepts and ideas were thought up before Nintendo Wii was even developed, including new gameplay mechanics such as adding a spin attack to Mario’s arsenal to make it easier to attack enemies on spherical, 3D plane. After tweaking the gameplay to make things a bit more challenging for players, the team worked on implementing unique ways to take advantage of Mario’s space-based adventure, including gravity-based mechanics, new transformations and ways to play, and focusing on making the game fun to play rather than simply rushing to finish it. Super Mario Galaxy was a critical and commercial success, selling over 350,000 units in Japan during its first week alone and over 12.80 million copies worldwide by March 2020. The game also won, or was nominated for, numerous gaming awards and received an equally-well-received sequel in 2020. While that game wasn’t included in Super Mario 3D All-Stars (Nintendo, 2020) for the Nintendo Switch, Super Mario Galaxy was, meaning that I recently finally got the chance to play this game through, my to my delight.

The Plot:
All of the Mushroom Kingdom has gathered together for the centennial Star Festival. Unfortunately, the diabolical Bowser, King of the Koopas, gatecrashes the celebrations and kidnaps not just Princess Peach but her entire castle, hurtling them into outer space! Guided by Rosalina and the Lumas, Mario resolves to explore the entire galaxy, collecting both Power Stars and Grand Stars to power Rosalina’s Comet Observatory and rescue Princess Peach.

Gameplay:
Super Mario Galaxy is a 3D action/platformer that brings back many of Mario’s controls and abilities from Super Mario 64 (Nintendo EAD, 1996); not longer hampered by a water-spewing jetpack, Mario is, thankfully, once again able to backflip and long jump in addition to using his patented triple jump, side jump, and wall kicks to navigate the game’s many and varied Galaxies.

Mario can still hop on the heads of his enemies to dispatch them or use his ample rump to squash them flat but, in the absence of his punching attacks, players can now use the touch screen to gather and launch “Star Bits” at the screen to attack enemies, destroy certain objects, and reveal Yellow Coins. This allows a second player to work alongside Mario in a pretty lacklustre implementation of a two-player co-op mode but, thankfully, Mario is gifted with a new spin attack that allows him to take out enemies and helicopter his way across tricky gaps. As in the previous 3D Mario games, Super Mario Galaxy is structured around a central hub world (in this case Rosalina’s “Comet Observatory”) from which you can enter the game’s forty-two different stages (referred to as “Galaxies”) from different areas in the hub world. Each Galaxy has anywhere from one to six different missions, the completion of which awards you with a Power Star; once you collect sixty Power Stars, you’ll be able to access the game’s final Galaxy and battle Bowser, but you’ll need all 120 to see the game’s true ending.

It may seem, on the surface, that Super Mario Galaxy has far too many stages on offer but not all of the Galaxies are accessible right from the start or even while you’re visiting that Galaxy. Other areas of the Comet Observatory will open up as you collect Power Stars, with numerous small, more challenging Galaxies cropping up along the way and Mario’s skills being tested by a series of “Prankster Comets”. These see you return to previous Galaxies to earn a new Power Star with only one sliver of health, racing against Mario’s doppelgänger, “Cosmic Mario”, completing the Galaxy within a time limit, and contending with much faster enemies and obstacles.

Furthermore, Galaxies are actually quite small in a lot of ways and tackled in sections; you’ll be dropped into a Galaxy and be tasked with navigating spheres, jumping to platforms, and blasting across the area using Launch Stars, with each mission allowing you, and tasking you, to access different areas of the Galaxy to mix up the stage each time you visit. Super Mario Galaxy’s main selling point is its use of gravity- and space-based stages; almost every planet, block, or platform you stand on has its own gravitational force, allowing you to run all around it without fear of falling to your death and you can easily jump to another traversable body and get sucked into its gravity to make platforming a simple but, eventually, challenging affair as you’ll have to use all of Mario’s skills to jump and navigate across Galaxies without being sucked into a black hole and to his death.

Gravity also comes into play in other ways, such as hitting clock-like arrows to change its direction or navigating across walls, blocks, and platforms while the gravity shifts in different directions. You’ll also be required to perform specific tasks or do some extremely light puzzle solving to cross the Galaxy or access the Power Star. This includes pounding on switches, collecting five yellow Star Chips to assemble a Launch Star, directing Banzai Bills or tossing Bob-ombs to blow up cages, hopping up or across temporary platforms, collecting five Silver Stars, finding Star Bunnies, racing against certain enemies or a time limit, or using a Koopa shell or manta ray to dart through rings underwater or through a water slide.

Other times, the environment will assemble itself around you or become intangible thanks to a ghostly light, which will test your reaction times as much as your patience, or Mario will have to run over flip switches to progress, collect a Key, or grab a ? Coin to spawn musical notes to collect. You’ll also have to grab on to a Floaty Fluff to float across air currents, rotate Bolt Lifts by running on them to reach platforms, hitch a ride in a bubble, awkwardly run across (or skate by pressing Y) icy platforms, smash coconuts to damage certain enemies, hit levers, or fling Mario across the arena using sticky Sling Pods.

Some of the game’s more troublesome sections come from the inclusion of blue Pull Stars; you need to tap the screen to draw Mario towards these little bastards, holding down to keep him hovering there and releasing it at the right moment to slingshot across the area, usually while in a race, against a time limit, or avoiding a load of obstacles. By far the most frustrating gameplay element, though, are the missions that require you to hop onto a Star Ball and navigate mini golf-like obstacle courses full of hazards and platforms to roll off. Though Mario can jump when on the Star Ball, you are forced to use the Nintendo Switch’s lousy gyroscopic controls to roll him about, which is needlessly annoying since I found it extremely difficult to hold the machine in a way that actually made Mario move where I wanted him to and, often, Mario simply rolled wherever he wanted, often to his death.

Similar to its predecessors, Mario’s health is again measured with a pie chart but, this time around, Mario can only take three hits before he’ll lose a life. Mario can still replenish his health by collecting Yellow Coins, though, and a number of checkpoints appear in the game’s Galaxies (though I found there was no onscreen indication of when you had passed one of these checkpoints) which means you won’t always have to restart the Galaxy from the very beginning. Extra lives are extremely plentiful, however, with 1-Up Mushrooms placed helpfully in or near the game’s trickier sections and Mario can earn an extra life for every fifty Coins and/or Star Bits he collects and, later in the game, Princess Peach will gift you with five extra lives via a Toad courier.It’s highly advisable to collect every Star Bit you see as hungry Lumas will appear within the Galaxies and in the Comet Observatory and feeding them is the only way to unlock all of the game’s Galaxies. You can keep track of your progress by speaking to various non-playable characters (NPCs), such as Rosalina, the Toads, and the Lumas and a map of the Comet Observatory shows you which Galaxies you need to revisit by use of a little crown to indicate when a Galaxy has been completed. Finally, unlike its predecessor, Super Mario Galaxy not only returns to the kind of stage variety we saw in Super Mario 64 but also brings back classic 2D Mario staples such as warp pipes and ? Blocks.

Graphics and Sound:
If there’s one area that Super Mario Galaxy excels in it’s presentation; the game is absolutely gorgeous, popping with colour and variety and oozing a cartoonish charm at every turn. It retains the cute, cuddly, almost action figure aesthetic of Super Mario Sunshine but improves upon it immensely, with all of the game’s environments brought to life through a fantastic use of colour, lighting, music, and intractable elements. Each Galaxy is populated by a variety of NPCs, including Toads, Lumas, Honeybees, Gearmos, and Penguins, all of whom each talk to you through speech bubbles or can be spoken to for hints or more useful rewards like Power Stars. Toads and Lumas also begin to populate the Comet Observatory as you progress, which really helps to bring some life to the hub world, which disappointingly otherwise takes more inspiration from Princess Peach’s Castle in Super Mario 64 than the lively Delfino Plaza.

Thankfully, Super Mario Galaxy is almost the exact opposite of Super Mario Sunshine when it comes to level and gameplay variety. Each of the game’s Galaxies is unique in its presentation, with Mario visiting Galaxies of ice, lava, water, sand battleships, beachfronts, and toy-strewn bedrooms. In the Ghostly Galaxy, you’ll explore a haunted mansion that is reminiscent of both Big Boo’s Mansion from Super Mario 64 and the titular mansion of Luigi’s Mansion (ibid, 2001), explore sunken pirate ships, clamber up honey-drenched walls, race across stony platforms to avoid being sucked into deadly quicksand, and blast out from an active volcano, with every Galaxy and Star mission being an energetic and fun, yet challenging, burst of action and, at times, intensity.

Perhaps best of all, Super Mario Galaxy brings back a lot of classic Mario tunes and sound effects to really bring the title back to its roots. Rather than using full blown voice acting, the game opts for speech bubbles, brief voice clips, and a heavy use of gibberish and pantomime for the few instances of dialogue. Cutscenes are also heavily reduced compared to its predecessor, with the opening cinematic split across a brief tutorial and the game opting to tell the story of Rosalina and the Luma’s through an adorable children’s book.

Enemies and Bosses:
Many of Mario’s recognisable enemies make their return in Super Mario Galaxy, with each one being slightly tweaked to accommodate Mario’s new mechanics. You can jump on Goombas to dispatch them, which will produce a Coin, but if you spin into them and kick them away you can get Star Bits, for example, adding a little strategy to how you play. Bullet Bills are often fired at you from the cannons of Bowser’s many battleships, you’ll need to toss Bob-ombs to destroy garbage or break open cages, Bloopers patrol beneath the waves, and Chomps freely roll around various Galaxies looking to take a bite out of you. Boos also make a return, now being completely immune to all of Mario’s attacks and only vulnerable to beams of light, and you’ll also encounter old favourites such as Koopas, Pokeys, Wrigglers, Twomps, Piranha Plants, and Magikoopas (who conjure fireballs your way and teleport to avoid your attacks).

New enemies include the bomb-throwing Cluckbooms, explosive Bomb Boos, electrified jellyfish, and easily-dispatched bugs. Just as Gombeetle’s protect themselves from your Star Bits and standard jump attacks with an armoured shell, Crabber’s can only be attacked from their exposed rear and you’ll need to use your spin attack to put out Lil’ Cinder’s flames before you can dispatch them. Mandibugs will charge at you with their pincer-like jaws, Micro Mecha-Bower’s try to roast your behind, and Monty Moles like to burrow under the dirt to catch you off guard but, while your butt stomp will serve you well in taking care of these enemies, you’ll need to use your spin attack to push the members of the Topman tribe into electrified walls to end their threat.

You’ll battle sixteen bosses throughout the course of Super Mario Galaxy, with eight of them needing to be fought more than once. The first boss you’ll have to contend with is the Dino Piranha, a large, aggressive, and hungry variant of Petey Piranha. This boss stomps around a small sphere trying to trample you to death and can only be defeated by hitting its rock-encrusted tail with a spin attack. Later in the game you battle a far more formidable version of this boss, the Fiery Dino Piranha, in the Melting Molten Galaxy. Though the strategy remains the same, this battle is much more difficult by the fact that the Fiery Dino Piranha’s tail becomes engulfed in flames and the boss’s ability to spit fireballs out at you.

Another boss you’ll go up against twice is King Kaliente, a gigantic octopus that emerges from lava to shoot flaming projectiles at you; unfortunately for him, though, he also spits out a coconut, which you can hit with your spin attack to damage him. He crops up again in Bower Jr’s Lava Reactor with the battle being made more difficult by the fact that you’re now stood on a series of small platforms that sink into lava and King Kaliente’s more frequent and aggressive attacks (though, again, the strategy remains the same; you should also be prepared to parry coconuts with the boss since it likes to knock them away as the fight progresses).

Major Burrows and Bouldergeist are also fought twice across the course of the game, with the battle being much tougher the second time around. Major Burrows is, basically, a giant Monty Mole and is only vulnerable when he pops up from the ground; once he does, you can perform a ground pound to scare him completely out of his hole and then attack him as he runs around the spherical stage. Bouldergeist is, by comparison, much tougher since the only way you can break off his rock-like hide is to trick Bomb Boos into colliding with him. Once his exterior is smashed, Mario must then swing a Bomb Boo into Bouldergeist’s exposed core using his spin attack but before it explodes in his face, all of which is made much more troublesome by Bouldergeist’s desire to pummel you with his hands, smash you with boulders, and erect destructible rocky walls to box you in.

Interestingly, the boss you’ll encounter the most isn’t Bowser; it’s Topmaniac, the gigantic leader of the Topman tribe who is easily disposed of by jumping on its head to get rid of its spikes and then using your spin attack to bash it into the electrified walls of the arena. The game’s bosses are all quite large, memorable affairs though: you’ll need to lure Bullet Bills over Megaleg’s legs to destroy the cages on its head; navigate icy platforms and use wall jumps to reach Baron Burr and thaw him out with Mario’s spin attack; dispatch waves of Mandibugs to ground pound the large Stink Bug Parent; you’ll need to use similar tactics (in conjunction with Banandelions and Mario’s Bee power-up) to defeat the bomb-dropping Bugaboom; fire yourself at Tarantox’s glowing red boils with Sling Pods; and fire Koopa shells at the skeletal remains of Kingfin as it swims through the dark waters.

Despite his prominence in the last game and frequent appearances throughout Super Mario Galaxy, you’ll only battle Bowser Jr the one time; Bowser Jr shoots cannonballs at you from his flying pirate ship and can only be damaged by throwing Koopa shells at him. This gets very intense during the final stages as Bowser Jr also starts firing Banzai Bills at you, meaning there are a lot of projectiles and hazards to watch out for at the same time. In comparison, you’ll fight Kamella three times, with each battle having a very similar strategy to fighting Bowser Jr; Kamella conjures both fireballs and green shells that you can throw at her, though she also summons Magikoopas, wandering fireballs, and teleports about the arena to make it harder for you to hit her.

As in Super Mario 64,you’ll also battle Bowser three times throughout the game, with your strategy to defeating him remaining relatively unchanged in each bout. Bowser likes to generate shockwaves across the small spherical planet you fight him on and must be lured into pounding through a sheet of glass to set his tail on fire; as he flees in pain, you can hit him with your spin attack, which can be hard to do as Bowser slides all over the sphere in an erratic pattern on the back of his shell. When you encounter Bowser again, he’ll perform his own spinning attack and launch numerous fireballs your way but it’s the finale battle of the game where Bowser is at his most formidable. This is a three phase boss battle that first sees Mario having to time his spin attack just right to hit Bowser out of the rocky exterior he has protected himself with, desperately outrun Bowser’s powerful spinning attack, and puts your jumping and reaction skills to the test avoiding the many shockwaves and fireballs that Bowser fills the small arena with. As long as you keep your wits about you and watch Bowser’s frenzied spinning, charging, and jumping attacks, these battles mainly come down to a question of properly timing your spin attack to put en end to Bowser’s latest threat.

Power-Ups and Bonuses:
As in all Mario games, you can collect Yellow Coins in each Galaxy; you no longer need to worry about collecting a hundred of these for a hidden Power Star, or any Red Coins (which is a blessing after Super Mario Sunshine’s massive overuse of the concept), but you will get an extra life for every fifty Coins you collect. The game’s big, new feature is the Star Bit mechanic, which allows you to fire at enemies and objects on the screen; it’s advisable to frantically swipe at any and all Star Bits you see to add to your grand total and collect extra lives but don’t get so distracted to you lose focus on what you’re doing!

At various points throughout the game, you’ll find or be given the opportunity to purchase a Life Mushroom, which will double Mario’s health meter; if you spot one of these, grab it as you’ll probably need it for an upcoming boss battle or tricky section. Mario also has a number of transformations this time around, some which are familiar, some which are new, but none of which are as prominent as you might expect. You can grab a Rainbow Star to briefly become invincible, allowing you to run through enemies and hazards without fear, for example, but this only lasts for a short period of time.

Other temporary power-ups include the returning Fire Flower (which allows you to shoot fireballs and defrost snowmen), the Ice Flower (which allows you to walk across water and wall jump up waterfalls using ice platforms), and the Red Star (which allows Mario to fly unimpeded like an upgraded version of the Wing Cap). It’s a shame that these power-ups are so limited in their appearances and use, to be honest, as it would be fun to revisit the game’s Galaxies and explore them using Flying Mario or open new areas as Fire Mario, for example.

Mario has other, less temporary power-ups at his disposal as well: the Bee Mushroom allows him to fly for a short time by tapping or holding A and to climb up honey-covered walls; the Boo Mushroom transforms Mario into a Boo, which allows him to float indefinitely and pass through certain walls by becoming temporarily incorporeal; and the Spring Mushroom allows Mario to bounce extremely high into the air with a well-timed press of the A button. Each of these transformations will be lost if Mario touches water or an enemy and, of the three, Bee Mario is the most often used and Spring Mario is easily the most unwieldy thanks to Mario bouncing all over the place, but none of them are as prominent as power-ups in previous Mario titles such as the Wing Cap and Raccoon Mario (which both feature on the front covers of their respective games).

Additional Features:
As in its predecessors, Super Mario Galaxy requires you to collect a number of special objects to progress further. There are 120 Power Stars to be found in the game, including Grand Stars to be won from boss battles, and rarer Green and Red Power Stars found in hidden Galaxies or from finding Mario’s brother, Luigi, in specific areas of each Galaxy. You only need sixty Power Stars to battle the final boss but, once you finish the game, a new Galaxy will appear and you’ll be tasked with collecting the remaining Power Stars to see the game’s true ending. This new Galaxy introduces you to the Purple Comet mechanic; when the Purple Comet is in orbit around a Galaxy, you’ll have to collect one hundred Purple Coins to earn a Power Star. This can be quite frustrating and troublesome as you’re often racing against a time limit, which continues to count down even after the Power Star spawns, with Luigi’s Purple Coin mission being easily the most maddening trial of them all since it forces you to run across disappearing and rotating platforms over an endless void and against a time limit. If you’ve missed any of the other Prankster Comet Stars, you’ll have to chat to a Luma in the Comet Observatory to put them in orbit and collect any you’re missing.

Once you have all 120, you then have to go through the game’s gruelling final Galaxy and battle Bowser again in order to see an additional cutscene and unlock Luigi as a playable character! Yes, finally, after the lacklustre rewards of the last two games you actually get something substantial for all your hard work. You can switch to Luigi when accessing your saved file, which will begin a new game from the start as Luigi, who jumps higher and further than his stoutly brother. Sadly, though, you must then play through the entire game all over again, collecting the same 120 Power Stars as Luigi, in order to access the game’s final final Galaxy and claim the elusive 121^st Power Star by collecting another one hundred Purple Coins during the Star Festival celebrations. I don’t mean to complain about this since I have been waiting to play as Luigi, and get a decent completion reward, since Super Mario 64 but, as much as I enjoyed the game, it’s a bit much to ask players to do everything all over again as Luigi since you’re pretty exhausted after getting the first 120 Stars.

The Summary:
Super Mario Galaxy was an incredibly enjoyable experience; right from the start, as soon as I experimented with Mario’s controls, I knew that I would prefer this game over Super Mario Sunshine. It plays much more like Super Mario 64, returning a lot of Mario’s abilities and controls from that game, which makes platforming and gameplay all the better. Add to that the game’s fantastic presentation, use of classic Mario elements, and unique setting and you have an extremely grandiose and accessible Mario adventure. While it was disappointing to see Mario still confined to a hub world and acquiring Power Stars on a mission-by-mission basis, and the game was maddeningly frustrating at times, Super Mario Galaxy does some pretty impressive things with its unique concept. Through clever use of its gravity mechanics, a rising level of challenge, and being packed full of bright, colourful environments, characters, and content, there’s certainly a lot more on offer in Super Mario Galaxy than in its predecessors and the game is presented in a way that encourages short bursts of gameplay, making it a perfect title to play on the go or in your down time.

My Rating:

Great Stuff

What did you think of Super Mario Galaxy? Did you play the original Wii version and, if so, how do you find the Switch remaster holds up? Were you a fan of the game’s space- and gravity-orientated gameplay or do you feel like the concept was a bit outlandish even for Mario? What did you think to the game’s level of challenge? Which Power Star did you struggle the most with, which Galaxy was your favourite, and what did you think of the new characters the game introduced? Did you ever finish the game as Luigi and get all 121 Power Stars? Either way, I’d love to hear your thoughts and memories of Super Mario Galaxy, and your feedback regarding Mario Month, in the comments below.