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Game Corner: Marvel: Ultimate Alliance 3: The Black Order (Nintendo Switch)

21/04/202521/04/2025Dr. K2 Comments

Released: 19 July 2019
Developer: Team Ninja

The Background:
For decades, few videogame publishers were as synonymous with Marvel Comics as Activision, who produced adaptations Marvel’s most popular properties. While some were better than others, Activision’s efforts were largely praised, especially after they partnered with Raven Software on the X-Men Legends games (2004; 2005). Activision and Raven Software expanded their scope to the rest of the Marvel universe with Marvel: Ultimate Alliance (2006), a largely successful team-based brawer praised for improving upon its predecessors. Though now delisted, it was followed by a sequel three years later, courtesy of Vicarious Visions, which tweaked the gameplay with team-based attacks to encourage experimentation. Though Marvel: Ultimate Alliance 2 (2009) was praised for its branching storyline, the stripped down roleplaying mechanics were criticised. While it was also delisted in 2020, fans were clamouring for a follow-up and, just ten years later, Team Ninja stepped in to work alongside Marvel in reviving the franchise. Seeking to place additional emphasis on combat, the developers explored the cosmic scope of the Marvel universe by including the Infinity Stones and lesser-known characters and chose to make the title a Nintendo Switch exclusive after developing a close relationship with Nintendo. Although Marvel: Ultimate Alliance 3: The Black Order was the sixth best-selling game in its first week and was later bolstered by extensive downloadable content (DLC), it was met with mixed reviews that praised the colourful action but criticised its lack of innovation.

The Plot:
While battling Nebula and Ronan the Accuser, the Guardians of the Galaxy stumble upon a plot by the mad titan, Thanos, to collect the six Infinity Stones. Although they scatter the Stones, Thanos’s acolytes, the Black Order, pursue the gems, prompting an alliance of Earth’s mightiest heroes to retrieve them first.

Gameplay and Power-Ups:
Like its predecessors, Marvel: Ultimate Alliance 3: The Black Order is a team-based action role-playing game in which players assemble a squad of four heroes from across the Marvel universe to battle various nefarious baddies, primarily the titular Black Order, who are hunting the six all-powerful Infinity Stones on behalf of their master, Thanos. The game offers five save slots, two initial difficulty levels, and a base roster of thirty-six playable characters, with many being encountered as you play through the story and joining your alliance either after fighting alongside you or being freed from some kind of mind control. Marvel: Ultimate Alliance 3 offers three controller configurations, thankfully none of which involve motion controls, and allows you to toggle overlays, notifications, tips, and other onscreen elements from the “Settings” menu. These include altering the camera placement, which enables a lock-on feature by pressing in the right stick, though the camera generally remains more focused on whichever character you’re controlling rather than offering a bird’s eye view as in the last two games. Although you can fight alongside friends either locally or online, you switch between your teammates with the directional pad (D-pad) when playing alone and your computer-controlled partners are very useful in a fight, attacking, enabling team attacks, and reviving defeated characters without any input from you. Pressing A sees you interact with the environment to activate consoles, pick up or move certain objects, and talk to other characters. You jump with B, executing a double jump, swinging from webs, or flying depending on which character you’re playing as, and throw light attacks with X and heavy attacks with Y. These can be strung together to perform basic combos and you can also perform a mid-air attack and throw objects (like bombs and missiles) by pressing Y. You block incoming attacks by holding the Z trigger and tap it to dodge, and collect glowing red orbs from defeated enemies or smashed crates to restore health, blue orbs to refill your Energy Point (EP) gauge, and credits to spend on upgrades.

*Combat is thick, fast, chaotic, and constant thanks to loads of enemies and character abilities.*

As in the last two games, each character has specific abilities tied to their superpowers or superhero traits. You activate these by holding the Right trigger and selecting an icon using the D-pad; using Abilities drains your EP, however, and each Ability comes with a different cost. However, these attacks allow you to stun, stagger or deal elemental damage to enemies using Peter Parker/Spider-Man’s webs, Thor Odinson’s lightning, and Doctor Robert Bruce Banner/The Hulk’s incredible strength. Many characters have projectile attacks in their arsenal, such as Wade Wilson/Deadpool firing guns and Scott “Slim” Summers/Cyclops blasting his eye beams, while others cause splash damage or specific buffs, like Piotr Rasputin/Colossus being able to reflect projectiles and Wanda Maximoff/The Scarlet Witch healing her allies. Some, like James “Logan” Howlett/Wolverine, have passive abilities that allow them to automatically regenerate health as they walk around; others, like Johnny Blaze/Ghost Rider and Ororo Munroe/Storm, specifically deal in elemental damage. Character’s Abilities can also be mixed and matched by holding ZR and pressing one of the face buttons (or pressing A when prompted); this sees two characters attack in a combo for additional damage. As you dish out and take damage, you’ll also build the Extreme (EX) Gauge). Once full, you can press L and R up to three times to have two to four of your teammates perform a devastating combination attack that’s great against bosses. While the various cannon fodder you fight are easily dispatched, larger commanders and bosses need their “stun” meter drained before you can really put a beating on them and others (and certain treasure chests) require specific combination attacks to breach their shields. Defeating enemies sees your characters gain experience points (XP) to level-up, increasing their statistics (attack, defence, etc), though you can also use the various Orbs you find to manually level-up. Each character’s special Abilities can also be further enhanced using Ability Orbs and credits, reducing the EP cost and increasing their damage, among other benefits. You can also earn “Team Bonuses” depending on your team selection: pick a group of X-Men, for example, and your strength or resistance stat will increase, while picking characters of royalty ups your maximum energy stat.

*Search for chests to gain currency and other expendables to upgrade and buff your alliance.*

Although you can’t equip gear to your characters, the boss battle against the Destroyer armour sees you temporarily empowered by Asgardian magic and you can eventually equip your team with “ISO-8” crystals, coloured stones that enhance their attack power, resistance to elements, or critical hit ratio, among others. You can further upgrade these with credits and ISO-8 capsules, though some of the rarer ones will also debuff you (for example, your attack my increase but your defence will decrease accordingly). You’ll also inevitably gain access to the Strategic Hazard Intervention Espionage Logistics Directorate (S.H.I.E.L.D.) Lab, which acts as the game’s skill tree. By spending credits and Enhancement Points (EP), you can further increase your team’s overall attack, defence, resistance, vitality, and such and even unlock additional ISO-8 slots (with more being earned by levelling-up). You can also enter the S.H.I.E.L.D. Depot from the main menu to purchase additional costumes and social icons by spending S.H.I.E.L.D. Tokens. Marvel: Ultimate Alliance 3 is pretty forgiving (on the “Friendly” difficulty, at least), with multiple checkpoints in each area. When you activate a S.H.I.E.L.D. checkpoint, your team is fully healed, and you can swap or enhance them if you wish. If a teammate is defeated, you can hold A to revive them, but I wouldn’t recommend it unless you absolutely have to. Not only are revives limited, but downed characters will eventually return to full health even before you reach a checkpoint so it’s not worth risking another character taking damage by healing a partner. Exploration generally leads you to treasure chests or special walls that require a special combination attack to open, or to a “Rift” challenge that takes you away from the main game to tackle a special challenge (usually a boss rematch or enemy gauntlet) for extra rewards. Your path is incredibly linear most of the time, hence why there’s no map, and the game’s primary focus is on chaotic combat and visually manic team-based attacks. Unlike in the last two games, you can no longer grapple or throw enemies (though you can still send them flying off certain platforms) and there are no character-specific team-up moves, meaning the action can quickly get quite tiresome.

*Sadly, puzzles are practically non-existent, with only Rifts offering additional challenges.*

Because of its focus on hectic combat, there’s even less room for puzzles than there is for exploration in Marvel: Ultimate Alliance 3. Puzzles boil down to activating a console to open a door or making a platform move and that’s it. Sometimes, you’ll hold A to move a block and avoid lasers or cannons, but mostly you’ll be timing jumps between said lasers to progress and simply hurling missiles at those cannons. Sometimes, you’ll rotate statues or press switches to progress; others, you’ll be avoiding toxic ooze in Hel or solving door puzzles at the Raft or in Avengers Tower. After hopping across the rooftops of New York City, you’ll infiltrate the heavily fortified fortress of the Hand, dealing with ninjas that drop from the sky and hidden arrow hazards. When in Wakanda, Advanced Idea Mechanics (A.I.M.) corrupt T’Challa/The Black Panther’s defences, leading to an exasperating section where you must avoid snipers and being roasted by a giant panther statue’s energy blast. When transported to the Dark Dimension, you must use portals to reach new areas and defeat waves of demonic enemies to lower magical barriers and progress. Some attacks also screw up your controls or temporarily freeze you; some enemies are best defeated by tossing explosives at them; and many missions have an additional character fighting alongside you who’s often unlocked afterwards. However, a lot of the additional features of the previous games are missing; you can talk to other characters, but there are no dialogue options or character-specific interactions. There are no trivia quizzes, no optional side missions beyond the Rifts, and no character specific challenges to unlock extra stuff for each character. There aren’t even hub areas, in the traditional sense, with characters just appearing around S.H.I.E.L.D. checkpoints at times, though you can destroy a fair bit of the environment, and some encounters have you fleeing towards the camera as bosses chase you or present you with unwinnable battles.

Presentation:
Whereas the last two games primarily based their aesthetics on the comics books, especially the Ultimate comic line, Marvel: Ultimate Alliance 3 adheres very closely to the Marvel Cinematic Universe (MCU), especially in the visuals of its locations. I was hard pressed, for example, to tell the difference between Asgard here and the Asgard to the MCU, with both the golden city and the rainbow bridge, the Bifrost, appearing almost exactly as they’re depicted in the films. The same is true for Wakanda, the Dark Dimension, and Knowhere, all of which are virtually indistinguishable from how they appear in the MCU. There are some differences, of course: Taneleer Tivan/The Collector’s museum, for example, uses coloured cube cages and Wakanda leans much more into traditional architecture than the pseudo-futuristic science of the films (likely because Black Panther (Coogler, 2018) released a year before this game was made). Xavier’s School for the Gifted is lifted almost exactly from the 20^th Century Fox X-Men movies (Various, 2000 to 2020), however, including a hedge maze, 1:1 Cerebro room, and basketball court that doubles as a landing pad for the Blackbird. While the Dark Dimension and the cosmic mind trip that is Sanctuary also heavily borrow from the bizarre cosmic imagery of the MCU, the Raft and Avengers Tower are much more akin to their comic book counterparts, though they’re comparatively bland locations, lacking fun areas like the Danger Room or Wakanda’s Necropolis (though you do pass through Anthony “Tony” Stark/Iron Man’s Hall of Armours in the tower). Although you only make a brief stop in Attilan to try and get help from the Inhumans, the architecture is far more visually interesting than that awful television show, seemingly being comprised of Celestial technology, and I enjoyed the ominous gothic presentation of Hel, with its restless Viking warriors and damaging sludge. Unfortunately, Marvel: Ultimate Alliance 3 continues the trend of having disappointingly bland and forgettable music, opting for generic themes for each location, event, and character that are lost amidst the constant fighting.

*A visually impressive brawler that takes obvious inspiration from the MCU films.*

The game also opts for an almost cel-shaded, action figure-like aesthetic for its colourful cast of characters. While many again both look and sound like their MCU counterparts, there are some exceptions: Peter Quill/Star-Lord, for example, looks nothing like Chris Pratt and the X-Men are far closer to the comic books than Fox’s films. Despite you assembling a custom team of heroes, cutscenes depict either everyone or characters specific to the location you’re in (the corrupted Doctor Stephen Strange in the Dark Dimension, for example) as they’re better suited to advance the plot against the local baddies. With the game shifting to a more third-person perspective, you’re closer than ever to the action and can see more of the environment than in the previous games. However, this comes with some drawbacks: mainly, there are far less opportunities or incentives to explore. Second, environments are painfully linear, with dead ends or locked doors barring your progress. Third, and most frustrating, is the camera, which easily loses track of your opponent/s and often lumbers you with wireframe representations when the foreground blocks the view. Thankfully, you won’t be falling down pits and rarely have to worry about onscreen hazards, but it can be aggravating trying to figure out which platforms and crates can be jumped on and which can’t. Marvel: Ultimate Alliance 3 offers a diverse cast of characters, each with their own idle poses and quips, though these do inevitably repeat. The game’s also surprisingly light on Easter Eggs: you’ll spot Deadpool singing away as he makes tacos in the X-Mansion, but not much else, and there are no optional missions or choices to encourage replaying missions. It’s a far cry from the first game, where there was always something to collect or an additional character to help out. Instead, it’s basically all combat, all the time in Marvel: Ultimate Alliance 3. Luckily, the game looks pretty good (everything’s very colourful and true to its inspirations) and performs really well, though there are some long load screens and it is annoying being forced to continue your game every time you challenge a Rift.

Enemies and Bosses:
All the usual suspects appear here as disposable cannon fodder for you to endlessly beat up, with many of the game’s goons sharing traits across the various locations. You’ll encounter Kree, Ultron Drones, agents of A.I.M., and Doombats who all pack various energy blasters. Ultron’s clones are the worst for this, relentlessly firing energy blasts and crashing through windows. The Raft’s unscrupulous prisoners attack in large groups, as do the restless Viking warriors who populate Hel, tossing axes from afar and luring you into toxic goop. Gargoyle-like Fire Demons also dwell here, offering a greater challenge with their swoop attack and fire breath, not unlike the monstrous Outriders and Mindless Ones who make up Thanos and the dread Dormammu’s forces, respectively. Alpha Primitives, Hydra goons, and towering Sentinels also appear, with the latter firing huge energy blasts from the palms and best attacked by throwing their explosive energy cores back at them. No matter where you are and what enemies you fight, more powerful commanders will also appear. Larger, tougher, and sporting a stun meter, these commanders should be your top priority as they’ll charge across the screen, cause shockwaves, and generally offer a far greater challenge even when you’re at a higher level. These minions often fight alongside their masters, generally so you can recover some health and EP to better damage the bosses, and will endlessly spawn in one of the additional modes unless you destroy their teleporters. Some of the game’s challenges or story-based missions charge you with defeating a certain number of enemies to progress. Other times, bosses appear in these waves, and you must occasionally flee or purposely lose some fights. This happens when Cain Marko/The Juggernaut comes tearing through the X-Mansion, for example, and in early encounters with the Black Order, who cannot be beaten or will chase you, raining lightning or other attacks from the sky and across the ground.

*Few bosses require more than just hit-and-run tactics, even when augmented by an Infinity Stone.*

There are loads of bosses to fight in Marvel: Ultimate Alliance 3, with some returning from the previous games, some teaming up, some having a couple of phases, and all boiling down to whittling down their stun bar, unleashing an EX attack and/or your most powerful Abilities, and avoiding damage until you can repeat this. The first ones you’ll face are Nebula and Ronan the Accuser, who often appear as a duo in optional challenges. Nebula is faster and more nimble, wielding blades where Ronan uses a massive warhammer. Both set a standard all bosses follow, which is that they’ll use either a jumping slam or an explosion of energy (or both) to send you flying. While quelling the riot in the Raft, you’ll encounter a version of the Sinister Six, with some unique variations to each battle. Flint Marko/The Sandman, for example, flings waves of sand and erupts his big sand fist from the ground as a large sand creature. You must use A to mount the nearby cannons and unload on him to chip away at his stun meter. Maxwell “Max” Dillon fights alongside Eddie Brock/Venom, raining lighting and electrocuting you with bursts of electricity, before he’s eaten by Venom and starts busting out electrically-enhanced symbiote powers. Venom joins the team after this fight and is tested against Quentin Beck, who first brainwashes Mile Morales/Spider-Man, Gwen Stacy/Spider-Woman, and Kamala Khan/Ms. Marvel to fight you and then unleashes a poisonous mist, teleports about, and confuses you with duplicates, Doctor Otto Octavious/Dr. Octopus is fought in a two-stage fight where you must first avoid his tentacles and scurry charge and then attack each arm to stun him. Finally, you’ll battle Norman Osborn/The Green Goblin for the Time Stone. The Green Goblin swoops overhead and lingers slightly out of reach, peppering the arena with his pumpkin bombs, charging at you, and freezing time to bombard you. He’s noticeably weak to his pumpkin bombs, however, so try and toss them at him before they explode in your face! After battling into the Hand’s fortress, you must first free Elektra Natchios from the Hand’s influence and then face Lester/Bullseye and Wilson Fisk/The Kingpin in separate fights. You must take out the ninjas feeding Elektra power, avoid Bulleye’s spread of razor sharp and explosive cards, and dodge the furniture and massive energy beam thrown by the Power Stone-enhanced Kingpin. The Kingpin also charges like a rhino, leaps at you to cause shockwaves, and even rips up stone columns to use as melee weapons!

*Gigantic bosses and the quirkier villains help mix-up the otherwise tedious combat.*

Avengers Tower is then attacked by Ultron and his drones, who assist him in battle. Not that he needs it as the Mind Stone allows Ultron to mess up your controls, to say nothing of his signature face and palm beams. Ultron then grows to gigantic proportions, sweeping the area with his eyebeams before Clint Barton/Hawkeye intervenes and Ultron merges with Ultimo. This is the first giant boss battle in the game and sees you blasting Ultimo with cannons and avoiding his massive swipes. The Infinity Sentinel is comparatively smaller, but no less dangerous thanks to its own face beam and missiles. Though you can damage it with Sentinel cores, it’s finished in a cutscene by Erik “Magnus” Lehnsherr/Magneto, who then tosses debris and throws you off balance with magnetic pulses while Juggernaut pummels you and Raven Darkholme/Mystique tosses daggers. After surviving Mystique’s Danger Room trials, you face Magneto, now even tougher thanks to the Power Stone, before being chased away and banished to the Dark Dimension by the Black Order. There, you battle past Loki Laufeyson (who boasts elemental attacks and duplication tricks) to eventually face the dread Dormammu, who wields the Reality Stone and is the second giant boss. You must subdue his minions and avoid his flame bursts, whittling down his magical barrier either directly or be destroying three nearby orbs, all while dodging his giant fists and ground spikes. The brief fight with Maximus Boltagon is far easier, even though the mad Inhuman carries a massive energy cannon and you must take cover in Thane’s energy bubble to avoid Maximus’s barrage of lasers. Ulysses Klaue/Klaw awaits in Wakanda and his sound-based energy blasts and waves must be overcome to rescue and recruit James Buchanan “Bucky” Barnes/The Winter Soldier. You then fight past A.I.M. to confront their master, George Tarleton/Mental Organism Designed Only for Killing (MODOK), who uses the Soul Stone to turn the Dora Milaje against you and attacks with a slew of appendages, from buzzsaw arms, poison gas, failing tentacles, and his signature forehead blast.

*Battles with the empowered Black Order, Thanos, and Thane offer some of the most enjoyable challenges.*

Though your goal in Hel is to confront Hela, you’ll actually battle the fire demon, Surtur, in another giant boss battle. This was a bit of a difficulty spike for me as Surtur’s flaming sword has a long reach and he causes the ground to erupt in flames, to say nothing of stun locking you with repeat sword strikes! Best him and Hela sets Johann Schmidt/The Red Skull on you, with the Nazi madman firing a powerful revolver and sapping your health with his “Dust of Death”. Hela gives the Red Skull a boost, protecting him with a shield and allowing him to fire a Bifrost-like laser, before placing his consciousness into the Destroyer armour. Though bolstered by Hydra forces and boasting a sweeping face beam, you can get a power-up from glowing crystals to overcome this destructive force. Finally, you venture to Knowhere and must run the Black Order gauntlet to retrieve the Infinity Stones, with checkpoints between each fight. Ebony Maw is first, firing a spread of projectiles and rocks and using the Soul Stone to create portals to trip you up. Supergiant tosses dark spheres and a golden homing shot that messes up your controls, though you can toss explosive cores from her minions to deal big damage. Cull Obsidian infuses his battleaxe with the Power Stone, sending out waves of purple energy and massive purple shockwaves, though he’s far slower and also susceptible to the nearby bombs. Corvus Glaive is much faster, landing multiple hits with his lance and using the Reality Stone to spring spikes form the ground and conjure duplicates who fill the arena with energy waves that can stun lock you. Finally, Proxima Midnight takes her fellow’s teleportation trick to the next level with the Space Stone and fills the arena with lightning bolts and strikes. All these powers are then recycled when you face Thanos, who gathers the six Infinity Stones into the Infinity Gauntlet to rain meteors, teleport, mess up your controls, freeze time, and fire his signature eyebeams. Thanos then joins you to battle Thane, who usurps him and boasts similar powers, though also upgraded by the Infinity Armour. Thane exhibits superhuman speed, traps you in a cube, fills the arena with portals and flames, and explodes in fury, though both battles were fun challenges rather than impossible tasks.

Additional Features:
Unlike in the previous two games, you won’t be finding data logs, action figures, or meeting certain requirements to unlock new attacks or costumes. You just fight over and over, earning whatever you need to unlock, buy, or upgrade whatever you wish and finding some concept art in treasure chests. A far harder (but more rewarding) “Superior” difficulty unlocks upon clearing the game alongside an additional “Nightmare” mode, accessible via the “Curse of the Vampire” campaign. You also unlock Thanos and can freely replay any mission on any difficulty (though you must start a new save to play on “Superior”) to grind and enhance your characters and ISO-8. Dimensional Rifts transport you to special challenges (not unlike the S.H.I.E.L.D. Simulator discs from the first game) that are often rematches with bosses or gauntlet challenges, though far tougher and gifting better rewards if you succeed. There are also three additional modes; however, though you can play a taster of each, you must purchase the expansion pass to fully unlock them. “Curse of the Vampire” adds vampiric enemies to the main story in “Nightmare” mode and offers a “Gauntlet” mode where you battle waves of enemies and bosses against both a time limit and a range of debuffs (including limited health restoration and draining EP). You can also tackle an “Endless” mode that’s pretty self-explanatory, and unlock additional characters like Frank Castle/The Punisher and Eric Brooks/Blade…if you buy the DLC. “Rise of the Phoenix” sees you form a four-person team and go head-to-head with a friend or the computer in three-round Danger Room scenarios. These see you tackling bosses again or wiping out hordes of enemies, awarding additional buffs and effects if you meet certain criteria (such as using any Ability or Synergy attack four times). You can only tackle the first challenge without the DLC, so I didn’t get very far, but this could be a fun distraction for those looking to test their skills against a friend. “Shadow of Doom” adds an epilogue story campaign that sees you return to Wakanda to oppose Doctor Victor Von Doom’s invasion. Dr. Doom’s Doombots endlessly spawn unless you destroy their teleporters, and you even battle the arrogant dictator in the recycled Necropolis, with him teleporting, firing lasers form his palms, and having his health restored by his Doombots. You’ll add Marvel’s First Family to your roster (alongside an alternative Thanos and other characters) by buying the expansion pass and battle Annihilus, a gigantic Celestial, and even “God Emperor” Doom!

The Summary:
I quite enjoyed the first two Ultimate Alliance games. They were mindless and largely repetitive, but I liked the large cast of characters and all the different references and locations from the comic books. Still, I put off Marvel: Ultimate Alliance 3: The Black Order for some time, mainly because I was annoyed by it being a Nintendo Switch exclusive; however it turned out to be a decent enough brawler. Despite the different development team, a few tweaks, and an apparent disconnection from the previous games, Marvel: Ultimate Alliance 3 offers a lot of the same gameplay and enjoyment as its predecessors, which is great for long-time fans of the franchise. Unfortunately, it doesn’t improve on these elements in a meaningful way and actually removes some content that I found enjoyable from the last two. There are no optional missions, for example, no alternative endings, no choices, and no character-specific challenges beyond fighting and levelling-up. I found this made the tedious combat even more aggravating after a while as I wasn’t being rewarded with gear or costumes or anything other than stat boosts. Even the skill tree was limited since you must grind to acquire enough credits and expendables to enhance your team, and I found the ISO-8 mode to be more confusing than engaging. The game also does little to improve the boss battles. Very few were very innovative or required more of you than to strike fast, avoid shockwaves and projectiles, and unleash your Extreme attack. The giant bosses were more of a challenge and I liked the final fight against Thanos and Thane, but I was hoping for a bit more complexity, especially given the possibilities offered by the Infinity Stones. There is a fun selection of characters, but they don’t offer much more than what we saw in the last two games and actually offer less as there are no character-specific team-up moves. While I enjoyed the visual influence from the MCU and the variety, I feel like Marvel: Ultimate Alliance 3 played things a little too safe by relying so heavily on combat and not mixing up the gameplay with a few other puzzles and challenges. Overall, it’s a good enough game and a worthy entry in the series, but it’s a shame that the developers didn’t try to be a bit more innovative and offer some more incentive to keep slogging away in endless fights.

My Rating:

Pretty Good

Did you enjoy Marvel: Ultimate Alliance 3: The Black Order? How do you think it holds up against the previous two games? Which characters did you choose for your team? Were you disappointed that the combat was so similar to the last two games and the bosses so repetitive? Did you ever conquer all the Rift challenges? What did you think to the MCU influences and the final battle with Thanos and Thane? Did you ever play through the DLC? Would you like to see another Ultimate Alliance game? Whatever your thoughts, leave a comment below, support me on Ko-Fi, and go check out my other superhero content across the site.

Screen Time [Multiverse Madness]: What If…? (Season One)

22/05/202229/09/2024Dr. K4 Comments

In September 1961, DC Comics published “Flash of Two Worlds” (Fox, et al), a landmark story that brought together two generations of the Flash: the Golden Age Jay Garrick and the Silver Age Barry Allen thanks to the concept of the multiverse, an infinite number of parallel universes that allowed any and all stories and characters to co-exist and interact. Marvel Comics would also adopt this concept and, to celebrate the release of Doctor Strange in the Multiverse of Madness (Raimi, 2022) this month, I’ve been both celebrating the Master of the Mystic Arts and exploring the Marvel Cinematic Universe’s (MCU) equivalent of the multiverse every Sunday of May.

Air Date: 11 August 2021 to 6 October 2021
Network: Disney+
Stars: Hayley Atwell, Chadwick Boseman, Samuel L. Jackson, Benedict Cumberbatch, Mark Ruffalo, Michael B. Jordan, Chris Hemsworth, Ross Marquand, and Jeffrey Wright

The Background:
As a big comic book fan, it’s been absolutely amazing seeing the MCU become a multimedia juggernaut and some of Marvel Comics’ most beloved characters and concepts come to life on screen. Although Marvel Studios dabbled in television ventures with the likes of Agents of S.H.I.E.L.D. (2013 to 2020) and their Netflix shows, they really doubled down on TV productions for the MCU’s fourth phase to produce content for their parent company’s streaming service, Disney+. With MCU head honcho Kevin Feige behind them, the Disney+ shows aimed to maintain and expand the ongoing continuity of the MCU, but I don’t think anyone could have predicted that Marvel Studios would delve so deeply into the multiverse that we’d seen an adaptation of What If…? What If…? began life as a semi-consistent series of hypothetical, often light-hearted (or downright dark), stories that presented Marvel heroes and storylines with subtle (or major) changes. The Disney+ show followed this format and recontextualised the premise as an animated anthology series that would explore what the MCU would be like if characters or events had unfolded differently. The show’s animation was headed by Stephan Franck and sported a cel-shaded design that emphasised hyper-realism; as the MCU was officially exploring the concept of the multiverse, episodes could be part of the franchise’s overall canon and many recognisable faces, names, and voices returned to put a new spin on their iconic roles; however, although voice recording was able to continue remotely during the COVID-19 pandemic, this production sadly marked the final performance of the late Chadwick Boseman as T’Challa/Black Panther. What If…? was received extremely well and the series was praised as a love-letter to the fans; despite some reservations about the format and presentation, reviews were primarily positive and spin-offs were quickly announced as either being in production or on the cards. Crucially, the multiversal scope of the series would be revisited in the live-action MCU films and characters and concepts from the show even seem set to cross over into the main MCU canon going forward.

The Plot:
From beyond the multiverse, the cosmic being known as Uatu the Watcher (Wright) observes as the events of the MCU unfold differently, resulting in Peggy Carter (Atwell) becoming Captain Carter, Doctor Stephen Strange (Cumberbatch) becoming a force for evil, a zombie infection running rampant, and T’Challa (Boseman) becoming Star-Lord. However, when a version of Ultron (Marquand) acquires the Infinity Stones and threatens the entire multiverse, the Watcher must break his oath of non-interference to assemble a heroic force capable of fending off this threat.

The Review:
Because of the nature of the series, I think it’d be much better to look at each individual episode, what they do and how they work by themselves, and then talk about some overall themes and give my opinion on the entire concept down in the summary. The first season of What If…? is a nine-episode series of animated adventures that examine familiar characters and events in the MCU but change things about in subtle, or major, ways to create entirely new stories as part of the MCU multiverse. These alternate realities are observed by the enigmatic Watcher, a cosmic being bound only to observe and never directly interfere, and who acts as the narrator of the show. The Watcher’s opening narration explains the basics of the multiverse; as we were told in Avengers: Endgame (Russo and Russo, 2019), time and reality in the MCU is not a single, linear, fixed path. Instead, multiple timelines and alternate universes exist, with the deviations occurring from different decisions being made at key moments in time, however big or small. In this regard, time is less like a line and more like a river, with an infinite number of paths trailing off all over the place, and the Watcher acts as our impassive guide to this vast multiverse. The Watcher also serves as our narrator, quickly catching us up on the events preceding the episode and explaining when, where, and how each divergent timeline was created; however, he has taken a solemn vow to never interfere in the events he witnesses, no matter how gruesome or extreme they are.

*Peggy takes Steve’s place and is forced to make the ultimate sacrifice to stop Hydra’s interdimensional beast.*

The series kicks off with “What If…Captain Carter Were the First Avenger?” (Andrews, 2021), essentially a retelling of Captain America: The First Avenger (Johnston, 2011). Unlike in the original timeline, Strategic Scientific Reserve (SSR) Agent Peggy Carter chooses to stay and watch on the ground as skinny, ill-bodied Private Steve Rogers (Josh Keaton) prepares to become a super soldier. However, when the Nazi sleeper agent attacks the experiment this time around, Peggy manages to keep him from escaping with a sample of the serum but Steve is wounded, so Peggy ignores the orders of her commanding officer, John Flynn (Bradley Whitford), and voluntarily becomes enhanced to the peak of human physical conditioning before the experiment is lost forever. Promoted to head of the SSR, Flynn is outraged at the result; disgusted that the super soldier serum was wasted on a woman, he refuses to allow Peggy to actively participate in the war, much less on the front line, out of sheer prejudice, much to her chagrin and fury. As before, Hydra figurehead Johann Schmidt/The Red Skull (Marquand) seeks to usurp Adolf Hitler and claim victory for himself with the mysterious and all-powerful Tesseract. Flynn, however, is unimpressed by the threat and unwilling to risk even one man, let alone an entire platoon, on recovering the cube; luckily, inventor Howard Stark (Dominic Cooper) believes so strongly in the Tesseract’s threat that he furnishes Peggy with a striking Union Jack-style costume and a familiar Vibranium shield so that she can single-handedly recover the Tesseract from Schmidt’s Hydra colleague, Doctor Arnim Zola (Toby Jones), decimating an entire convoy of Hydra’s soldiers with efficiency and glee and earning herself an official promotion to “Captain Carter”. Although he lost his best shot at fighting alongside his friend, Sergeant James Buchanan “Bucky” Barnes (Sebastian Stan), Steve is fully supportive of Peggy’s newfound strength and abilities and only too glad to pilot Stark’s Tesseract-powered “Hydra Stomper” armour. However, following an action-packed montage, Steve is apparently lost during a familiar assault on an armoured train; though grief-stricken, Peggy forces information out of Zola and leads an all-out assault against the Red Skull’s fortress, where they find Steve alive but are too late to stop the Red Skull from opening a dimensional rift with the Tesseract. The tentacles of a gigantic, interdimensional, Lovecraftian creature breach the portal, killing Schmidt and threatening all life on Earth; Peggy and Steve fend off the beast as Stark tries to shut down the portal, but Captain Carter is forced to sacrifice herself to the unknown by physically forcing the creature through the rift. The story then skips ahead to find the Tesseract being reactivated, spitting Peggy and the remains of the beast’s tentacles out into a Strategic Homeland Intervention, Enforcement, and Logistics Division (S.H.I.E.L.D.) facility where she meets Director Nick Fury (Jackson) and Agent Clint Barton/Hawkeye (Jeremy Renner) and learns the bittersweet news that the Allied Forces won the war but she is now seventy years in the future, and thus forever cut off from her friends and loved ones.

*T’Challa is a galaxy-renowned force for good who has a positive influence on even the Mad Titan!*

While the first episode arguably played things a little safe, we really see the potential of a What If…? series with the second episode, “What If…T’Challa Became a Star-Lord?” (Andrews, 2021), which wildly deviates from the story of Guardians of the Galaxy (Gunn, 2014). Young T’Challa (Maddix Robinson) longed to explore beyond Wakanda but was shielded from the chaotic outside world by his beloved and overprotective father, T’Chaka (John Kani), only to be abducted due to a mistake by Yondu Udonta’s (Michael Rooker) subordinates. Surprisingly, he was excited at embarking on adventures throughout the cosmos with the Ravagers and, while T’Challa doesn’t possess the Black Panther’s near-superhuman abilities, he sports all of Peter Quill’s (Brian T. Delaney) gadgets in addition to his Wakandan fighting prowess. His greatest assets, however, are his charisma, diplomacy, and reputation as a Robin Hood-type figure. Indeed, T’Challa is far more competent, notorious, and respected than his mainstream MCU counterpart; not only does Korath the Pursuer (Djimon Hounsou) know who he is, he views sparring with Star-Lord as the greatest honour and willingly joins his crew. T’Challa’s positive influence means the Ravagers put their skills towards helping others rather than for personal reward, thus sparing Drax the Destroyer’s (Fred Tatasciore) family and even convincing Thanos (Josh Brolin) that his destructive aspirations weren’t the answer to the galaxy’s problems! Touched by T’Challa’s mission to save others after the presumed destruction of Wakanda, Nebula (Karen Gillan), now a far less violent and far more beautiful woman, proposes a heist to steal the Embers of Genesis, a cosmic dust capable of ending galactic hunger, from Taneleer Tivan/The Collector (Benicio del Toro). While sneaking around the Collector’s museum, T’Challa finds a Wakandan spacecraft and is angered to find that Yondu lied to him about Wakanda in order to help him realise his true calling as an adventurer. The two reconcile in the best way possible: by teaming up to fight with this much more formidable version of the Collector, who is enhanced by weapons, technology, and items retrieved from some of the MCU’s most powerful and prominent individuals and races. Thanks to their teamwork, the Collector is disarmed and left at the mercy of his captives, and T’Challa forgives Yondu’s deception before reuniting with T’Chaka and his people in Wakanda, bringing his two families together in celebration over their mutual friend. Across the world, however, a greater threat awaits when Ego (Kurt Russell) comes looking for his son, here a mere Dairy Queen employee.

*Pym is revealed as the culprit but, after he’s apprehended, Loki usurps his threat and conquers the world!*

“What If…the World Lost Its Mightiest Heroes?” (Andrews, 2021) takes us back to the middle of Iron Man 2 (Favreau, 2010) and Nick Fury and Natasha Romanoff/Black Widow’s (Lake Bell) latest effort to recruit Tony Stark/Iron Man (Mick Wingert) to the Avengers Initiative. Fury is horrified when his attempt to stave off Stark’s palladium poisoning apparently has the unexpected side effect of killing the would-be Avenger; this tragedy is quickly followed by Thor Odinson (Hemsworth) being accidentally killed by Hawkeye’s errant arrow and the archer later being found dead while locked in an impenetrable S.H.I.E.L.D. cell. Fury suspects that his recruits are being targeted by an unknown party, and charges Natasha to escape Brock Rumlow’s (Frank Grillo) custody and make contact with Doctor Betty Ross (Stephanie Panisello). Though initially distrustful of Natasha due to her association with those who’ve hounded her friend, colleague, and former lover, Doctor Bruce Banner/The Hulk (Ruffalo), Betty is convinced to take a closer look at the injector used on Stark and theorises that a microscopic projectile fired from the needle killed the superhero. Hungry for blood after learning of Hawkeye’s death, Natasha agrees with Fury’s theory that their killer is targeting Avengers recruits; unfortunately, General Thaddeus “Thunderbolt” Ross (Mike McGill) arrives looking to arrest Banner and sparks his transformation into the rampaging Hulk as in his solo film. However, the seemingly immortal Green Goliath also falls victim to the mysterious killer when he violently explodes from the inside out, and things escalate even further when Loki Laufeyson (Tom Hiddleston) arrives looking to avenge Thor’s death. Fury manages to buy himself one day to solve Thor’s murder on the promise of delivering the culprit to the God of Mischief and, when Natasha finds that a dead agent’s credentials were used to access S.H.I.E.L.D.’s database, she’s brutally beaten to death by an unseen assailant, and only able to tell Fury that all the deaths are relating to “hope”. This, however, is enough to piece together the perpetrator’s true identity: Doctor Hank Pym (Michael Douglas), who targeted Fury’s recruits in the guise of the size-altering Yellowjacket after his daughter, Hope van Dyne (Evangeline Lilly), died while working for S.H.I.E.L.D. A broken, bitter, twisted old man, Pym blames Fury and has become a deranged killer due to his grief and anger. However, Pym and his tech are outmatched when Fury is revealed to be Loki in disguise but, after Pym is defeated and taken into Asgardian custody, Loki double-crosses Fury and declares himself ruler of humanity. To combat this threat, Fury gets back to work assembling his super team, starting with calling Carol Danvers/Captain Marvel (Alexandra Daniels) back to Earth and uncovering Captain America’s frozen body.

*A grief-stricken Dr. Strange finds he cannot save his love no matter how much he alters the past.*

The show shifts over to the world of magic and mysticism for “What If…Doctor Strange Lost His Heart Instead of His Hands?” (Andrews, 2021), which presents a world where Dr. Strange and Doctor Christine Palmer (Rachel McAdams) are still a couple in a loving relationship. Fully supportive and enamoured by Dr. Strange, Christine encourages his ego and his skills as a surgeon, but sadly her influence doesn’t extend to his driving skills. However, in this world, Dr. Strange is relatively unharmed from the car crash that took his MCU counterpart’s hands but is left grief-stricken when Christine dies as a result of his negligence. In a bid to fill the void in his life, and his heart, Strange travels the world and, once again, ends up studying the mystic arts at Kamar-Taj under the tutelage of the Ancient One (Tilda Swinton). Like his mainstream counterpart, Strange becomes the Master of the Mystic Arts after the Ancient One’s death and successfully bargains with the Dread Dormammu (Cumberbatch), but remains preoccupied with the mistakes of his past and the promises offered by the Eye of Agamotto’s time-bending abilities. Haunted by memories of happier times with Christine, Strange ignores the warnings of the Ancient One and his manservant, Wong (Benedict Wong), and uses the Eye to place his current consciousness into the body of his past self. Unfortunately, the tragedy still occurs no matter how safely he drives, which route he takes, or even his refusal to go to the award speech as Christine dies again and again whether he’s there or what he does. Dr. Strange’s anguish at being unable to save Christine isn’t helped by the Ancient One’s explanation that her death cannot be averted as it would create a potentially universe-destroying time paradox (if Strange prevents her death, he won’t become a sorcerer and be able to go back and save her).

*Strange Supreme saves Christine, but only briefly and at the cost everything that ever is or was in his reality.*

Refusing to believe that Christine is fated to die, and angered at the Ancient One’s refusal to help him break this “absolute point” in time, Dr. Strange uses the Eye to flee from the confrontation and consult the ancient tomes of the Lost Library of Cagliostro. There, he meets O’Bengh (Ike Amadi) and learns that one can potentially gain the power he requires by absorbing magical beings; thus, Dr. Strange conjures a variety of demonic, Lovecraftian, and magical creatures (including gnomes, familiars, dragons, and even the octopus-like creature Captain Carter fought). When they won’t willingly share their power, he resolves to forcibly take it, and quickly becomes obsessed with gaining more and more magical power from these entities over the course of centauries to become “Strange Supreme”. As he does so, he grows increasingly monstrous and takes on more of their attributes, but is shocked to learn from O’Bengh that he’ll never be powerful enough to achieve his dreams due to the Ancient One using magic from the Dark Dimension to split him in two and create two concurrent timelines. His other half, who took Wong’s advice and moved on from Christine’s death, is charged by an echo of the Ancient One to oppose his dark doppelgänger before his ambition erases all of reality. When Strange Supreme’s attempts to coerce his other half into joining his cause are rejected, a magical battle ensues that spans multiple dimensions. Despite Wong’s protective spells and Strange’s efforts to talk down his dark half, Strange Supreme’s centauries of basking in the powers of countless magical beings makes him the superior and he’s ultimately able to absorb his missing half. Finally whole again, Strange Supreme succeeds in undoing Christine’s death but is transformed into a demonic being by the effort this requires; understandably, she is horrified by his nightmarish appearance, and he’s left helpless to stop the time paradox from devouring all of his reality. Desperate to preserve the world, he begs the Watcher for help but he refuses to get involved, despite wishing to punish Strange Supreme’s reckless arrogance, and the once Sorcerer Supreme is left alone, despondent, and remorseful in the tiniest pocket of reality with nothing but his grief and regret for company.

*Banner is horrified to find the world, and many of its heroes, infected by a zombie virus.*

One popular, recurring storyline in Marvel Comics in recent years has been the Marvel Zombies spin-off (Various, 2005 to present) that tells of a devastating zombie plague overwhelming the Marvel universe (and beyond). A version of this reality is explored in “What If…Zombies?!” (Andrews, 2021), which finds the Hulk crash-landing into the Sanctum Sanctorum as in Avengers: Infinity War (Russo and Russo, 2018) only to find it, and the streets of New York City, deserted. When Iron Man, Dr. Strange, and Wong arrive to take care of Ebony Maw (Tom Vaughan-Lawlor) and Cull Obsidian (Terry Notary), Banner’s elation soon turns to horror when the three are revealed to be vicious, flesh-eating zombies who tear Thanos’s children to shreds, instantly infecting them in the process, and Banner is only saved from the same fate thanks to the timely intervention of Dr. Strange’s Cloak of Levitation, a swarm of ants commanded by Hope van Dyne/The Wasp, and Peter Parker/Spider-Man (Hudson Thames). Spider-Man’s amusing orientation video shows that the MCU’s zombies largely confirm to the “rules” commonly associated with their kind; they’re decomposing corpses with a voracious hunger who turn others with a single bite and can only be killed by removing the head or destroying the brain. However, they’re not as mindless or shambling as traditional zombies; they’re intelligent enough to co-ordinate their attacks and utilise tech like the Iron Man armour and magic like the Sling Rings. In a change of pace, the Watcher reveals a definite origin for the zombie outbreak by relating how Janet van Dyne (Michelle Pfeiffer) became infected with the virus while stuck in the Quantum Realm; when she bit Hank Pym, he brought the virus back with him and the entire world was quickly overrun once the Avengers were turned.

*The survivors narrowly escape Zombie Wanda, completely unaware of a greater threat waiting in Wakanda.*

Banner joins up with the few uninfected survivors and learns from Okoye (Danai Gurira) of a possible cure at Camp Lehigh, New Jersey; the group travel to the Grand Central Station, where they’re attacked by zombified versions of Sam Wilson/The Falcon (Anthony Mackie), Hawkeye, and Captain America. Although they lose Harold “Happy” Hogan (Jon Favreau), the group is able to get the train working and fend off the zombies thanks to Okoye and the Wasp. However, the train is attacked by Zombie Cap, who infects Sharon Carter (Emily VanCamp) and forces Bucky to end his undead existence, retrieving his shield in the process, but Hope is also infected from a small cut she receives after disposing of Sharon. Although Peter tries to remain optimistic that she’ll be cured before she can turn, Hope sacrifices herself to atone for her part in causing the outbreak by carrying the group through a horde of zombies and dropping them off at Camp Lehigh. There, they find the zombies refuse to breach the camp thanks to the presence of the Mind Stone in the Vision’s (Paul Bettany) head; he and the severed head of Scott Lang (Paul Rudd) reveal that the Mind Stone’s properties can reverse the zombie virus, and the group is excited to spread the cure throughout the world from Wakanda. However, Banner learns that they’re not the first to respond to the Vision’s beacon, and Bucky is horrified to find that the Vision has been feeding parts of other survivors (including T’Challa) to a zombified version of Wanda Maximoff (Elizabeth Olsen) since she’s proven resistant to the Mind Stone and he’s been unable to kill her due to his love for her. When Wanda breaks free and proves uncontrollable due to her powers and hunger, the Vision rips the Mind Stone out of his head to atone for his actions and the group’s escape is covered by Bucky and the Hulk, who finally emerges from Banner’s psyche and is able to resist the zombie’s bite and hold back Wanda so the others can take off. The one-legged T’Challa, beheaded Lang, and shellshocked Peter console themselves with the knowledge that they’ll be able to save the world once they reach Wakanda, completely unaware that the nation has already succumbed to the infection and is under the rule of a zombified Thanos and his partially-completed Infinity Gauntlet!

*Killmonger rescues Stark and becomes his most trusted confidante to kill his way to his birthright.*

We then go back to where the MCU all started in “What If…Killmonger Rescued Tony Stark?” (Andrews, 2021), which recreates the opening moments of Iron Man (Favreau, 2008) with one key difference: right as Tony Stark is about to be injured by one of his own missiles, he’s saved by N’Jadaka/Erik Stevens/Killmonger (Jordan), who fends off the Ten Rings soldiers looking to kidnap Stark and thus means that the genius, billionaire philanthropist never learns the humility or courage that led to him becoming Iron Man. Instead, he remains a conceited, arrogant, self-serving glory hound who believes that he needs to build bigger, better weapons to protect America’s interests. To that end, he drafts in Killmonger, who wastes no time in publicly outing Obadiah Stane (Kiff VandenHeuvel) as the man who bankrolled the Ten Rings’ attack on Stark, and Stark is so grateful to his saviour that he quickly promotes Killmonger to his new Chief Operations Officer, alienating Virginia “Pepper” Potts (Beth Hoyt) in the process. Killmonger swiftly becomes Stark’s closest friend and confidante and, together, they create robot drones, the “Liberators”, based on Killmonger’s fandom for anime. Killmonger pushes Stark to use Vibranium as a power source for the Liberators, and Stark sends in Colonel James “Rhodey” Rhodes (Don Cheadle) to steal some from Ulysses Klaue (Andy Serkis). However, the Black Panther attacks the meeting to recover stolen Vibranium, only for Killmonger to reveal his true intentions and kill T’Challa with one of Stark’s weapons. He chastises Rhodey for wearing the uniform of his oppressors and kills him with the Black Panther’s claw to make it seem like they killed each other; thanks to Just A Rather Very Intelligent System (J.A.R.V.I.S.; Bettany), however, Killmonger’s actions are revealed to Stark. Stark tries to avenge his friend’s murder using a Liberator, but Killmonger easily bests the drone and kills Stark with a Dora Milaje spear, which escalates the tensions between the United States and Wakanda into all-out war. General Ross assumes control of Stark’s assets and the Liberators are pushed into mass production; Killmonger then kills Klaue in order to deceive the Wakandans, then seizes control of the Liberators to lead his people in “defeating” the invading army. His victory and battle prowess wins over his uncle, T’Chaka, and earns him the mantle of the Black Panther; however, T’Challa’s astral warnings of Killmonger’s impending defeat are left a distinct possibility not only due to Ross’s obsession with continuing the war but also when Pepper and Shuri (Ozioma Akagha) agree to work together to expose Killmonger’s deception.

*This Thor just wants to party, but his good time is spoiled by Captain Marvel and Jane blabbing to Frigga.*

“What If…Thor Were an Only Child?” (Andrews, 2021) lightens things up a bit by retelling the events of Thor (Branagh, 2011); in this version of the story, in the absence of a brother to grow up alongside, Thor is little more than a lackadaisical, party-loving frat-boy who, despite still being worthy of Mjölnir, is far more interested in wasting time revelling with his friends than following his mother, Frigga’s (Josette Eales), instructions to behave or becoming a bore like his father, Odin Allfather (Anthony Hopkins). To avoid the all-seeing gaze of Heimdall (Idris Elba), Thor and his drinking buddies head the Midgard, the most backwater, insignificant world in all the Nine Realms, and invite guests from all over to join them in a massive, nonstop party. Tracking the cosmic disturbance and fearful of an alien invasion, Doctor Jane Foster (Natalie Portman) investigates and is both disturbed to find that Thor’s parties are so out of control that they can kill planets and won over by the Thunder God’s otherworldly charm. Jane and her intern, Darcy Lewis (Kat Dennings), join the party, quickly being swept up in all the intergalactic chaos and merriment on display; Darcy even marries Howard the Duck (Seth Green), and Jane and Thor get matching tattoos, but soon wake up to massive hangovers and the arrival of S.H.I.E.L.D. Acting Director Maria Hill (Cobie Smulders) is deeply concerned that Thor is leaving a trail of destruction as he takes his party on the road, and calls in Captain Marvel to assist with the perceived threat. Thor’s reunion with fellow party animal Prince Loki of Jotunheim is interrupted by Captain Marvel’s arrival; Thor brushes off her demands that he leaves, and a fight ensues that sees the two battle all across the globe. Despite Thor’s petulant, childish nature, the two are seemingly equally matched in terms of power and durability, but Carol’s forced to hold back her full power to avoid damaging the world or endangering lives. Since Jane disagrees with attacking or eliminating Thor since she’s so enamoured by him, she uses her tech to contact Heimdall and literally tells on Thor to Frigga. As Hill prepares an all-out nuclear strike against Thor, he’s terrified by Frigga’s impending arrival and begs his guests to help him clean up all evidence of their shenanigans. Despite Thor’s best, most frantic efforts to put right all the anarchy he and his friends had caused, she sees through his deception; however, rather than being mad at Jane for selling him out, he thanks her for teaching him a lesson in humility and asks her out…only for he, and the Watcher, to be stunned by the sudden appearance of an alternate version of Ultron!

*This alternate version of Ultron is such a threat to the multiverse that the Watcher is forced to intervene.*

This cliff-hanger is explained in the following episode, “What If…Ultron Won?” (Andrews, 2021), which presents a post-apocalyptic world where Black Widow and Hawkeye are the only Avengers left to oppose the all-powerful Ultron. In this world, Hawkeye not only sports his ridiculous mohawk and a mechanical right arm, but Ultron successfully fulfilled its goal to cause an extinction-level event by claiming the Vision’s body as its own, killing Iron Man, Cap, and Thor, and launching a worldwide nuclear attack that decimated humanity. When Thanos arrived looking to retrieve the Mind Stone, Ultron split him in two with one shot and claimed the Infinity Stones for itself, becoming a God-like being capable of laying waste to entire worlds and Realms with its endless supply of drones. Asgard, Ego, Xandar, and countless others all fall before Ultron’s power and even Captain Marvel is unable to oppose it; having eradicated the vast majority of life across the universe and ascended to a higher pane of existence, Ultron not only sees but also hears the Watcher. Although the Watcher previously considered intervening in Dr. Strange’s story, he held true to his vow of non-interference since he deals in a cosmic balance beyond the lives of mere mortals, even ones as powerful as the Master of the Mystic Arts. However, Ultron’s threat is so terrifying even to this cosmic observer that the Watcher is sorely tempted to assist Natasha and Clint in their efforts to coerce Zola’s artificial intelligence into helping them. The Watcher is pleased when their perseverance pays off but, although Zola is able to possess one of Ultron’s drones, he cannot shut down Ultron’s hive mind as Ultron is outside of the known universe, meaning Clint is forced to sacrifice himself so that Natasha and Zola can escape. The Watcher is aghast when Ultron not only does the impossible and breaches his cosmic observatory but is also able to match even the Watcher’s cosmic power. Their battle sees them literally smashing the dimensional barriers into numerous alternate realities and sees Ultron devour a whole universe and force the Watcher to flee. While Ultron prepares to lay waste to the entire multiverse, the Watcher is forced to turn to Strange Supreme for help in opposing Ultron’s threat.

*The Guardians of the Multiverse join forces to end Ultron’s threat.*

This story, and the entire show, comes to a head in the final episode, “What If…the Watcher Broke His Oath?” (Andrews, 2021), which sees the Watcher recruiting Captain Carter, T’Challa Star-Lord, Killmonger, Party Thor, and a previously unseen version of Gamora (Cynthia McWilliams) to join Strange Supreme as the Guardians of the Multiverse. He enlists each of them right as they’re in the middle of tying up loose ends from their respective episodes and emphasises that every one of them is needed to protect something even bigger than their individual lives or concerns. Captain Carter immediately recognises the gravity of the situation, while Strange Supreme sees this as his chance at true redemption, and, despite the odds, they all tentatively agree to work together to combat Ultron, steal his Soul Stone, and destroy it using Gamora’s “Infinity Crusher” device. While Strange Supreme struggles to contain the dark magics within his body, Gamora is troubled by Killmonger’s obsession with Ultron’s technology, and Thor accidentally attracts Ultron’s attention, but the group is thankfully shielded by Strange Supreme’s protection spell. Following Captain Carter’s lead, the Guardians are able to launch a co-ordinated attack that allows T’Challa to swipe the Soul Stone; when Ultron makes short work of Zombie Wanda and follows the Guardians to its home reality, it gets summarily pummelled by the Guardians’ repeated attacks and Strange Supreme’s ability to counteract both Ultron’s Time Stone and match its enlarged form with his monstrous magic. Although they’re stunned to find the Infinity Crusher ineffectual because it and the Infinity Stones are from different realities, Ultron’s threat is ended when Captain Carter helps Natasha avenge Clint and fire an arrow containing Zola’s consciousness into Ultron’s armour, erasing its sentience once and for all. In the aftermath, Killmonger claims Ultron’s armour and proposes using the Infinity Stones to “fix” their universes; when they refuse, he attempts to destroy them and they’re saved by a Zola-controlled Vision, who tries to take the Infinity Stones for himself. Before they can properly get into a potentially devastating battle over the gems, Strange Supreme freezes them in time and seals them within a pocket dimension, ending their threat once and for all. The Watcher trusts Strange Supreme with watching over the two, and returns everyone to their proper place and time; since Natasha’s world was left lifeless by Ultron, the Watcher sends her to help Nick Fury overthrow Loki, and then alters his vow of impassive observation to a pledge to protect the multiverse when needed.

The Summary:
At first, I wasn’t too sold on What If…?’s animation style; the slick, computerised cel-shaded look has never been a favourite of mine, but I was quickly won over by it due to how closely each character and episode mirrors their live-action counterparts. Everything from the recreation of certain shots, to the musical cues, to the costumes and likenesses perfectly emulates the source material each episode is based on, meaning we get the brown-hued colour scheme of World War Two for Captain Carter, the barrage of bizarre cosmic colours for Star-Lord, and the industrial, high-tech grey of Stark and S.H.I.E.L.D. facilities. Although some notable names from the MCU didn’t return to lend their voices to their iconic characters, What If…? employs the services of some incredibly gifted soundalikes and even goes the extra mile in presenting a version of Bruce Banner that resembles both Edward Norton and Mark Ruffalo, which is fitting considering we encounter this character between his solo film and his first big MCU crossover. Animation also means that What If…? is theoretically able to do absolutely anything it desires, regardless of budget, and is limited only be the imagination of the animators; thus, while things are a little on the safe side with slightly different retelling of Captain America: The First Avenger, Thor, and other MCU films, it’s not long before we’re seeing massive Lovecraftian creatures, a whole host of Marvel heroes interacting in ways we’ve not really seen before, an additional taste of the cosmic madness of the universe (and multiverse), and a wide variety of both horrifying and oddball concepts to really test the waters of what the MCU is capable of going forward.

*Captain Carter and T’Challa Star-Lord are just as competent, if not more so, as their MCU counterparts.*

I really liked that, despite their reversed roles, Peggy and Steve still have a mutual attraction based on mutual respect and their respective struggles; Peggy faces an uphill battle due to being a woman in a male-orientated world (and war) that constantly weighs her down even after she’s enhanced by the super soldier serum, and of course Steve has been overlooked and undervalued his entire life due to his gaunt frame and sickly nature. While everyone else is either incredulous due to her being a woman or impressed by her fighting prowess because she is a woman, and she must prove her worth through her deeds to win them over, Steve admires the person that she is and her fighting spirit; he’s the only one that doesn’t judge her for her gender and who doesn’t need convincing that she’s the right person for the job and is only too grateful to be an active combatant alongside her in the Hydra Stomper. Peggy is also quite different in the role; like Steve, she attacks it with a sense of duty and honour, but she also takes far more joy in her newfound abilities. There’s a sense that she’s finally able to let loose, that she’s been given the physical gifts to realise her full potential, and she literally dives head-first into making the most of that opportunity. T’Challa’s characterisation as a galaxy-wide force for good is a fitting tribute to the late Chadwick Boseman; unlike Peter Quill, T’Challa is a well-respected and competent space mercenary, and I loved the running gag that he’s somehow able to convince even the most maladjusted individuals to give up their villainous or tyrannical ways simply through presenting a convincing argument. Korath is only too willing to change sides simply out of his worship of Star-Lord, and his crew follow his lead into doing good deeds simply because he was such a positive influence on them. Unfortunately, he’s not able to have the same influence on the Collector, who’s not only blinded by his position in this universe, but also driven by his inherent greed and given a major power boost thanks to his artefacts. However, while threats still remain in this timeline, on the surface it seems to be a far more peaceful and united universe simply thanks to T’Challa’s positive influence on others.

What If…? *isn’t afraid to get very dark and show twisted or corrupted versions of these popular characters.*

Things take a turn to the dark side once the Avengers (especially Stark) start getting killed off; What If…? is a self-contained show within the larger MCU multiverse, meaning literally anything can happen to anyone, and seeing the franchise’s core six heroes be so brutally murdered really hammers that home. It also gives Hank Pym, someone introduced later into the MCU, a chance to be a more prominent player in this sandbox; seeing him active in the MCU’s first phase is a great way of fleshing out the world in a unique way, especially as he’s become a murdering psychopath. This is a Pym whose neuroses and paranoia have been pushed to breaking point, which deftly showcases just how much of a threat a guy with Pym’s intellect and technology can be to even the most superhuman individuals. Of course, the epitome of dark character turns is the tragic tale of Strange Supreme; it’s absolutely heart-breaking to see Dr. Strange left so desperate and despondent by Christine’s loss that he fell deeper and deeper to the darkness. His frustration and anguish at being unable to change the past see him become obsessed with gaining more and more power, to the point where he is fixated only on being reunited with his love. This makes him blind to all pleas, even those of his uncorrupted counterpart, and it isn’t until all of reality is about to be erased forever that he realises the error of his ways. Sadly, by then, it’s much too late for him to undo anything; Christine once again dies in his arms and everything that ever was is unravelled due to his time paradox; even the Watcher judges his heinous actions, and the once mighty Strange Supreme is left alone and repentant in the tiniest slither of reality. It’s a poignant and gut-wrenching take on the snarky, stubborn, and arrogant Sorcerer Supreme, one that shows just how dangerous a threat he could be if he lost his strong moral compass, and it’s a testament to the show that the character remained a tragic and relatable figure right up until the end rather than simply being a malevolent antagonist.

What If…? *showed characters are their grimmest and worst and also at their most carefree.*

Easily the darkest tale is the inclusion of zombies; never before has the MCU veered so closely towards traditional horror and I really appreciated the bleak, gory change of pace. It was fantastic seeing the MCU’s most powerful characters reduced to animalistic ghouls, forcing the few survivors to battle their lifelong friends and making painful sacrifices to ensure the safety of others against overwhelming odds. This was also a prime opportunity to show a new side to the Vision; him luring in survivors just to feed his love is a haunting glimpse at the darker side of his cold, calculating logic. We’ve seen such behaviour, this overpowering sense of denial, in zombie films before and, here, it served as a gruesome reminder of just how close to the brink this alternate reality is to total collapse. This continued in Killmonger’s welcome reappearance, with his alternate tale basically showing what could have happened if he had succeeded in his goals of reclaiming his Wakandan birthright; Killmonger was always one of the MCU’s more driven and dangerous antagonists and his episode showed just how truly vindictive and sadistic he really was. He had no qualms about deceiving or using anyone and any resource at his disposal, and even incited an all-out war just so that he could get himself into a position of trust and power, which serves as a stark reminder to just how ruthless a villain he really was. The party-loving version of Thor is the polar opposite; Party Thor cares little for battle or being a king and just wants to enjoy himself. He revels in being the centre of attention and throwing the biggest, most outrageous parties in all the Nine Realms and is lauded amongst his guests as being the wildest party animal around. Thor is a consummate free spirit and a friend to all; alien races, Gods, and recognisable beings from all across the cosmos cheer his name and share in his revelry, making for some of the most light-hearted and amusing moments in the entire series as Surtur (Clancy Brown) tries it on with Lady Liberty and Frost Giants deface Mount Rushmore. This episode also leads to one of the best fist fights in the series as Thor and Captain Marvel trade blows, but he delights in the fight as much as he does in enjoying himself with mead, and only the disapproval of his mother finally shakes Thor from his apathy and pushes him to make amends for his reckless merriment.

*The Watcher is forced to take action for the first time in his long life in order to defend the multiverse.*

Of course, things come to a suitably dramatic and action-packed conclusion with the final two episodes, which finally force the Watcher into action. Up until then, the watcher existed outside of the normal universe, powerful and cosmic enough to remain completely undetected, but Ultron’s sentience and force grows to such an extent that it’s able to sense the Watcher, breach his observatory, and begin a maniacal campaign to conquer and destroy the entire multiverse. Untold aeons of quietly observing the multiverse haven’t exactly dampened the Watcher’s power cosmic, but in the face to Ultron’s might, enhanced by the six Infinity Stones, the enigmatic onlooker is forced to do the one thing he has never done and ask for help, calling upon the characters he has been observing and asking them to intervene where he cannot. Seeing these wildly different versions of these characters interacting was a blast; they arguably got on the same page much faster than the regular Avengers (which is no doubt due to the short length of the episodes) and were able to launch a united attack on Ultron as a result. Indeed, Ultron kind of got a bit shafted in the last episode; it went from going toe-to-toe with a cosmic being to getting battered about by a handful of mortals and Godlings simply because the Guardians were able to keep the pressure on and keep Ultron from activating the Infinity Stones. Realistically, Ultron could’ve just “snapped” them all away, but then that wouldn’t be anywhere near as exhilarating for a final battle now, would it? Seeing Killmonger claim the gems and just the idea of what his twisted imagination would use them for was a cool moment, as was the idea that he might someday escape his trap to threaten the multiverse again, and just about the only issue I had with that last episode was the random inclusion of a Gamora when they could’ve maybe employed Zombie Wanda instead. Overall, though, I thoroughly enjoyed this series; the presentation, the humour, the fun twists on established characters, and the bizarre stories were all really fun and engaging and I can’t wait to see more from this as the MCU continues to expand into more and ore obscure concepts.

My Rating:

Fantastic

Did you enjoy What If…?? Which episode was your favourite, and which of the alternate characters did you like the most? Did you enjoy the Watcher’s inclusion and characterisation? What did you think to all the cameos and the animation style? Did you enjoy seeing Ultron as an all-powerful force and what did you think to its battle with the Watcher? Were you also disappointed that Gamora didn’t get her own episode? Are you a fan of the What If…? comics and, if so, which was your favourite? What other hypothetical scenarios would you like to see explored in a future season? Whatever your thoughts on What If…?, sign up to drop a comment down below and check back next Sunday for the final instalment of Multiverse Madness.

Talking Movies: What If…? Thanos and the Masters of Evil

19/01/202207/05/2023Dr. K12 Comments

In Avengers: Infinity War (Russo and Russo, 2018) the Mad Titan, Thanos (Josh Brolin), finally made a significant appearance in the Marvel Cinematic Universe (MCU). When the idea of a two-film saga based on the Infinity Gauntlet comic book (Starlin, et al, 1991) was first announced, I, like many others, had many theories about what was going to happen, who was going to live and die, and how everything was )going to go down. For example, before Thor: Ragnarok (Waititi, 2017), I was certain that Thanos’ big entrance was going to immediately establish his threat by hanging him storm into Asgard kill Odin Allfather (Anthony Hopkins), and claim the Tesseract (and, obviously, the Space Stone it help). After all, how better to establish this big bad villain than by having him kill a God?

*Thanos’ Black Order made their MCU debut in* Avengers: Infinity War.

Instead, of course, Thanos wrecked Thor Odinson’s (Chris Hemsworth) ship and slaughtered half of the Asgardians onboard. Still an impressive feat, to be sure, but one that focused more on Thanos’ grandeur and pretentious philosophy rather than his actual physical strength thanks to the bulk of the work being undertaken by his underlings, the “Children of Thanos”. Headed by Ebony Maw (Tom Vaughan-Lawlor), Cull Obsidian (Terry Notary), Proxima Midnight (Carrie Coon/Monique Ganderton), and Corvus Glaive (Michael James Shaw), the Children of Thanos didn’t actually appear in The Infinity Gauntlet and are, instead, relatively recent additions to Thanos’ ranks who first appeared (as the “Black Order”) in Infinity (Hickman, et al, 2013). In the film, we don’t really learn much about these guys at all except that they enforce Thanos’ will with unquestioning loyalty and that he trusts them to help him gather the remaining Infinity Stones and, while they certainly look visually interesting, they’re mostly disposable bad guys for the Avengers to fight in place of Thanos.

*While Abomination is a good choice, I definitely think Ronan could’ve taken Cull’s place.*

Now, I’ve never read Infinity; I have no emotional attachment to the Black Order or any of the characters and, as a result, they were merely nothing more than henchman to me and I only really recall one of them being referred to be name (“I take it the Maw is dead?”) While I enjoyed their inclusion in the film, I can’t help but feel like they could have been dropped and supplanted with some other, more recognisable MCU villains had some other films and events happened just a little differently. For example, take Cull Obsidian; he’s Thanos’ muscle who basically does nothing and is largely inconsequential. What if, instead of killing Ronan the Accuser (Lee Pace) in Guardians of the Galaxy (Gunn, 2014), Ronan had been soundly defeated and humbled and, having seen the extent of Thanos’ power (he did destroy Xandar (offscreen), which was what Ronan wanted, after all, and would be enough to bring Ronan to heel, I would wager), he pledged himself fully to Thanos’ cause to get revenge against the Guardians of the Galaxy? I’m not massively familiar with Ronan but it seems to me like it was a bit of a miss-step to kill him off when he could have fulfilled a role in Thanos’ little gang at the very least, if not remain as a recurring antagonist for the Guardians. Another potential replacement for Corvus would be Emil Blonsky/Abomination (Tim Roth) who, at the time, had been conspicuous by his absence from the MCU. However, arguably, it wouldn’t make as much sense for Thanos to recruit the Abomination as he’s not exactly floating around in the depths of space for him to encounter.

*What if Loki or the Red Skull had aligned themselves with Thanos in place of Ebony Maw…?*

Intrigue was equally high in the build-up to The Avengers/Avengers Assemble (Whedon, 2012); I was hoping to see a version of the Masters of Evil, with Loki Laufeyson (Tom Hiddleston) joining forces with Johann Schmidt/The Red Skull (Hugo Weaving) – who was clearly transported away from Earth by the Bifrost at the end of Captain America: The First Avenger (Johnston, 2011 – and either the Abomination or Doctor Samuel Sterns/The Leader (Tim Blake Nelson) once they got to Earth. While I was happy with the first Avengers team-up we got, I do feel this was another missed opportunity that we never saw this anti-Avengers team-up. Consequently, I feel like we could have swapped out Ebony Maw for either of these characters; in The Infinity Gauntly, Thanos was advised by Mephisto, a role many expected Loki to play in Infinity War given his mischievous and devious nature. Naturally, of course, you could argue that this wouldn’t really fit with Loki’s character arc by that point but remember how he feigned loyalty to Thanos and then tried to stab him in the neck? Well, imagine that but throughout a large portion of the movie. Loki pledges fealty, willingly hand shim the Tesseract, and spends the remainder of the film waiting for the perfect moment to strike and then he’s killed for his efforts. Obviously, the Red Skull finally showed up in Avengers: Endgame (Russo and Russo, 2019) in a slightly different role as the Stonekeeper (Ross Marquand), but again…what if the Red Skull had replaced Ebony Maw? How much more interesting and impactful would it have been to see the Red Skull empowered by Thanos and making a triumphant return as Thanos’ chief torturer? Sure, if his death was the same then you could argue that he would’ve been “wasted” or been killed off too easily but I still feel like this would have been a better use of the character than as the keeper of the Soul Stone (a role that could’ve been filled by character’s envisioning the Stonekeeper as someone close to them, perhaps?)

*With some tweaks, nebula could have taken Corvus’ role as Thanos’ chief assassin.*

Corvus Glaive is a trickier one to “replace” in this hypothetical alternate world, however I have one suggestion: Nebula (Karen Gillan). Now, similar to Loki joining Thanos, this would require quite a few changes to Nebula’s character arc; in Guardians of the Galaxy Vol. 2 (Gunn, 2017), she finally buried the hatchet with her “sister”, Gamora (Zoey Saldana) and it was great seeing her grow as a character, put aside her hatred, and learn how to work alongside the Guardians and the Avengers. In The Infinity Gauntlet, Nebula spends most of her time as a mindless zombie thanks to Thanos’ wrath but plays a vital role in his downfall by stealing the Gauntlet for herself (and promptly being driven mad by its power). By tweaking her character arc, or having it so that Thanos either intimidates or reprograms her into subservice, you could replace Corvus with a more prominent and recognisable character and still find ways to weave her existing arc into the story. Like, what if, after Guardians of the Galaxy Vol 2, Nebula is forced into Thanos to serve him (maybe he threatens to kill Gamora/the Guardians or promises to “repair” her once he’s assemble the Gauntlet) in Corvus’ place; she could still have been ripped apart and tortured to force Gamora into revealing the Soul Stone’s location and would have even more motivation to turn against her “father” since he would have lied to and manipulated her once again.

*If Hela wasn’t going to take Death’s place, she could’ve replaced Proxima Midnight.*

Another character who I, like many, expected to play a prominent role in Infinity War was Hela Odindottir (Cate Blanchett), a character who a lot of people expected would take the role of Lady Death as the object of Thanos’ affections. Of course, this didn’t turn out to be true as Hela was killed in Thor: Ragnarok and Thanos’ motivations were changed from worshipping Death to wanting to bring a sense of balance to the galaxy. Still, how awesome would it have been if Hela had taken Proxima Midnight’s place in the Dark Order? If killing the Allfather didn’t show you that Thanos was a bad-ass, bringing the Goddess of Death to heel totally would have and could have made for a much more memorable female villain for the finale in Wakanda. Again, there’s the question of her being killed off but what better way to help showcase Wanda Maximoff’s (Elizabeth Olsen) sheer power than by having her shred a Goddess to pieces? Or you could rewrite her death to maybe come at the hands of her brother, Thor, and his new weapon, Stormbreaker, to sell the awesomeness of the weapon.

*As cool as the Black Order were, would a version of the Masters of Evil have been better…?*

Ultimately, I was more than happy with Avengers: Infinity War, Endgame, and the MCU’s portrayal of Thanos overall. His underlings were find cannon fodder for the film and helped to serve as extensions of the Mad Titan’s will but I do feel it would have been even more awesome to see these more recognisable villains swayed to Thanos’ cause so that we could see them interact with their rivals, and other heroes, in new and interesting ways. Sure, many have cropped up again since then and the potential of a Masters of Evil in the MCU is still there, I just think that maybe these huge movies could have been made even bigger if things had been slightly changed to accommodate these more familiar characters. Do you agree or disagree? Maybe you’re a big fan of the Black Order from the comics? Perhaps you’d have like to see a different route taken? Do you even want to see the Masters of Evil in the MCU? Either way, feel free to sound off in the comments below.

Movie Night: Avengers: Endgame

02/05/201911/01/2025Dr. K36 Comments

Released: April 2019
Director: Anthony Russo and Joe Russo
Distributor: Walt Disney Studios Motion Pictures
Budget: $356 million
Stars: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Don Cheadle, Paul Rudd, Karen Gillan, Bradley Cooper, and Josh Brolin

The Plot:
Three weeks after the Mad Titan, Thanos (Brolin), acquired the six Infinity Stones and snapped his fingers, the Avengers are desperate to set the world right after watching their friends (and half the universe’s population) disintegrate from reality. When Tony Stark/Iron Man (Downey Jr.) and Nebula (Gillan) return to Earth and Scott Lang/Ant-Man (Rudd) returns from the Quantum Realm, the Avengers pull together every resource available to bring Thanos to justice.

The Background:
After decades of superhero films existing in self-contained bubbles, Iron Man (Favreau, 2008) set the stage for the incredible success of Avengers Assemble/The Avengers (Whedon, 2012) and the MCU becoming an unstoppable multimedia juggernaut. The MCU’s flagship characters then reunited in Avengers: Age of Ultron (ibid, 2015), which received mixed reviews despite being a box office success. Marvel embarked on their most ambitious venture yet, a two-part Avengers film heavily inspired by from the classic Infinity Gauntlet (Starlin, et al, 1991) story arc. Avengers: Infinity War (Russo and Russo, 2018) was an astronomical financial success, critically and commercially, and filming of the follow-up began immediately. With the title initially kept under wraps, a multitude of complex CGI shots and visuals from numerous effects studios were employed for this the biggest and most emotionally MCU movie yet. Rumours ran rampant about the production, which was kept tightly under wraps, even down to the marketing campaign. This paid off gang busters when Avengers: Endgame released and briefly became the highest-grossing movie of all time with a worldwide box office gross of just shy of $2.800 billion! Like its predecessor, Avengers: Endgame was met with universal acclaim; critics lauded the emotional journey of the film, the performances and character arcs, and the climatic conclusion to the first ten years of the MCU. The release of Avengers: Endgame heralded a new direction for the MCU, one that dealt with the fallout of the film and expanded the MCU into new directions with new characters, though some have questioned whether the MCU can ever match the hype and success of this period.

The Review:
Avengers: Infinity War was certainly a hell of an experience. Even I wasn’t sure if it would actually go through with Thanos snapping his fingers, and the emotional fallout from that bleak, dramatic ending had everyone reeling and speculation running rampant about how this would be resolved. I was under the impression that this would come through an exploration of Doctor Stephen Strange’s (Benedict Cumberbatch) willingness to give up the Time Stone. I was expecting we’d see him lead a team of heroes trapped within the Soul Dimension (an aspect that isn’t explored or even raised here) in tandem with the heroes spared by the Snap (or “Blip” as it would later be termed). When the first rumours of time travel appeared, speculation only increased as fans scrambled to explain why this would be necessary, but Endgame establishes early on that Thanos’s second act after achieving his goal was to destroy the Infinity Stones to ensure his victory. Ultimately, I was quite satisfied with the narrative Endgame provided. I always thought that it was fitting that the original six Avengers were spared erasure to help bring things full circle, but I’m still surprised that the film not only jumped ahead five years to show a world devastated by change and loss but that the MCU chose not to undo this. It probably would’ve cleared up a lot of issues and constant explanations and references to the Blip if Endgame had seen Doctor Bruce Banner/The Hulk (Ruffalo) use the Infinity Gauntlet to wind time back, restored the lives lost but also keeping the lives gained in the process. Or if Tony had perhaps willingly sacrificed his young daughter, Morgan (Lexi Rabe), for the sake of the entire universe. But I think it definitely indicated a massive change in the status quo of the MCU…even if things got back to normally pretty quickly, all things considered.

*Haunted by defeat, Tony’s priorities shift towards safeguarding his daughter by any means necessary.*

Endgame immediately explores the devastating fallout of the Avengers’ defeat and foreshadows its dramatic and emotional finale by finding Tony drift in space alongside Nebula. Although she’s still stoic and aggressive, it’s clear Nebula is deeply affected by the loss of her sister, Gamora (Zoe Saldaña), and her reluctant adopted family, the Guardians of the Galaxy. While Nebula naturally bottles these feelings up, Tony sees his end coming. Realistic and ready to die after being worn down by his survivor’s guilt and desperate need to defend the Earth at all costs, he records a farewell message to Virginia “Pepper” Potts (Gwyneth Paltrow) and prepares to meet his end….only for them to be rescued and returned to Earth by Captain Carol Danvers/Captain Marvel (Brie Larson). However, returning to Earth brings little solace for Tony; deeply traumatised at witnessing his protégé, Peter Parker/Spider-Man (Tom Holland), disintegrate before his eyes (to say nothing of his other teammates and the crushing weight of defeat), Tony lashes out at former ally Captain Steve Rogers/Captain America (Evans) and refuses to join the expedition to confront Thanos, having lost the will to fight. Not that it would’ve made much difference given that Thanos guarantees his actions cannot be undone, but Tony instead chooses to focus on his family. In the five year gap, he has a daughter and settles down with Pepper, his priorities shifting from the lives of everyone else to the lives of his family. Thus, when Cap, Scott, and Natasha Romanoff/Black Widow (Johansson) come calling looking for Tony’s scientific input on their bonkers “time heist” idea, Tony initially scoffs at the suggestion, though he has let go of his animosity towards Steve in the interim. Still, ever the scientist, Tony can’t help but be intrigued and, upon running a few simulations based on Scott’s Quantum Realm data, quickly devises a means to navigate the dimensional vortex and effectively allow travel through time and space. Realising that they now have a very real shot at regaining the Infinity Stones and undoing Thanos’s devastating actions, Tony agrees to re-form the Avengers and don his iconic armour once more but on the very specific proviso that Morgan’s safety and existence is ensured. It’s a dramatic culmination of Tony’s character arc; he went from a selfish, womanising arms manufacturer to a snarky, egotistical superhero, to risking losing everything to safeguard the Earth from otherworldly threats, to literally sacrificing himself to not only bring back those lost, but ensure his daughter grows up in a world that hasn’t been crippled by loss.

*Cap’s fighting spirit galvanises the team and sees him standing against incredible odds.*

While Tony falls into despair and then devotes himself to his family to cope with the tragedy, Cap is initially adamant to make Thanos pay for his actions. When Carol and Rocket Racoon (Cooper) pinpoint Thanos’s location, Cap’s first thought is, appropriately, to avenge their losses. Unfortunately, Cap’s forced to face a heavy reality: there’s no way to undo what’s happened so, instead, he devotes himself to offering counselling and trying to help everyday folk pick up the pieces of their lives. With most of the world’s governments apparently gone, Natasha and the remnants of the Avengers apparently still fight to maintain order across the world, but there’s a clear sense that they’re just desperately holding on to what little they have left. However, Scott offers them hope through a clunky form of time travel. Despite outlandish science being outside his wheelhouse, Cap eagerly reassembles the Avengers and galvanises them to travel back to key moments in their past to reacquire the Infinity Stones and set things right. Steve teams with Tony, Scott, and Banner and revisits the battle for New York. Although Banner convinces the Ancient One (Tilda Swinton) to lend them the Time Stone, they’re unable to secure the Space Stone when Loki Laufeyson (Tom Hiddleston) steals it, forcing Cap and Tony to pay a further visit to 1970 to restock on Pym Particles and reacquire the Space Stone. Here, not only does Tony finally reconcile with his father, Howard Stark (John Slattery), in an amusing and poignant way, but Cap finally lays eyes on his old flame, Peggy Carter (Hayley Atwell) for the first time in a hundred years. Cap is devastated when the team returns to find Natasha was lost in the pursuit of the Soul Stone, but continues to soldier on with the plan, focusing solely on the restoration of the world. Despite this being far from a traditional fight, Cap stands against nature – and time – itself, betting everything on the slim chance that they can succeed. Although clearly burdened by defeat, he continues fighting and encourages everyone around him to do the same no matter how bleak the odds. This is, of course, explicitly demonstrated in the climactic finale. When the younger Thanos violently attacks the Avengers and lays waste to his allies, Cap grits his teeth and stands tall in in the face of what appears to be an inevitable end and his faith is rewarded not only in the dramatic arrival of his much-needed backup and proving himself worthy to wield Mjölnir, but in finally walking away from the fight and have a life of his own.

*Hulk is smart now, while Thor has succumbed to self-despair and desperately seeks redemption.*

Two characters fundamentally altered between Infinity War and Endgame are the Hulk and Thor Odinson (Hemsworth). While I do agree that it’s a shame we never get to see Banner and the Hulk finally reconcile their differences and come together as one united entity (a “Smart Hulk”, if you will) and I definitely would’ve preferred to see this in the finale of Infinity War as originally intended (though tweaked with the united Banner/Hulk being portrayed as grey), I’m satisfied with the explanation we got and both film are already so stuffed with characters and plots that it could have bogged things down. Now a far calmer and intelligent being, the Hulk sees his brutish ways as “gratuitous” and instead puts his mind to work trying to figure out time travel in Tony’s absence. He’s primarily here as exposition and a bit of comedy relief but I liked how everyone just accepted his new normal, that he proved pivotal in reversing the Blip by being the only one strong and capable enough to handle the destructive power of the Infinity Stones (retroactively suggesting that the Hulk was fated to exist for that very reason), and he’s a key factor in convincing Thor to rejoin the Avengers. No one shoulders the burden of failure more than Thor; this once proud and arrogant warrior is reduced to a depressed, out of shape, drunken king of New Asgard all because he failed to land a killing blow on Thanos. Even decapitating Thanos brings him little catharsis as it changes nothing, and Thor clearly struggles with both survivor’s guilt and costing the lives of untold billions. He sees the time heist at a shot at redemption, a personal mission to prove that he’s still worthy of being the Mighty Thor, but is largely seen as a hinderance since he’s so wracked by grief and guilt that he struggles to keep his emotions in check. It’s only after a pep talk from his beloved mother, Frigga (Rene Russo), and the knowledge that he can still wield Mjölnir, that bolsters his self-worth, though Thor is so desperate to undo his mistake that he practically begs to bring everyone back with Tony’s gauntlet, despite the fact that the effort would probably kill him. Ultimately, Thor’s redemption comes in the most fitting way: on the battlefield. I liked how Thor doesn’t snap back to being a super-buff warrior in the finale; I think it was important to show that he was still carrying the burden of his failures even as he cut down foes with both Mjölnir and Stormbreaker, and there’s a definite sense that he rediscovers himself in battle with Thanos and through the loyal support of his friends and allies.

*Each of the Avengers has an emotional and personal stake in the desperate time heist.*

Although they either didn’t get too much to do or missed out entirely on the events of Infinity War, Endgame allows fellow Avengers Natasha, Ant-Man, Clint Barton/Hawkeye (Renner), and Colonel James “Rhodey” Rhodes/War Machine (Cheadle) play key roles in the time heist. Indeed, without Scott (and that one-in-a-billion rat), the Avengers would never have reacquired the Infinity Stones since it was only his knowledge and insight into the Quantum Realm that allowed Tony to crack time travel. Scott continues to be in awe of working alongside his idols, but even his chirpy demeanour is tested by the Blip. He arrives in a world where millions have perished and his daughter, Cassie (Emma Fuhrmann), is now a teenager but he remains as optimistic as ever about their chances of success, even if you can tell that he’s clinging to hope as desperately as the others. The same can’t be said of Hawkeye; after witnessing his wife and children disintegrate before his eyes, Barton spends the next five years going on a killing spree, murdering crime bosses and those he deems unworthy of being spared with a cold-blooded precision as “Ronin”. Although he’s clearly scarred by his losses, his loyalty to Natasha sees him join the time heist in a last-ditch effort to restore the world, but his character has been given an obvious edge. Now sporting a frankly ridiculous mohawk and an array of tattoos, Hawkeye is more than willing to sacrifice his life for the Soul Stone when directed by the enigmatic Johann Schmidt/The Red Skull/The Stonekeeper (Ross Marquand). What follows is a test of the two’s loyalty and friendship and a desperate and emotional battle to save the other while restoring countless lives. The two literally fight to give up their lives for the Soul Stone, willing to die for their friends and family, but ultimately Barton is left carrying the burden of Natasha’s selfless sacrifice and finding a way to live with his dark deeds. Rhodey finds himself teamed up with Nebula; as reliant upon his armour as she is on her cybernetics, the two find some surprising common ground and working with the Avengers definitely helps to soften both her and Rocket and make them more open to co-operation. Their jaunt to retrieve the Power Stone from Peter Quill/Star-Lord (Chris Pratt) has dire consequences, however, when a past version of Thanos is alerted to their presence. This not only sees Nebula face off against her less morally inclined past self and brings a past version of Gamora into the main timeline, but sees Thanos renew his campaign for the Infinity Stones using knowledge of the future!

*Despite being killed, Thanos comes across time to plague the heroes once again.*

Indeed, Endgame is largely unique among MCU films in that the battle is already lost at the start and the heroes are mostly fighting against intangible foes: grief, loss, guilt, and time being chief among them. While Carol leads them in confronting Thanos at the start, he’s no longer a threat and doesn’t even try to fight them. Injured from his actions and content with his victory, he simply mocks their attempts at revenge and meets his end victorious. While in New York, Cap, Scott, Banner, and Tony are mainly tasked with avoiding their past selves in true Back to the Future Part II (Zemeckis, 1989) fashion, though Cap does have a brief scuffle with his past self that sees even him exasperated by his can-do attitude. The Stonekeeper could be classified as a threat but he’s simply a messenger for the Soul Stone; the real threat comes from having to sacrifice a loved one to acquire the Stone, similar to the Ancient One’s warnings that the Avengers must return the Infinity Stones or risk the destruction and collapse of other, alternate timelines. However, when that past version of Thanos learns of his fate and orders the evil version of Nebula to travel to the future, the Avengers’ compound decimated by Thanos’s ship, Sanctuary II, the return of his monstrous army and his “children”, the Black Order, and Thanos himself back on Earth with victory within his grasp. I’ve seen it suggested that there’s less emotional catharsis in seeing the Avengers battle this version of Thanos since he technically isn’t the one who wronged them, but I don’t think this really matters all that much. There’s little difference between the two Titans except one died knowing he had achieved his goal and the other was determined to expedite his goal after learning of his victory. Perhaps because of this foresight, Thanos is far more aggressive and less honourable than his counterpart. Rather than offering to spare those he respects or aiming to wipe out half of life so that people can learn to appreciate what they have, Thanos now aims to completely rewrite history in his image. To that end, this Thanos takes to the battlefield in a way his counterpart avoided. Garbed in gleaming armour and wielding a massive double-bladed sword, Thanos is positioned as the ultimate threat, regardless of which timeline he’s from, since the Avengers know full well how destructive he is. Indeed, Thanos’ threat truly shines in the finale, where he not only goes toe-to-toe with Cap, Iron Man, and Thor but also shows his wiles and raw strength by matching blows with Captain Marvel, fuelled the entire time by his obsession for victory and unrivalled power.

The Nitty-Gritty:
As mentioned, grief, loss, and time are key themes in Avengers: Endgame. While the film doesn’t linger or go into massive amounts of depth exploring how the Blip has affected the world, it effectively conveys the desolation and loss through some eerily silent aerial shots, Cassie’s overgrown and dishevelled neighbourhood, the monument erected to those lost, and through the way each character deals with their failure. At the time, it definitely shook things up to jump ahead to a world left in ruins by Thanos, and even though even I will admit that the potential of this was largely undone and sadly played for laughs in subsequent films, it really works in the context of this movie to hammer home just how devastated everyone is, which in turn drives their mission to defy the laws of physics and set things right. Endgame makes sure to lay the rules for time travel out as plainly as possible. Thanks to Scott and Tony, characters can navigate the Quantum Realm and travel to the past using Pym Particles, but anything they do in the past will not change the present because time isn’t a straight line, but a multiverse of different pathways. Yet, removing the Infinity Stones will cause the collapse of those branches, meaning the Avengers have a moral obligation to return them when they’re done. Like most time travel stories, it’s not perfect and has some holes in it but I think it works to sell the idea that you can’t just go back in time and kill Thanos to set things right. Banner very emphatically explains that time just doesn’t work that way and it’s a great way to place importance of the “main” timeline and add some additional tension to the heist since they risk other timelines while saving theirs.

Endgame *explores new levels of these characters and then goes all-out with an action-packed finale.*

In many ways, Endgame is a far more grounded, subdued character study compared to Infinity War. Thus, bombastic, action-packed scenes give way to exploring the emotional fallout from the Blip and how each character has been changed by their defeat. That isn’t to say that action and big CGI sequences aren’t here, though; it’s just more a fight for redemption and against those intangibles I mentioned than against a singular foe, for the most part. You would never know it but the Avengers’ time suits are all entirely CGI; their stark white and uniformity unites the team in a way we haven’t seen before and allows them to safely navigate the chaotic Quantum Realm and avoid being physically altered by the timestream like Scott is during Banner’s test run. While in the past, the team revisit the Battle of New York, now expanded to show that the Ancient One and the Sanctum Santorum were also fending off the Chitari and what happened after the Avengers defeated Loki, where Cap uses his knowledge of Hydra’s infiltration of the Strategic Homeland Intervention, Enforcement and Logistics Division (S.H.I.E.L.D.) to his advantage. This, and their later trip to 1970, allows for some fun cameos from Alexander Pierce (Robert Redford), Brock Rumlow (Frank Grillo), and even a de-aged Doctor Henry “Hank” Pym/Ant-Man (Michael Douglas), complete with retro helmet. The rest of the time heist is spent revisiting key moments from previous MCU films, recreating and reframing certain events from a new perspective, before the massive climactic battle at the end. One thing I enjoyed about the time heists, and the film in general, was seeing characters like Rocket and Nebula interact with the Avengers and become part of the team. In the spirit of pooling all available resources, Natasha directs a joint effort of every remaining superhero to try and maintain order, but her focus is squarely on the Earth. The rest of the universe is dealt with by Captain Marvel, who sadly misses out on joining the time heist but more than makes up for it with her dramatic entrance during the finale. Since she’s the most powerful hero in MCU, she easily wipes out Sanctuary II and ploughs through the aliens before going one-on-one with the Mad Titan himself. Although a bit arrogant in her abilities, Carol more than backs this up with her incredible power. Indeed, it’s shown that she probably could’ve wrestled the Infinity Gauntlet from Thanos had he not had the wherewithal to use the Stone’s individual powers to fend her off, meaning that even Captain Marvel’s might required the support of her teammates to wrestle the gauntlet from the Mad Titan.

*Cap’s resolve is bolstered by the emotional and dramatic return of his restored allies.*

The remnants of the Avengers come together with a simple goal: to retrieve the Infinity Stones from the past, insert them into a nanotech gauntlet, and undo the Snap with a snap of their fingers. Although Thor pleads to perform this, the Hulk is the only one capable of surviving the act, and the film really sells the reveal of his success as a strange anti-climatic event…at first. Cap, Iron Man, and Thor are too busy fighting for their lives against Thanos and his army to focus on much else. Each one has a personal and emotional stake in the battle and each one falls to Thanos’s power, regardless of how hard they fight. Thor, especially, leaps head-first into the bout and ends up at the mercy of Thanos, desperately calling to Mjölnir…only for the hammer to fly into Cap’s waiting hand! Seeing Cap wield Mjölnir and attack Thanos with renewed vigour drew a rare cheer from the audience when I saw Endgame and is easily one of the most memorable moments in the entire MCU, but it’s quickly followed by one of the most emotional. Left as the last man standing and ready to go down fighting, Cap is suddenly stopped when he hears his friend, Sam Wilson/The Falcon (Anthony Mackie) in his ear. Relief and emotion sweep through Cap as he beholds a series of magic portals. Through them step his allies, friends, and teammates old and new, restored and ready to fight. It’s a sweeping, cinematic, incredibly powerful sequence jam-packed with cameos, from the Ravagers to Howard the Duck (Seth Green), and little moments, like Scott reuniting with Hope van Dyne/The Wasp (Evangeline Lilly), Wanda Maximoff (Elizabeth Olsen) angrily confronting and nearly killing Thanos, Star-Lord’s ill-fated reunion with Gamora, Tony unashamedly embracing Spider-Man, and a fun scene where the various female heroes of the MCU come together to clear a path for Captain Marvel. This climatic battle is an absolute wet dream for any Marvel fan. It’s the literal culmination of a ten-year journey for the MCU and I always spot different things each time I watch it, but the entire battle is made even sweeter by Cap finally uttering that rallying war cry: “Avengers Assemble!” While I would argue that we definitely should’ve heard this before this moment, this doesn’t take away from how powerful that moment was or just how amazing it was (and still is) to hear it and see all the MCU’s heroes battling alongside each other.

*Tony’s sacrifice defeats Thanos and clears the path for a new generation of heroes.*

Despite all these heroes, and Captain Marvel’s last second save, Thanos proves true to his word; no matter what’s thrown at him, he seizes the gauntlet and appears to be truly “inevitable”. However, just as he’s about to snap his fingers again, Iron Man leaps in for one last attack and steals the Stones away from Thanos! His body wracked with cosmic energy, struggling to contain the immense power, Stark utters his famous line once more – “I am Iron Man!” – and obliterates Thanos’s army with a snap of his fingers. Thanos, startled to see his army disintegrate around him, can only watch on and slump down with quiet defeat, accepting his end as nobly as possible. Sadly, this victory is bittersweet as the effort fries Tony’s body and mind and leaves him a babbling, near-lifeless wreck. Peter, Rhodey, and Pepper gather around him to say their goodbyes and Pepper tearfully gives him permission to finally rest, and death finally catches up to Tony amidst his friends and family. While I would’ve loved to see the scene where his comrades all take a knee kept in the film, the emotional weight of Tony’s sombre funeral delivers as strong a message. Everyone that was close to him gathers in quiet gratitude and respect to honour his sacrifice and take comfort in each other, and it’s a hell of a way to close the book on the character that kickstarted the emotional rollercoaster that is the MCU. Of course, it doesn’t end there; as the heroes go their separate ways and prepare for their next steps, Cap steps back into the Quantum Realm to make good on Banner’s promise to return the Infinity Stones. After sharing a heartfelt farewell to his old friend, James Buchanan “Bucky” Barnes/The Winter Soldier (Sebastian Stan), it initially seems like Steve has gotten lost in the timestream. However, Bucky and Sam spot a old man (Evans/ Patrick Gorman) sitting nearby who’s revealed to be Cap, age finally having caught up with him, who chose to take a leaf out of Tony’s book and settle down with Peggy. He gifts his shield and Captain America identity to Sam and reflects happily on his life, finally at peace with the world. While there’s a lot of debate and disagreement about the specifics of this, I really don’t care. Whether Cap lived in an alternate time or the main timeline, it makes no difference and the entire point was to finally give him some peace and happiness, which I think is conveyed beautifully, and to pass the torch to a new generation of heroes.

The Summary:
It’s amazing to think how massive Avengers Assemble was and how incredibly the MCU built upon it with Avengers: Infinity War. It’s so rare to see a film franchise have such longevity and build such intrigue for its next entry, but the buzz surrounding Avengers: Endgame was so real that I was practically frothing at the mouth to see how the story would be wrapped up. Rather than going bigger and more explosive, Avengers: Endgame focuses on the original six Avengers and the remnants of their group and explores new depths to their characters. Each is affected by their defeat in different ways and embodies that failure in ways that make them so much more vulnerable and relatable. I loved how they all came together, united in grief and in their determination to put things right, “whatever it takes”, and how the time heist gave us fresh new interactions between them. Sure, time travel is a bit of a cliché solution and some of its aspects are a bit wonky under close supervision, but I’m okay with that as the purpose was to celebrate what came before and sow the seeds for the MCU’s future, which was set to be very different based on the new status quo established here. Honestly, Avengers: Endgame is worth a watch for the emotional and action-packed finale alone. Even now, it never fails to give me goosebumps and bring a tear to my eye since it’s such a fantastic culmination of everything that came before and a satisfying, if bittersweet, end to these beloved characters. Avengers: Endgame could have easily collapsed under its own narrative, the weight of expectation, and the high standards set by its predecessor and the MCU in general. Instead, with a poignant heart at its core, riveting action, and some genuinely moving moments amidst its big action set pieces, Avengers: Endgame is a fantastic endnote for the first ten/eleven years of Marvel movies.

My Rating:

Fantastic

What did you think to Avengers: Endgame? Were you satisfied with how it wrapped up the ending of Infinity War or would you have liked to see it take a different direction? What did you think to the five-year time jump and the way this was handled in subsequent films? Did you like the depiction of time travel here? What was your reaction when those portals opened, when Cap picked up Mjölnir, and to Tony’s dramatic death? Have you been happy with the MCU film we’ve seen since Endgame or do you think it peaked here? What are some of your favourite Avengers stories, characters, and villains? Whatever your thoughts about Avengers: Endgame, and the Avengers in general, leave a comment below or on my social media and be sure to check out my other Marvel content across the site.

Movie Night: Avengers: Infinity War

05/05/201804/08/2025Dr. K28 Comments

Released: 27 April 2018
Director: Anthony Russo and Joe Russo
Distributor: Walt Disney Studios Motion Pictures
Budget: $325 to 400 million
Stars: Josh Brolin, Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Chris Pratt, Scarlett Johansson, Benedict Cumberbatch, Tom Holland, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, and Zoe Saldaña

The Plot:
Thanos (Brolin) carves a path of self-righteous destruction across the universe in search of six all-powerful cosmic gems that will allow him to erase half of all sentient life with a snap of his fingers. Though fractured from recent events, the Avengers scramble to oppose the Mad Titan’s plot, and join forces with the Guardians of the Galaxy to seek out and protect the remining Infinity Stones and acquire the means to combat Thanos and his vast army.

The Background:
“There was an idea […] to bring together a group of remarkable people to see if they could become something more. To see if they could work together when we needed them to, to fight the battles that we never could”. For decades, superhero films existed in self-contained bubbles; sure, there would be sly hints towards other heroes, but costumed avengers primarily fought alone on the big screen. That all changed with Iron Man (Favreau, 2008), the first tentative step towards the largest interconnected series of movies ever created, but the unprecedented success of Avengers Assemble/The Avengers (Whedon, 2012) saw the MCU make massive strides towards becoming an unstoppable multimedia juggernaut. After success with characters both known and obscure, the MCU’s flagship characters came together once more; although Avengers: Age of Ultron (ibid, 2015) saw writer/director Joss Wheden part ways with the studio and critical reception was mixed compared to the first film, Age of Ultron still grossed $1,404 billion at the box office and Marvel pushed forward with their biggest venture yet, a two-part Avengers film shot back-to-back by established MCU directors Anthony and Joe Russo. Although Whedon initially had no plans for Thanos when he included the Mad Titan in a post-credits scene at the end of Avengers Assemble, Marvel head honcho Kevin Feige quickly began planting the seeds for Thanos’s quest for the mysterious Infinity Stones throughout the MCU for this massive production, which drew significant inspiration from the memorable Infinity Gauntlet (Starlin, et al, 1991) and Infinity (Hickman, et al, 2013) stories.

*Multiple characters, comic inspiration, and complex CGI brought to life the MCU’s biggest film to date.*

After explaining away a blink-and-miss it inconsistency regarding the all-power Infinity Gauntlet, writers Christopher Markus and Stephen McFeely set to work deciding which characters they would use, in which combinations, and gearing the first movie towards a series of unique interactions and set pieces. The Russos worked closely with other MCU directors, like James Gunn, to ensure that the tone and characterisation of the individual films could be retained, although characters from the popular Netflix shows unfortunately did not appear in the massive line-up. Central to the film was, of course, Thanos himself; though his obsession with Lady Death was removed from his motivation, Thanos was cast as the hero of the film and brought to life as a complex digital character thanks to the work of Digital Domain. Featuring nearly every character in the MCU and spanning the galaxy, Avengers: Infinity War boasted over 253 shots from animation studio Framestore alone, to say nothing of 200 digital shots of Thanos produced by Weta Digital, and over 3000 overall digital shots from a variety of studios to bring to life the Russo’s ambitious and complex plan for the unprecedented team-up. Avengers: Infinity War was the very definition of hype, with the first trailer alone becoming the most viewed trailer of the time; this, naturally, translated into astronomical financial success as the film made nearly $2.050 billion at the box office and became the fourth-highest-grossing film of all time. Reviews gushed over the film’s perfect balance between drama, action, and humour, the characterisation of Thanos, and the sudden gut-punch of its ending. After a year of agonising hype, speculation, and anticipation, the story continued in Avengers: Endgame (Russo and Russo, 2019), which was actually more critically and commercially successful and the MCU continued on into its fourth phase with more momentum than ever before.

The Review:
If you’d told me all those years ago when Tony Stark/Iron Man (Downey Jr.) graduated from a C-list Marvel hero to the face of the largest, most successful superhero franchise ever conceived, that we’d see him not only team up with some of Marvel’s most iconic superheroes but also end up rocketing into space to fight alongside obscure characters like the Guardians of the Galaxy and punching a massive purple alien in the face to safeguard half of all sentient life from the misuse of six cosmic space gems…well, I would’ve called you mad. Superhero films just didn’t do this sort of thing; they were always “grounded”, based in some kind of reality, even when they dealt with cosmic subject matter. And they never, ever interconnected. The closest we ever got were some sly references, or teams of characters who already existed together, but we never got to see an interconnected universe like in the comics. And, quite frankly, I couldn’t be happier. Go and pick up The Amazing Spider-Man Annual #1 (Lee, et al, 1964) and see how many gratuitous cameos are wedged into the Sinister Six’s first appearance alone! Marvel, DC, hell almost every comic publisher has a shared universe of heroes and, as much as I’ve enjoyed the solo superhero movie efforts of the last forty-odd years of my life, I couldn’t be happier that the MCU actually has the balls, and the skill, to pull of such a vast, interconnected series of movies that is both respectful of the source material rather than ashamed by it and offers a fresh, new take on these beloved characters.

*Thanos, and his mad desire to bring a twisted “balance” to the universe, is the focus of the movie.*

However, with all that said, Avengers: Infinity War isn’t about Iron Man; it’s not the story of the titular Avengers, or a celebration of Earth’s Mightiest Heroes coming together to oppose a maniacal despot. No, this is the story of Thanos, the hulking, conquering Mad Titan himself. Previously cameoing at the end of the last two Avengers films, and popping up in Guardians of the Galaxy (Gunn, 2014), Thanos was more of an ominous, looming force throughout the galaxy. Unless you’d read the comics, you probably had no idea why he was such a big deal but Infinity War establishes his threat immediately by having him ransack the Statesman alongside his “children”, the Black Order, in search of the Space Stone. In the build up to this film, I always assumed Thanos would be introduced by slaughtering Odin Allfather (Anthony Hopkins); after all, what better way to establish the biggest bad in the MCU than having him kill an actual God? However, since Odin is already dead, Infinity War establishes Thanos’s power by having him already be in possession of not only the Infinity Gauntlet, but also the Power Stone, having sacked Xandar off-screen. Thanos then has his henchman kill half of the remaining Asgardians, puts a sound beating on Doctor Bruce Banner/The Hulk (Ruffalo), and chokes the life out of beloved anti-hero Loki Laufeyson (Tom Hiddleston). Unlike in the comics, were Thanos was driven by a desperate desire to win the affection of Mistress Death, the MCU Thanos has a twisted take on the destructive and wasteful nature of the universe; since his warnings failed to save his home world, Thanos made it his life’s mission to purge half of all life on every world so that billions more will be saved in the long run. After realising that the six Infinity Stones can make his dreams come true with a literal snap of his fingers, Thanos sets his minions out into the cosmos to acquire them while he tracks down his adopted daughter, Gamora (Saldaña), the only person who knows the location of the Soul Stone.

*Blasted into space, Iron Man is determined to bring the fight to Thanos before he can threaten the Earth.*

Since Thanos brings death in his wake, the arrival of his minions, Ebony Maw (Tom Vaughan-Lawlor) and Cull Obsidian (Terry Notary), on Earth naturally causes quite a stir. Forewarned of Thanos’s impending arrival by the shellshocked Banner, Doctor Steven Strange (Cumberbatch) and Wong (Benedict Wong) quickly recruit Stark to help them prepare a defence. Despite having retired (…again…) from the superhero life and ready to start a family with Virginia “Pepper” Potts (Gwyneth Paltrow) Stark doesn’t hesitate to show off his brand new nanotech armour and stand against the alien invaders, though his arrogance and recklessness causes him to quickly butt heads with Dr. Strange. Still in possession of the Time Stone, housed within the Eye of Agamotto, Dr. Strange is as focused on the big picture as Thanos, in many ways; while Stark wants to commandeer the alien spacecraft and bring the fight to Thanos in a pre-emptive strike, Dr. Strange is more concerned with keeping the Time Stone from being misused and, despite his Hippocratic Oath, is fully prepared to let Stark and even Peter Parker/Spider-Man (Holland) die if it means protecting the greater good from the Time Stone. Having sensed the Black Order’s arrival, Spider-Man jumps in to help with his usual blend of heroism, enthusiasm, and desire to impress his mentor, but soon ends up blasting through the cosmos in an alien vessel and garbed in his “Iron Spider” outfit. Although Stark is pissed that Spidey tagged along for the ride, he dubs him an Avenger (much to Peter’s immense pride) and prepares his make-shift allies for the coming battle. While Dr. Strange is right that Stark is bolstered by his overinflated ego and sense of superiority, Stark’s reasoning for wanting to confront Thanos is fully understandable considering that he’s been taking the direct (if reckless) approach ever since he escaped from that cave. Traumatised by his brief glimpse of the vast danger that awaits in the universe, Stark wishes to protect the world in a suit of armour and has constantly been working to find ways to prepare the planet for greater threats. His methods, however, have been highly questionable; not only did they lead to the creation of Ultron (James Spader), but his willingness to sign the Sokovia Accords directly led to the disassembling of the Avengers right when they’re needed the most, and yet he’s determined to power through and to prove he was right by ending Thanos’s threat before it can begin.

*Cap and Natasha turn to Wakanda for help, but Wanda’s forced to make the ultimate sacrifice.*

Since the Avengers are splintered, Steve Rogers/Captain America (Evans) has been on the run; having grown out a delicious beard and donning a modified version of his famous suit, one that casts him more as a nomad than a representative of the United States or Earth’s Mightiest Heroes, Steve and Natasha Romanoff/Black Widow (Johansson) have been forced off the grid to avoid being arrested by Senator Thaddeus “Thunderbolt” Ross (William Hurt) for opposing the Accords. His main concern at the start of the film is locating Wanda Maximoff (Olsen) and the Vision (Bettany), who took off for some alone time and ended up being viciously attacked by Proxima Midnight (Carrie Coon) and Corvus Glaive (Michael James Shaw) of the Black Order; since the Vision has the Mind Stone imbedded in his forehead, he receives the brunt of the attack and is left in critical condition, leaving Steve no choice but to take him to Wakanda so that Shuri (Letitia Wright) can help separate him from the stone. There, they’re reunited with T’Challa/Black Panther (Boseman) and James Buchanan “Bucky” Barnes/The Winter Soldier (Sebastian Stan), who offer them safe refuge and some much-needed allies for the coming battle. Thanks to Wakanda’s advanced technology, the heroes are effectively shielded from Thanos’s army, but his alien monstrosities are relentless and think nothing of tearing through the energy shield even as it shreds them to pieces, forcing Cap to lead a battle into war once more. Despite being on bad terms with Stark, Cap’s dedication to his friends and the safety of the world remains his top priority; he’s largely clueless to the magnitude of the greater threat at hand, and yet doesn’t hesitate to oppose Thanos when he comes to claim the remaining Infinity Stones, literally throwing himself in front of his friends to try and buy them time. Sadly, it’s Wanda who suffers the most; despite Shuri’s best efforts, the heroes run out of time and Wanda’s forced to use her unmatched powers, born from the Reality Stone, to destroy her lover to keep the Mind Stone out of Thanos’s hands…only for the Mad Titan to turn back time, wrench it from the Vision’s head, and force Wanda to see her beloved rendered inert before her eyes.

*Rocket and Groot aid Thor in creating a new weapon, while Gamora is captured by her mad foster father.*

Thanos is able to accomplish this goal despite the best efforts of the MCU’s greatest heroes thanks to an ill-timed emotional outburst from Peter Quill/Star-Lord (Pratt). Touring the galaxy alongside his friends and fellow Guardians, Gamora, Drax the Destroyer (Dave Bautista), Rocket Raccoon (Bradley Cooper), Groot (Vin Diesel), and Mantis (Pom Klementieff), Quill’s masculinity is tested when the group stumble upon the beaten body of Thor Odinson (Hemsworth) out in the endless void. Already traumatised after the death of his father and the destruction of his home world, Thor buries his grief and anguish beneath a determination to re-arm himself with a Thanos-killing weapon courtesy of weaponsmith Eitri (Peter Dinklage) at Nidavellir, a titanic forge orbiting a dying star. After furnishing him with an artificial eye, Rocket tries to console Thor, whose losses have been absolutely devastating, but, though the God of Thunder brushes off any concerns for his welfare with his usual bravado and is determined to kill Thanos as recompense for his actions, it’s clear that Thor is wracked by denial and despair at the loss of his brother and people. He finds new allies with the Guardians, despite Peter feeling threatened by him, and Rocket and Groot help him to reignite Nidavellir’s forge to craft his new weapon, Stormbreaker, a mighty axe capable of summoning the Bifrost and unbound by Odin’s enchantment. Meanwhile, Gamora, shaken by how close her adopted father is to completing his life’s goal, begs Peter to kill her if it comes to it to keep the Soul Stone out of Thanos’s hands. Although he’s reluctant, he actually shows a willingness to go through with this, only to be thwarted when Thanos manipulates reality in his favour. Gamora’s repeated attempts to kill herself and defy Thanos are similarly deflected by the Mad Titan, who forces her to divulge her knowledge to spare her sister, Nebula (Karen Gillan), from a macabre torture. This sees Gamora accompany Thanos to Vormir, where the ethereal presence of “The Stonekeeper” (Johann Schmidt/The Red Skull (Ross Marquand) making a much-welcome return to the MCU) details that the stone can only be claimed if one sacrifices someone they love. While Gamora is initially amused by this, believing Thanos is too twisted to ever love anything, she (and audiences everywhere) is soon aghast to find that Thanos truly did love his adopted daughter, and thus he casts her to her death on the rocks below to get one step closer to achieving his goal. The knowledge of her lover’s death drives Peter into a rage, ruining the carefully laid out plan he and the others concocted to subdue Thanos with a multi-stage attack and Mantis’s sleep-inducing abilities. However, while many may rage at Peter for being so stupid and costing them their best chance at removing Thanos from the source of his power, his outburst is fully understandable given how deeply he cared for Gamora, and ultimately plays into his overall characterisation as a flawed human being rather than some infallible hero.

The Nitty-Gritty:
Since Avengers: Infinity War features so many characters, you might think that some are more developed than others, but that’s not really the case here. Thanks to the core cast featuring in their own movies and team ups prior to this, Infinity War easily jumps right into the central conflict without having to worry too much about establishing origins or motivations. While this is great for long-time followers of the MCU, newcomers might be a bit bewildered but if this was your first MCU film then that’s really on you more than anything else. While not every character gets a significant sub-plot or side mission, they still find some way to make an impression, even it’s something as simple as being funny or having an action scene. Despite having his own vendetta against Thanos, Drax is basically a non-factor in the entire proceedings; his one attempt to kill the murderer of his family leaves him crippled by the power of the Reality Stone, but he makes up for this with some hilarious moments such as his attempts to be “invisible” and his ridiculous “Why is Gamora?!” line. As ever with an MCU production, it’s the little things that make the most impression; things like Spider-Man not being able to remember everyone’s names, Star-Lord flipping Thanos the bird, and Eitri and Thor’s “Only if I die” exchange are great moments of levity and characterisation, especially in a film where the stakes are so high. The Russos do a fantastic job of recreating the look and feel of each separate character and franchise so it all feels seamless. While some seemed confused as to why Thor needed to create a new weapon after harnessing his lightening powers in Thor: Ragnarok (Waititi, 2017), the point is to have something tangible to focus his energies through, to craft a weapon specifically to negate the Infinity Stones and kill Thanos, and to give Thor a goal to work towards so he can feel useful and not give in to his utter despair. On the flip side, it’s true that we never really get (or got) much time to invest in the Wanda/Vision romance; their connection is undoubtable and a pivotal part of the film, but we very much pick up with them trying to figure it out rather than discovering it.

*While there’s not much Hulk action and the Black Order are a bit random, we do learn a lot about Thanos.*

Similarly, there’s a sub-plot regarding the Hulk’s refusal to emerge after his thrashing at Thanos’s hands; while this is amusingly played as an allegory for sexual performance, it’s never actually stated why Hulk won’t come out. It’s assumed that he’s scared and humbled, but we’re told (outside of the movies, so it doesn’t really count) that the Hulk was just sick of fighting Banner’s battles. Personally, I do feel the excised scenes of the Hulk bursting from the Hulkbuster armour would’ve only added to the action-packed finale (and I would’ve loved if he’d been the Grey Hulk as well), so Hulk fans might be a little disappointed by how small a role the Jade Giant plays in the proceedings. Additionally, we really don’t learn anything about the Black Order except their absolutely loyal to Thanos and pretty sadistic villains in their own right; introduced and offed over the course of this film, the foursome is really only here to act as Thanos’s proxies, and I still think it would’ve been cool if guys like Ronan the Accuser (Lee Pace) and even Loki had filled these roles. Still, it’s honestly nothing short of a miracle that Infinity War manages to juggle all its characters and interweaving plot lines so well; I’ve seen team-based movies that have struggled with less than half the amount of content of this film, though it helps that the MCU has a competent plan, enthusiastic directors and actors, and so many films behind it to lay all the foundations. Some characters are notable in their absence, like Clint Barton/Hawkeye (Jeremy Renner) and Scott Lang/Ant-Man (Paul Rudd), but these characters got their due in the follow-up so it all works out. Infinity War had easily the highest stakes of any MCU film at the time, with the fate of literally half the universe in the balance, and the whole film is framed as a frantic chase to prepare for, and stop, Thanos from reaching his goal. Fittingly, we do learn quite a bit about Thanos; easily the most complex and layered villain in the entire MCU at that point, Thanos believes himself the hero of the story. He longs to save billions of lives and to balance the universe through the culling of millions and is more than willing to kill anyone who stands in the way of that goal, but also shows respect, compassion, and genuine affection for both his foes and his adopted family. Through Thanos, we also learn a bit more about Gamora and Nebula’s chaotic and violent upbringing, and the film definitely goes out of its way to present Thanos as both a maniacal despot bent on genocide and a reasonable, well-meaning individual who actually has some solid arguments…even if he goes about enacting his plot in the most diabolical way imaginable.

*The film’s visual style is absolutely top notch and bolstered by loads of fun, unique action and interactions.*

The scope of Avengers: Infinity War is simply off the charts. The narrative is constantly jumping between the outer reaches of space and here on Earth, and characters travel to several different, visually interesting worlds and locations during the course of the film. Many of these are established places in the MCU, like Wakanda and Knowhere, but even these locations are given a new perspective thanks to Thanos’s influence; the sight of his monstrosities tearing across the Wakandan plains makes for one hell of an epic shot and fight sequence with a grander scale than anything we’d seen in the MCU up to that point. Indeed, the CGI and visual effects are fantastic all throughout Infinity War, with Thanos being the obvious standout. A fully realised, flesh and blood character, his creation is so intricate that you’d barely even realise he was a computer creation so detailed are his physical quirks and emotive qualities. While the CGI on Iron Man’s nanosuit is a little spotty, and Spider-Man’s mask vanishes a little too smoothly for me, all the visual effects are undeniably top-notch on both characters, and it’s frankly astounding that everything looks and feels like it’s actually real despite how much of it is all digitally created. Thanks to the Reality Stone, Thanos is free to bend reality and physics to his will, reducing Drax and Mantis to cubes and ribbons with a thought, leaving Taneleer Tivan/The Collector’s (Benicio del Toro) museum a flaming shambles, and even projecting a lush, verdant recreation of Titan to parallel the desolate wasteland it has become since his people ignored his warnings. This sets the stage for the climatic battle between Thanos and Iron Man’s makeshift team, in which Dr. Strange puzzles the Mad Titan with his incantations and the maniacal despot implodes a moon and curls its fragments at his foes! There’s so much happening in each of these battles that you can spot new things every time you watch the film, and every character gets a little something to do, whether it’s Spidey frantically webbing up his new friends as they’re tossed about, Bucky spinning Rocket around so they can blast at Thanos’s creatures, or Colonel James “Rhodey” Rhodes/War Machine (Don Cheadle) carpet bombing the invading army around the Wakandan perimeter.

*In a shocking twist, Thanos succeeds in his goal and snaps away half of all life in the universe!*

Obviously, the thing that separates Infinity War from the rest of the MCU (and most comic book movies) is the fact that the villain actually wins in the end. Stark and the others were able to keep him off balance long enough to largely avoid him using the Infinity Gauntlet, but Star-Lord’s outburst costs them the chance to get the gauntlet off him and results in the team being soundly defeated. Skewered and left gravely wounded, Iron Man is unable to keep Dr. Strange from bargaining for their lives with the Time Stone; while it seems as though this goes against his earlier declaration to sacrifice them in favour of the stone, it’s actually all part of a larger endgame as Dr. Strange had looked into the future and found only one outcome where the heroes were victorious out of billions of possible scenarios, and that outcome was predicated on Thanos being victorious. Thus, armed with the collective powers of Reality, Time, Power, Space, and Soul, Thanos is easily able to teleport to Wakanda, swat aside Cap’s fledgling opposition, and tear the final Infinity Stone from the Vision’s head. Thankfully, Thor is on hand to enact his revenge, driving Stormbreaker right into Thanos’s chest and seemingly saving the day but, sadly, he didn’t go for the head and, just like in the comics, Thanos snaps his fingers and the worst possible scenario plays out before our eyes. All noise, whether ambient or otherwise, is sucked from the film and we’re forced to watch as these iconic characters literally turn to dust before our very eyes! Bucky, Groot (hell, all of the Guardians except Rocket and Nebula!), Sam Wilson/The Falcon (Anthony Mackie), and even Black Panther disintegrate into nothingness but easily the most harrowing loss is that of the young Spider-Man. Clinging to his existence with a tenacious desperation, he fades away in the arms of his stunned mentor, and Stark is left hurt and injured with the weight of his monumental failure. Similarly, those left alive are barely able to comprehend the scope of what has happened and end the film in a dazed confusion, the realisation that they have lost (and lost badly) just sinking in. Even now, many years removed, this remains a haunting and deeply impactful ending; never before had the MCU witnessed such instant and total failure and the shock of seeing some of its most iconic characters simply sniffed out with but a thought remains a disturbing visual to end on. As for our “hero”, Thanos makes good on his promise to retire following his victory, happy in the knowledge that the universe will be better off with half its population dead, and unaware that a small glimmer of hope for those left has been signalled to assist.

The Summary:
As someone who had waited his entire life to see a group superheroes finally come together in one movie, to share an interconnected universe just like in the comics, and to interact with each other in unique and fun ways, I was super excited for Avengers Assemble. I remember watching the MCU unfold back in the day and still not quite being able to believe that this was actually happening, and then being blown away when it actually did and the MCU exploded into a massive success. Now, take all that and multiply it by a hundred and you have Avengers: Infinity War! Not once would I have ever guessed that we’d see Thanos, or an adaptation of The Infinity Gauntlet, make it to cinema screens. Hell, I was surprised the Avengers came together to fight Loki and the Chitauri rather than a gaggle of their solo villains, and the idea of this tyrannical dictator carving a path of destruction throughout the universe (not just Earth), besting the MCU’s strongest characters and even succeeding in his diabolical goal was just unprecedented. And even if I could have guessed that we’d see that, I never would have imagined that such a villain would be presented as a complex and, yes, relatable character. Even setting aside the MCU’s “villain problem”, it really wasn’t the normal thing to frame a superhero film’s bad guy as the lead character, one with lofty dreams and understandable motivations, especially one created entirely out of CGI! The idea was laughable, but damn…Marvel Studios did it; and not only did they do it, but they absolutely smashed it! Avengers: Infinity War was a near-perfect culmination of the MCU’s long ten-year journey. All those solo films, team ups, the risks taken on obscure characters all paid off in the biggest superhero crossover ever conceived at the time. An astonishing blend of action, humour, heart, and visual effects flawlessly captured the look, feel, atmosphere, and characterisations of these different franchises and they all felt perfectly at home co-existing in this vast fictional universe. I say “near-perfect” only because Angers: Infinity War isn’t one movie; it’s two. I don’t say this as a detriment, though; what I mean is, Infinity War is bumped up to perfection when viewed alongside Avengers: Endgame, which completes the story in a way that fundamentally changed the landscape of the MCU going forward. It all started here, though, with the Avengers’ greatest failure, an ending that never fails to leave an impression in its raw morbidity that just leaves you salivating to throw in the next film and see this tragedy undone through the noblest of sacrifices. And yet, Avengers: Infinity War still works incredibly well when viewed by itself; it’s packed with spectacle and more superhero action than you could ever imagine and is a fitting love letter not just to fans of these movies, but lifelong comic book fans such as myself who dreamt of the day when the sprawling, interconnected tales we grew up with would make it to the big screen.

My Rating:

Fantastic

What did you think to Avengers: Infinity War? Were you impressed by the scope and spectacle of the film or were there a few too many characters for your liking? Were you disappointed that the Hulk didn’t play a larger role in the film and which characters were missing from the film for you? What did you think to Thanos, his revised motivations, and his depiction in the film? Were you annoyed that Star-Lord cost the heroes their best chance at stopping Thanos? How did the ending affect you at the time, and how do you think it holds up today in hindsight? What did you think to it as an adaptation of The Infinity Gauntlet? How are you celebrating the debut of the Avengers today and what are some of your favourite Avengers storylines, characters, or adaptations? Feel free to share your thoughts and opinions on the Avengers in the comments below.

My Rating:

Pretty Good

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My Rating:

Fantastic

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My Rating:

Fantastic

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My Rating:

Fantastic

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