Back Issues [A-Day]: Civil War #1-7


In September 1963 the legendary Stan Lee and Jack Kirby assembled Earth’s mightiest heroes, the Avengers, who formed the backbone of the Marvel Cinematic Universe and become an unbelievably popular franchise.


Story Title: “Civil War” (Part 1 to 7)
Published: 3 May 2006 (cover-dated: July 2006) to 21 February 2007 (cover dated: January 2007)

Writer: Mark Millar
Artist: Steve McNiven

Quick Facts:
Although formed as an answer to the Justice League of America and depicted as Earth’s mightiest heroes, the Avengers faced their greatest test in 2004/2005 when the team infamously disassembled following some devastating losses. This laid the foundation for the “Civil War” event, a sprawling, widely criticised story that pit heroes against each other over disagreements about governmental registration. The event had long-lasting consequences and directly inspired cartoons, films, and videogames despite being a contentious story.

The Review:
One of Marvel’s most controversial events begins in Stamford, Connecticut where celebrity superheroes the New Warriors (Dwayne Taylor/Night Thrasher, Namorita Prentiss, Robbie Baldwin/Speedball, and Zachary Smith, Jr./ Microbe) prepare to storm a house where supervillains Joss Shappe/Speedfreek, Kateri Deseronto/Coldheart, Ralph Roberts/Cobalt Man, and Robert Hunter/Nitro have taken shelter after escaping from Ryker’s Island Penitentiary. Although Microbo is unsure of their chances, Speedball confidently rallies the team to boost their ratings and reputation. Any plans go awry when the New Warriors are spotted, forcing them to charge in blindly, surprisingly holding their own against most of the villains despite the youngsters being seen as second-rate. However, when Namorita tackles Nitro, he maliciously detonates, apparently killing the New Warriors, a bus load of children, and an estimated 800 or 900 others in the immediate area (which is also decimated) live on camera. Captain Steve Rogers/Captain America, Anthony “Tony” Stark/Iron Man, and the X-Men (begrudgingly supervised by the gigantic Sentinels) arrive to help with the rescue effort, with Iron Man chastising the New Warriors for being so reckless and Doctor William “Bill” Foster/Goliath morbidly predicting that the event will be the final straw that turns the public against superhumans. While the subject is debated on television, Stark is personally blamed by a grieving mother as he bankrolls the Avengers and thus puts kids in danger by encouraging them to act outside the law. Very quickly, the media debates whether superhumans should be registered to hold them accountable for their actions, and resentment grows for even celebrated superheroes like Johnny Storm/The Human Torch, who’s brutally attacked outside a nightclub.

Following a tragedy, Marvel’s heroes disagree about the issue of superhuman registration.

The Avengers, New Avengers, X-Men, and the Fantastic Four gather at the Baxter Building to discuss the issue, which basically amounts to forcing super-powered individuals to register their identity and powers with the government or be arrested. While Luke Cage/Power Man sees it as an attempt to shut them down and Eli Bradley/Patriot suggests they go on strike, Iron Man is all for them being better trained and equipped and held accountable for their actions. Sam Wilson/The Falcon is aghast at the idea of giving up their costumes to become “super-cops”, while Doctor Hank Pym/Yellowjacket agrees with the proposal, reasoning that their masks have caused the public to lose faith in them. While James “Logan” Howlett/Wolverine detests the idea and Peter Parker/Spider-Man suggests some would rather quit than give up their anonymity, Susan Storm/The Invisible Woman counters that being public superheroes isn’t that bad, and Danny Rand/Daredevil believes that, either way, things are changing for them. Aboard a Helicarrier, acting head of the Strategic Hazard Intervention Espionage Logistics Directorate (S.H.I.E.L.D.) Maria Hill asks Cap for his opinion and he begrudgingly states he thinks it’ll divide the superhero community, especially the street-level heroes, and lead to civil war. When Maria demands that Cap set an example and arrest his fellow heroes if they step out of line, he vehemently refuses, believing superheroes should be above regular politics. Tired of masked vigilantes running amok, Maria orders her specially trained anti-superhuman response unit to subdue Cap, who easily fights them off and escapes, becoming a fugitive in the process. Doctor Stephen Strange’s concerns are only aggravated when Uatu the Watcher silently appears and Iron Man, Doctor Reed Richards/Mister Fantastic, and Yellowjacket side with the government and push for the Superhuman Registration Act (SRA). Despite being on the run, Cap continues to round up supervillains and recruits others to his cause, while Iron Man and his cohorts officially defend against supervillain attacks, rebuilding public confidence and vowing to bring Cap in (ostensibly to talk him around), and Mr. Fantastic shuns his wife’s concerns to eagerly construct an elaborate prison for any who refuse the SRA, regardless of who they are.

Both sides build teams for their causes, leading to some dramatic moments and fights between them.

When the SRA becomes law, unregistered heroes like Patriot and the other Young Avengers are aggressively hounded by S.H.I.E.L.D., who ironically cause a great deal of property damage non-lethally apprehending them. Undercover as a S.H.I.E.L.D. agent, Cap rescues the Young Avengers and brings them to Resistance headquarters, where they plan to hide while Nick Fury sets up new secret identities for them. They’re as stunned as thousands of others when Stark has Spider-Man publicly reveal his identity in support of the SRA, though this isn’t enough to convince T’Challa/The Black Panther to buy into Reed’s pitch for a fifty state super police force. Dr. Strange similarly refuses to be a part of it by proxy and Emma Frost/The White Queen firmly declines to have the X-Men get involved as Mutants have faced persecution their whole lives and been shunned when they face similar issues. Hidden behind their bizarre new identities, Cap and his “Secret Avengers” lament all the good they’re now denied from doing (like answering “Make a Wish” requests) because of the SRA yet assist with a petrochemical fire, only for it to be an elaborate trap. Iron Man and his supporters subdue Billy Kaplan/Wiccan and Tyrone Johnson/Cloak to keep Cap from escaping and offer Cap amnesty again. Although Spidey insists that registration is the best way to fight the real bad guys, Cap dismisses him for endangering his loved ones and tricks Iron Man into thinking he’s willing to hear him out, short-circuiting his armour and starting a scuffle. Spidey’s fancy Iron Spider suit buys Stark enough time to reboot and out-fight Cap by analysing his attack patterns. When Hercules Panhellenios rushes in to help, the fight’s interrupted by what appears to be Thor Odinson, returned from the dead, who physically decimates the Secret Avengers just as Iron Man blasts them with a debilitating audio burst.

Goliath’s death sees Spidey rebel against Stark, who’s actively hunting his allies.

Hercules disables the device, allowing the Falcon to fly the beaten, bloody Cap to safety, though everyone’s aghast when Thor suddenly kills Goliath with a lightning blast! Protected by the Invisible Woman, the survivors flee via Cloak’s teleporting cape and Iron Man’s supporters are left horrified that his Thor clone would be so reckless, with Spider-Man and Yellowjacket questioning their decisions while the injured Cap refuses to abandon his principles even as some of his supporters leave in the fallout. Though remorseful, Stark and Reed also stick to their guns, even after Sue leaves her husband to join the Secret Avengers with Johnny. As more of their people are defecting or disappearing by the day, Stark and Reed coerce supervillain team the Thunderbolts (including Lester/Bullseye, MacDonald “Mac” Gargan/Venom, and Tony Masters/Taskmaster) into temporarily bolstering their forces. S.H.I.E.L.D.’s increased street presence curtails crime rates, but they struggle to apprehend the wayward heroes, even with guys like Kyle Richmond/Nighthawk joining the cause (and receiving full pardons and a wage). However, when he learns of Stark’s high-tech prison in the Negative Zone, Spidey finally snaps and turns on Iron Man, disagreeing with his morals, lashing out when Stark chastises him, and forcing Maria (against Stark’s orders) to send the Thunderbolts after him. Attacked by Jody Putt/Jester and Steven Levins/Jack O’Lantern in the sewers, the battered Spidey is saved by Frank Castle/The Punisher, who executes his attackers and brings the grievously wounded Peter to the Secret Avengers. Despite all the good the SRA is doing, even Reed questions the process, especially after Daredevil is arrested, though Stark remains adamant that they’re doing the right thing and even offers Daredevil a team of his own if he registers, which does little to improve the vigilante’s opinion of him. While Pym and Maria train pro-SRA agents in Arizona, vetoing potential team members for each state and assigning codenames to others, Reed reprograms “Thor” and Iron Man celebrates the positive impact the SRA has had on crime, all unaware that the Punisher is covertly infiltrating the Baxter Building.

Cap reluctantly surrenders, outlawing many heroes and changing Marvel for many years.

Inside, the Punisher relays details of the Negative Zone prison to Cap. With Spider-Man recovered and back on side, Cap uses the Punisher’s intel to discuss plans to storm the Negative Zone prison. However, Cap brutally beats the Punisher when he guns down David Kivlin/The Plunderer and Matthew Gilden/Goldbug, villains who sought refuge with the Secret Avengers, expelling him from the team in disgust. After Stark pacifies the public by memorialising the Stanford victims, the Secret Avengers (aided by the Black Panther) break into the Negative Zone prison, where they’re immediately confronted by Iron Man and his supporters thanks to a tipoff from Grer Nelson/Tigra. However, Cap anticipated this and had shapeshifter Teddy Altman/Hulkling impersonate Yellowjacket, allowing them to free the prisoners and igniting a brawl. Despite the Black Panther’s best efforts, Maria has S.H.I.E.L.D. shut down the Negative Zone portals, forcing Cloak to teleport everyone to the skies above New York City. Iron Man immediately orders an evacuation but continues the fight, which sees Spidey take it to Mr. Fantastic, the Thunderbolts gang up on Cap, and Namor bring the Atlanteans to tip the balance for the Secret Avengers. Iron Man calls in “Thor” and their new recruits to even the odds, but Hercules avenges his friend by destroying the Thor cyborg and Taskmaster gets crushed when he guns down Reed in front of Sue. His armour compromised by the Vision, Iron Man is easily overpowered by Cap, who’s jumped by civilians and emergency workers. Realising the damage they’ve caused with their petty squabble, a repentant Cap dramatically stands down, orders his troops to stop fighting, and surrenders to the authorities. In the aftermath, the 50 State Initiative places government-controlled superhero teams in every state (to unanimous public approval). Stark is promoted to S.H.I.E.L.D. Director and Sue reluctantly returns to a remorseful Reed, while Cap is locked up and the Secret Avengers go deeper underground, with the Punisher retrieving his mask and Spider-Man returning to his black costume…

Final Thoughts: 
This was my first time reading Civil War, an event I followed through websites and such at the time but had little interest in even after the blockbuster quasi-adaptation came out as I disliked the entire concept. Not the idea of superheroes fighting against each other; I don’t mind that. I disliked seeing the Marvel heroes so easily and aggressively divided by the core issue and how out of character everyone acted throughout it. It doesn’t help that the art isn’t that great either, with Spider-Man looking especially odd, or that these seven issues were accompanied by numerous tie-ins that filled in some gaps. For example, Spidey’s change of heart is largely glossed over here and is presumably fleshed out in a tie-in comic. Similarly, the Thunderbolts don’t get much to do and the New Warriors are all presumed dead here, and you’d never know that blind Matt Murdock wasn’t Daredevil or exactly what happens in the Negative Zone or with the X-Men if you just stick to the main story. Yet, paradoxically, that’s exactly what I’d suggest you do as Civil War isn’t exactly Marvel’s finest hour and I can’t imagine any of the supplementary materials helps with that. The whole event is based on shock value, from the New Warriors’ recklessness killing nearly 1000 people to Peter dramatically unmasking to seeing superheroes hunted and arrested, to seeing the Avengers turn on each other. It’s all framed as being a shocking event but so much of it just falls flat because of the aforementioned poor characterisations of many of the key players.

The poor characterisations really ruin this already questionable event for me.

Spider-Man is a great example. Initially, as expected, he’s against the SRA because exposing his identity would compromise his loved ones. The very idea of outing himself flies in the face of his “power/responsibility” manta, and yet Stark convinces Peter to do it! I believe it’s explained in a tie-in issue that Peter was convinced by assurances that his family would be protected, he would be looked after, and by the conviction of his mentor, but none of that makes it any better. Spidey should’ve been a non-factor in the story, taking neither side like the X-Men and doing his own thing, but that doesn’t shock as much as seeing him unmask on live television, does it? This is the story that introduced me to Maria Hill and I’ve hated her ever since. She’s a condescending, arrogant bitch who clearly hates superheroes and vigilantes and resents playing second fiddle to them. While she and S.H.I.E.L.D. justify their actions as being the best, most sensible option, they completely disregard all the good these heroes have done and dispassionately lock them up, only to happily work with murderers and psychopaths like the Thunderbolts! Iron Man is the absolute worst example of character assassination here, being a despicable, unlikable, selfish asshole that soured his character for years. I do understand his motivations and, in his own way, he is right: superheroes should be held accountable for their actions. But the way he goes about it is all wrong. He turns against his friends and peers, happily hunting them down and locking them up, talking down to them with his pleas for amnesty and holier-than-thou attitude. Him and Reed are at their most self-absorbed and egotistical here, shunning family and friends just to appease the public and completely destroying their legacies.

Civil War ends up being a messy, unappealing drama full of stubborn fools and bad decisions.

To be fair, while I’m Team Cap all the way, it’s not like Cap is much better. Like Stark, he’s a stubborn, prideful man who quickly loses sight of the big issue and focuses more on building his numbers and besting Team Stark over anything else. It’s funny because I always imagined Steve would be pro-registration and Stark would be against it, but it’s more impactful seeing Cap reject boneheaded governmental mandates. Cap is right that superpowered individuals shouldn’t be forced to reveal their identities and he immediately looks better because he’s not locking people up, working with supervillains, or acting like a complete dickhead like Stark, but he lets his principles blind him. If Cap had parlayed with Iron Man, attempted a compromise, things might’ve deescalated faster. Instead, his first reaction is to lash out and form an army to fight against the SRA rather than attempting to appeal to reason, escalating the conflict into a massive brawl that causes further damage. Civil War seems to be another attempt by Marvel to deconstruct their heroes and the status quo, which is always divisive as it goes against everything you expect from these characters. The fallout, especially, had huge ramifications for the likes of Cap and Spidey, so say nothing of the 50 State Initiative and the eventually evolution of the Thunderbolts. I appreciate the effort to try something different, but everything feels very rushed and poorly executed. I kept wondering if certain characters (Stark, especially) had been replaced by Skrulls or something but, while this was true for some, it wasn’t for others, meaning Marvel had to scramble to find ways to walk back all the stupid decisions made here. I’d say Civil War is a pivotal story in Marvel’s long history, but I’m glad that it’s long been resolved and much of its events were undone as I’ve ever enjoyed it.

My Rating:

Rating: 3 out of 5.

Pretty Good

Did you enjoy Civil War? Were you on Team Cap or Team Stark? Were you shocked when Peter unmasked and Goliath was killed? Did you ever read all the tie-in comics? Who do you think acted the most out of character here? What are some of your favourite Avengers stories or moments and how are you celebrating their debut? Let me know your thoughts on Civil War and the Avengers below, and support me on Ko-Fi for more Avengers content.

Back Issues [Deadpool Day]: Cable & Deadpool #1-6


February 1991 marked the debut of Wade W. Wilson, the wise-cracking, fourth-wall-breaking Merc With a Mouth, one of Marvel’s most popular anti-heroes. Sideshow even rechristened April 1st as “Deadpool Day” to give fans an excuse to celebrate all things Deadpool.


Story Title: “If Looks Could Kill” (Part 1 to 6)

Published: 19 May 2004 (cover-dated: July 2004)
Writer: Fabian Nicieza
Artist: Mark Brooks

Published: 21 April 2004 (cover-dated: June 2004)
Writer: Fabian Nicieza
Artist: Mark Brooks

Published: 19 May 2004 (cover-dated: July 2004)
Writer: Fabian Nicieza
Artist: Patrick Zircher

Published: 16 June 2004 (cover-dated: August 2004)
Writer: Fabian Nicieza
Artist: Patrick Zircher

Published: 21 July 2004 (cover-dated: September 2004)
Writer: Fabian Nicieza
Artist: Patrick Zircher

Published: 18 August 2004 (cover-dated: October 2004)
Writer: Fabian Nicieza
Artist: Patrick Zircher

Quick Facts:
As instructed by then-chief editor Jim Shooter, Chris Claremont and Bob McLeod create the New Mutants, Mutant youngsters tutored by time travelling Mutant Nathan Summers/Cable as (eventually) X-Force. This also saw the debut of Fabian Nicieza and Rob Liefeld’s Deadpool, a composite of James “Logan” Howlett/Wolverine, Peter Parker/Spider-Man, and (most infamously) DC Comics’ Slade Wilson/Deathstroke the Terminator. Years after establishing himself, Deadpool famously partnered with his frenemy, Cable, in team-ups that would define them as one of Marvel’s most entertaining and chaotic duos.

The Review:
Our story begins with Wade lounging around his apartment, aimlessly flicking through channels until called about a job. Although Wade’s initially reluctant as his client, the One World Church, is based in France as he mistakenly believes the United States is at war with France, he soon dons some synthetic skin and jets over there with the promise of a big payday. He’s met by the less-than-inconspicuous robed representatives of the church, who accept Wade’s gruesome, scarified visage as they’ve been “cleansed” of their identities and rendered androgynous, blue-skinned monks by their order. Though Wade warns them about preaching to him, he meets with their Prime Minister, Anton Kruch, at their colony and, though dubious, learns that the order has purged themselves of all material goods and societal boundaries. Inside the church’s high-tech mansion, Deadpool learns that Sunic Pharmacopoeia created a synthetic virus that could destroy or greatly benefit mankind, and that his mission is to retrieve the “Façade Virus” from their German facility. The toxin was created by Hans Beimer, a scientist currently being mind scanned by Cable. After advising a Mutant bellboy to reach out to Professor Charles Xavier/Professor X, Cable asks Irene Merryweather at the Daily Bugle to fill him in on Sunic, whom he suspects are up to no good. However, he finds the facility in chaos as Deadpool is cutting, shooting, and blasting through the security. Disturbed to find his old nemesis ransacking the place, Cable takes Wade’s advice and “[blows his] mind” with his telekinetic powers but is concerned to find the Façade Virus has been stolen and Beimer has been exposed to it, rendering him a blubbering mess of tumours, and realising too late that the fear he detected in three of the staff was actually guilt from the thieves. These “Spammers” experience different side effects from the virus, with Gunther Herschein/Sour Kraut being violently sick, Asahiri Aoki/Go-Go finding her skin extremely malleable, and Tuatola T’Tuana Timōn/T-5 seemingly unaffected.

Cable and Deadpool clash when it comes to a potentially dangerous man-made virus.

When his telepathic, city-wave search for the three proves futile, Cable calls Irene to learn their real names before running into Deadpool again. As Wade’s been contracted to steal the virus and hopefully help disfigured people like himself and Cable’s made it his mission to destroy it, the two seem destined for a conflict, only for Cable to blow Deadpool’s brains out again. By the time Cable reaches Sour Kraut, he’s literally melting from the virus after using it to masquerade as a movie star in a misguided attempt to cause anarchy. Despite his dismissive attitude towards Sour Kraut, Cable permits him a swift death and then confronts T-5 as he’s gunning down civilians and shouting about government hypocrisy. Chastising T-5’s hypocrisy, Cable easily brings him down and then evaporates Go-Go’s bazooka before extracting the virus from her as she did the others. The effort leaves Cable physically and mentally drained, allowing Deadpool to get the drop on him and bring the sample back to the church so its disciples can forgo the agony associated with their physical transformation. However, the church betrays him and harvests his unique accelerated healing factor to stabilise the virus, allowing them to quickly and efficiently transform everyone into their followers with a simple injection. Luckily, Cable’s ridiculously overpowered telekinetic abilities kept him from being killed and he takes some time to heal from the mental strain in Switzerland with a fully healed Professor X. Since Cable has purged his body of the “techno-organic virus” that held back his powers, Professor X worries that he’s overexerting himself, especially as he’s easily able to hold the returning virus at bay and push himself beyond his previous limits. Brushing these concerns aide, Cable asks for advice about how to best utilise his incredible powers while he still has control and Professor X warns him against employing them in a God-like manner to “fix” society’s ills.

Deadpool seemingly becomes transformed into the church’s loyal acolyte.

While infiltrating the church, Cable reluctantly apologies for the position the delirious and helpless Deadpool has found himself in and the two bury the hatchet through a psychic rapport, though Cable postpones rescuing him to scope out Kruch’s operation while functionally invisible. Kruch preaches of eliminating strife and bigotry by remaking everyone in their image and presents a fully transformed and brainwashed Deadpool to his congregation, who immediately exposes Cable, though Kruch insists that the church is no threat. Cable is amazed to see that Deadpool’s been cured of his mania and anger, though he’s sceptical about Kruch’s vision of world peace. Invited to witness the first test of the “Deliverance”, Cable and Deadpool witness Kruch’s plan to “infect” the world using electrical transmissions beamed into the eyes, afflicting Cable with the Façade Virus. When Cable decides to use it for himself, he unwittingly allows the virus to run rampant within him, sending his Mutant and technological abilities haywire and leaving him wide open for Deadpool’s sudden attack. After fending Wade off, Cable threatens Kruch was castration if he doesn’t tell him how to stop the virus. When Deadpool redoubles his attack, he ends up tossed into his dorm room, his healing factor struggling with the virus as he struggles with his sanity, slipping back into his costume to attack Cable. Stunned to learn that there is no cure for the Façade Virus, Cable’s easily overwhelmed by Deadpool since the infection is causing his techno-organic virus to spread like wildfire. Conveniently, Cable crash-lands into the church’s armoury, allowing him to blast his way into the facility, only for Deadpool to attack again, convinced that Cable’s become the very thing he claimed to fight against.

Tensions between Cable and Deadpool remain high after Cable takes Kruch’s plan for his own.

Upon seeing Cable transformed into a bizarre, tentacled grotesque as the combined Façade and the techno-organic virus partially melts and ruins his body and his cyborg parts, Deadpool briefly takes pity on him but refuses to use his blood to cure Cable. Although Deadpool believes that Kruch can eliminate xenophobia, which justifies taking away people’s opinions, he’s stopped in his tracks when his body also begins to melt from the Façade Virus. Though he keeps talking nonsense even as he melts into a pile of goop, Deadpool cannot drag himself to Cable’s paralysed form to cure them both. Luckily, Cable uses his telekinetic powers to draw Deadpool’s liquified remains to him, restoring him and literally puking up the restored Deadpool. Pissed at being deceived by Kruch, Deadpool insists on accompanying Cable to Sunic’s Singapore office, where Merryweather tells him the church has fled, though Cable leaves the visibly cured Wade to find his own way there. Although Cable arrives first, he’s intercepted by Doctor Edward Lansky/Lightmaster, who attacks with blades at blinding speed and ends up teleported into the Moon’s orbit. While Cable agrees with Kruch’s philosophy for world peace and anticipated that he planned to spread the Façade Virus through Lightmaster, he redirects Dr. Lansky’s counterattack into the Singapore Deliverance Device, spreading a modified version of the virus across the world and turning them pink instead of blue. Cable then flies over the world reassembling his old space station and worrying Merryweather so much that she asks him to visit her in person. Knowing he’d use his teleporter, and that the incident has genetically bonded Cable with Deadpool, Merryweather leads Cable into a confrontation with Wade, one Cable easily ends by repeatedly tearing Deadpool apart with teleporters. Cable then restores everyone to normal and proclaims himself a saviour, unwittingly restoring Deadpool’s gruesome visage. Deadpool then vows to abuse their biological link to keep tabs on Cable and ensure he doesn’t let his God complex go to his head, a sentiment shared by the X-Men.

Final Thoughts: 
I was expecting a lot more from Cable and Deadpool’s first team-up. On the plus side, the art is pretty much flawless. While I prefer Cable as a man-mountain and it was jarring to see him so trim, lacking in ostentatious accessories, and relying on his awesome psychic powers, the art had a very kinetic and colourful style to it. The few fight and action scenes we get are frantic and detailed and I particularly enjoyed how expressive Mark Brooks and Patrick Zircher make Deadpool, despite his disappointing lack of time in his costume. This is Deadpool at his most self-referential and wacky, with him constantly chattering nonsense and making timely pop culture references to Dennis the Menace and Brigitte Nielsen. I liked that Deadpool is haunted by his ghastly appearance, which leaves him a cross between “Ryan Renolds [sic] and a shar-pei”, and that this seems to inform his defence of the One World Church. Sadly, this isn’t as developed as I’d like. Indeed, when Deadpool hears Kruch’s pitch, he’s sceptical and only in it for the money, then he’s suddenly fighting Cable to the death over the Façade Virus even before he’s pumped full of it and seemingly indoctrinated into the order. It seems Deadpool is only half-heartedly on Kruch’s side, with him finally achieving inner peace thanks to his restored visage (even if he is blue) and believing there’s a small chance the church can end conflict and bigotry. However, this isn’t as explicit as I would’ve liked. It seems Deadpool’s been brainwashed, then he seemingly denies that. Then, he makes amends with Cable a couple of times and then turns on him, suddenly convinced Cable wants to conquer the world by perverting the Façade Virus, which kind of comes out of nowhere, and Wade turns against Kruch when he suffers the horrendous side effects of the virus.

While the art is great, the plot and characterisations are distractingly haphazard.

This is much more of a Cable story, one centred on his conflicting morality regarding his incredible powers, which are stronger than ever. Having witnessed apocalyptic futures and a lifetime of conflict and suffering, Cable is obsessed with saving the world and is tempted to use his almost God-like powers for the greater good even if it means putting himself on a pedestal. Indeed, Cable is ridiculously powerful here, forgoing any weapons but his telekinetic abilities and easily rendering himself invisible or having psychic conversations from half a world away. Cable sees a logic in Kruch’s twisted vision for the world, which would make “all as one” as a homogenised, placid species. Although Cable believes Kruch is taking away people’s opinions, it’s not clear to me how Cable’s plan for the Façade Virus is any different beyond making people pink instead of blue. He spreads the virus and worries friends and foes alike by reconstructing his space station, but seemingly does nothing despite claiming to have full control of the virus. He then restores everyone and is apparently heralded as a hero, though I’m not sure how or why, inspiring Deadpool, the X-Men, and others to believe he’s gone “too far”. I can just about understand Deadpool’s behaviour being all over the place as he’s nuts, but I don’t get why Cable’s characterisation is so radically different panel to panel and issue to issue. I can only assume it was part of an ongoing story arc, but it made this first six-part story unnecessarily difficult to read. The dialogue bounces around so much I had trouble keeping track of what was going on or why the two were fighting and I was left disappointed that this wasn’t a more action-packed, unhinged team-up between the titular Mutants.

My Rating:

Rating: 2 out of 5.

Could Be Better

Did you enjoy the first story arc of Cable and Deadpool’s team-up comic? Were you also disappointed that it wasn’t a more action-packed story? Can you explain why Deadpool was so devoted to the One World Church and what the hell was going on with Cable? What are some of your favourite moments between Cable and Deadpool and how are you celebrating Deadpool Day today? Let me know what you thought down in the comments and donate to my Ko-Fi to suggest other, better Cable and/or Deadpool content for the site.