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Screen Time: Loki (Season Two)

Dr. K2 Comments
Season Two

Air Date: 5 October 2023 to 9 November 2023
Network: Disney+
Stars: Tom Hiddleston, Owen Wilson, Sophia Di Martino, Ke Huy Quan, Wunmi Mosaku, and Jonathan Majors

The Background:
While Marvel Studios expanded into television ventures with the likes of Agents of S.H.I.E.L.D. (2013 to 2020) and various Netflix productions, the launch of streaming service Disney+ led to MCU godfather Kevin Feige producing various content to further explore the continuity of the MCU. Although Marvel Studios somewhat flooded the market with shows and movies, the first season of Loki (Herron, 2021) was met with critical acclaim for its characterisations and unique narrative. Since Tom Hiddleston’s portrayal of Norse God of Mischief Loki Laufeyson has been consistently popular over the years, a second season was all-but inevitable, especially considering the first ended on a massive cliff-hanger. Principal directors Justin Benson and Aaron Moorhead were excited to tackle the mischievous outcast and further explore Loki’s unlikely position as the saviour of the multiverse. While the writers strived to showcase new layers to Loki and the show’s returning characters, they faced an uphill battle in addressing lingering plot threads regarding Jonathan Majors’ multiple characters after he was accused of all kinds of wrongdoings and caused Feige to rejig the plans for Majors’ Kang the Conqueror. Still, the season aimed to dive deeper into the weirder side of the MCU while still focusing on character-driven stories, explore Loki’s emotional turmoil, and further set the stage for upcoming MCU projects. Released weekly on Disney+, Loki’s second season was widely praised for its bittersweet conclusion, the culmination of Loki’s selfless character arc, and the compelling performances.

The Plot:
Uncontrollably warping through time, an alternate version of Loki (Hiddleston) attempts to reunite with his female “time variant”, Sylvie Laufeydottir (Di Martino), and warn the Time Variance Authority (TVA) of the threat posed by variants of “He Who Remains” (Majors).

The Review:
If you’re anything like me and haven’t watched Loki’s first season since it originally aired, you’re in luck as season two opens with a helpful recap, largely narrated by the sentient artificial intelligence Miss Minutes (Tara Strong), that summarises the key events of the first season. Namely, the deceptive nature of the TVA (whose members are variants from destroyed (or “pruned”) timelines) who’ve had their memories continually wiped) and Loki and Sylvie’s climactic confrontation with He Who Remains. This saw Sylvie impulsively murder the enigmatic overseer, plunging the “Sacred Timeline” into chaos as the one coherent timeline diverged into an infinite number of strands. The first season saw this version of Loki, plucked from the peak of his villainous arc, transformed from a mischievous and self-centred antagonist into a reluctant hero, one who came to care for his allies at the TVA, particularly Mobius M. Mobius (Wilson). The first season concluded with Loki deposited in a version of the TVA where no one remembers him and a variant of He Who Remains is now immortalised as the founding father of the TVA. Since no one remembers him and Loki is renowned as a troublemaker, the TVA initially seeks to apprehend and prune him, forcing him to frantically flee through their offices since the time-displaced TVA has safeguards that negate his magic. As if this wasn’t bad enough, Loki finds himself painfully warping to different points in time where the TVA either remember him or don’t, something that should be impossible within the TVA but appears to be a result of one of the many temporal paradoxes and incursions peppering this season. Unfortunately, Loki’s “time slipping” is essentially resolved by the end of the first episode, “Ouroboros” (Benson and Moorhead, 2023), thanks to a time paradox Loki initiates that sees forgotten TVA technician Ouroboros/OB (Quan) cure Loki’s ailment using a “Temporal Aura Extractor”.

Despite being pulled through time, Loki is determined to help and defend his friends at all costs.

This desperate gamble, which sees Mobius brave a cosmic storm and approach the wildly unstable “Temporal Loom”, only succeeds because Mobius risks his life for his friend and Loki willing prunes himself from every timeline, stabilising his condition and allowing him to return to work alongside Mobius. However, Mobius is sceptical of Loki’s warnings about He Who Remains, an enigmatic variant whose death kick-started the catastrophe that threatens the TVA (and all reality) as he has a nigh-infinite army of variants waiting to wage war on time itself. Although Hunter B-15 (Mosaku) convinces the fractured TVA council (left in disarray after Ravonna Renslayer’s (Gugu Mbatha-Raw) betrayal) not to eradicate the branching timelines and thus sparing other variants of losing their worlds like they did, the TVA is largely unconvinced of the larger threat posed by He Who Remains, even after Loki dramatically reveals that he’s deceived them all. While dealing with He Who Remains is Loki’s top priority, he’s also desperate the safeguard Sylvie from the warmongering General Dox (Kate Dickie) and her chief agent, Hunter X-5 (Rafael Casal), who dismiss Hunter B-15’s arguments and launch a devastating attack on the splintering timeline before they’re apprehended. Distressed at the way their relationship fell apart over their disagreement concerning He Who Remains, Loki’s keen to make amends and recruit Sylvie to his cause, only to find her bitter at the TVA, angry at his loyalty to the organisation, and content to live a mundane life as a McDonald’s employee. This season really showcases how much Loki has changed as he’s extremely loyal to Mobius, makes fast friends with OB, and sees that the TVA saves more lives than it ends and is a necessary function to defend against He Who Remains. While interrogating Hunter X-5 (who abandons his mission to become successful actor “Brad Wolfe”), Loki takes the high ground when his moral stance is questioned and even councils Mobius when he lets Brad get under his skin, having learned to empathise with others and prioritise saving lives over taking them.

Though Loki and Sylvie clash, her perspective motivates Loki to take his rightful place at the End of Time.

While Loki’s still mischievous at times, using his powers of illusion to subdue Brad and then colluding with Mobius to threaten Brad into giving up Sylvie’s location, he demonstrates incredible patience, enduring Mobius’s more relaxed approach to field work, OB’s eccentricities, and Sylvie’s pig-headedness all to try and reason with them. When the likes of Brad and Renslayer call out Loki’s hypocrisy, he admits to having done bad things and experienced jealousy and rage in the past but is seemingly committed to doing good now. However, during his desperate attempt to time slip back to the TVA and prevent the Temporal Loom from exploding, Sylvie forces Loki to admit that, deep down, he’s motivated by a selfish desire to not be alone, leading him to briefly abandon his cause. Loki’s despair at his friends forgetting him and his desperate needs to assemble their variants in “Science/Fiction” (Benson and Moorhead, 2023) is palpable, with him being both frustrated and hurt when they forget him and enduring centuries of time slipping to try and save them all. When his efforts are doomed to fail, a chance comment by Sylvie sees Loki return to the citadel at the End of Time to endure another doomed time loop as Sylvie’s past self refuses to listen to reason and he cannot bring himself to kill her. Ultimately, Loki’s given the same choice as in season one: maintain the Sacred Timeline or risk total annihilation. While Sylvie advocates for free will, even if it means everyone dying, Mobius relates the burden of making sacrifices for the greater good. Thus, rather than risk his friends, Loki destroys the Temporal Loom and rearranges the disparate timelines into something more stable, a tree-like structure resembling Yggdrasil, with himself at the centre. While he previously admitted his fear of being alone, Loki gratefully assumes his duties with a content smile, having finally found his place as a more benevolent overseer of the many timelines.

Even variants of Loki’s beloved friends anchor him and drive him to safeguard all timelines.

While Mobius initially has no idea who Loki is, his memories quickly return in fragments and he’s soon following his instincts and bringing Loki to OB and risking having his skin peeled off by the Temporal Loom to help his friend. Though still distracted by jet skis, we get a few extra layers to Mobius this season as he adamantly refuses to peek into the many timelines and see the life he was denied by He Who Remains, being content with his job and enjoying it. However, after Loki encounters Mobius’s jet ski salesman variant, Brad, a single dad who’s awestruck that he’s essential to saving reality, Mobius eventually decides to take a break from the TVA. After plunging the Sacred Timeline into chaos, Sylvie retreats to 1982 and lives a content, if mundane, life as a McDonald’s employee. Adamant that she can handle any variants of He Who Remains, Sylvie angrily refuses to help Loki or the TVA, believing that free will is more important than anything. While Sylvie begrudgingly aids Loki despite this, she’s forced to join his group when her beloved timeline is spaghettified by the exploding Temporal Loom, yet still believes she was right to kill He Who Remains. Loki’s also aided by Casey (Eugene Cordero), a technician who helps Loki and Mobius track their targets, Hunter B-15 (who’s determined to stop haphazardly pruning timelines and thus horrified when Renslayer murders General Dox and her followers), and newcomer OB. An enthusiastic and quirky technician, OB wrote the TVA guidebook after being inspired by Victor Timely (Majors), who was in turn inspired by the same guidebook after being gifted it by Renslayer to turn him into He Who Remains, creating a paradox. Even OB’s unsuccessful sci-fi writer variant Doctor A.D. Doug is instrumental in helping Loki by cobbling together a crude TemPad and helping him master his time slipping. OB also spends what’s said to be centuries working with Timely to teach Loki about particle physics. Though this plan ultimately fails no matter how hard or fast Loki tries to utilise the “Throughput Multiplier” as the Temporal Loom is incapable of handling infinite timelines, the influence of Loki’s friends has a profound impact on him and he willingly gives up his personal freedom to safeguard their lives.

While Dox and Renslayer present immediate dangers, Timely is potentially a more destructive threat.

While Loki is terrified of the imminent danger posed by the variants of He Who Remains, they’re a very vague and ominous existential threat, one not seen in this season. Thus, the danger posed by the stubborn General Dox initially takes priority. Although Loki and Mobius apprehend Dox and her loyalists after working over Brad, they’re too late to stop her destroying most of the timelines. Encouraged by Judge Gamble (Liz Carr), Hunter B-15 attempts to find common ground with General Dox to safeguard the TVA, only for her and her loyalists to be gruesomely executed by Renslayer for refusing to join her. Brad does join Renslayer and Miss Minutes but immediately regrets it and ultimately turns on her soon after, finally feeling remorse after spending the entire season being a complete asshat. Renslayer forms a shaky alliance with Miss Minutes, hopping to 1893 to try and coerce Timely into joining with them, only for the eccentric Timely to ditch them since he’s so against a partnership and rightfully horrified when Miss Minutes reveals she’s in love with his counterpart. Spurned by Timely’s refusal and him choosing to assist Loki, Renslayer and Miss Minutes renounce He Who Remains, especially after Renslayer learns that she was once his commander and was discarded by him, to wage their own campaign against the TVA. Loki’s horrified upon seeing Timely, who shares the same visage as He Who Remains, and at the stuttering con artist’s potential to become He Who Remains, but soon defends the bumbling scientist and even respects him for braving the cosmic storm. Though a con man, Timely has a grand imagination and, inspired by the TVA guidebook, has the potential to become what Loki and Sylvie fear most. Ultimately, even Sylvie recognises that Timely isn’t the same man and he proves he’s committed to doing the right thing, even if it costs him his life. When trying to prevent the destruction of all reality, Loki confronts He Who Remains again, learning that he perfectly planned for all eventualities and that the risk of multiversal war remains as strong as ever. However, Loki’s sheer determination to find another way and ensure everyone gets the chance to thrive wins out, with the reorganised TVA shown to be actively hunting the variants of He Who Remains and presumably ending whatever threat they pose to the MCU.

The Summary:
Loki’s second season picks up right where the first one ended but presents a narrative under constant pressure from a few existential threats. Obviously, the danger posed by the unseen variants of He Who Remains is most pressing, and one Loki is eager to guard against, but it’s largely a non-factor here, especially compared to the imminent danger posed by the Temporal Loom. I initially believed season two who revolve around Loki’s sporadic time slipping but this is sadly cured by the end of the first episode. It does make a dramatic return by the finale, “Glorious Purpose” (Benson and Moorhead, 2023), to depict Loki repeating the same loop over and over for centuries, desperately trying to speed up OB’s plan and failing each time. While this is a great way to emphasise Loki’s newfound sense of devotion to his friends and commitment to saving countless lives, it is strange that he didn’t think to time slip further back sooner. There are some fun paradoxes in this season due to this mechanic, though, with Loki jumping to the future, where the TVA is moments from destruction, encountering himself at different times throughout the season, and quickly building a friendship with OB by consulting with him in the past and those memories aiding Loki and Mobius in the present. Unfortunately, this gimmick isn’t sustained throughout the season and, despite many characters glancing at their alternative timelines, we don’t explore many variant realities here. Loki spends all of “Science/Fiction” in one, only for his primary plan to fail and for desperation to drive him to reliving the same moments, kind of making this episode a waste even if it does finally give us the imagery of Owen Wilson on a jet ski.

While the character moments are on point, Timely was an aggravating addition.

The performances were as captivating as ever in this season. I particularly liked the friendship between Loki and Mobius, with Loki insisting on sitting his friend down and discussing his feelings over a slice of pie, being exasperated by his more cerebral approach in the field, and bickering about which of them should brave the cosmic storm and install the Throughput Multiplier. Mobius is explored a little more here, determined not to look into his other timelines out of fear that they will be better or worse than the life he’s devoted himself to, and Loki shows genuine affection towards him to show how far he’s progressed as a character. This extends to the standout character of the series, OB, whose infectious demeanour steals every scene and quickly makes him an ally Loki fights to protect. Sylvie is very different this time around, being somewhat jaded and content to lay down her arms unless challenged. She opposes Loki’s moral high ground and offers an extreme perspective on events but is ultimately an advocate for free will and willing to make any sacrifice to ensure people have that right. If there’s a weak link here, it’s Jonathan Majors, whose oddball, stuttering, bungling Timely really drags down every scene he’s in. I liked that he was a conman who sold faulty inventions and that he constantly switched his allegiance depending on what was best for him, but his eccentric personality and overly theatrical delivery quickly became grating. He does surprisingly showcase a great deal of bravery and fortitude, however, even earning Loki’s respect when he risks his life to save reality and ultimately chooses to take a different path to avoid becoming He Who Remains. Although Renslayer is more of a bit part this time, I liked how bitter and twisted she was and the rivalry between her and Miss Minutes, who both vie for Timely’s affections. I would’ve preferred Renslayer to play a larger role as a dual antagonist alongside Miss Minutes, perhaps with them replacing Brad in some way, as she felt like an afterthought by the end.

Despite some compelling moments, this season failed to live up to its potential in my eyes.

While Loki’s second season certainly looks the part and delivers some stirring character moments from the title character, who finally fulfils his “glorious purpose” and finds his place in reality, I did find it lacking. The entire season is essentially a do-over of the first season’s finale, with it all boiling down to the same choice between killing He Who Remains and risking war or maintaining the lie/sanctity of the Sacred Timeline. As Loki effectively ends up taking the place of He Who Remains and overseeing the newly formed timelines, I can’t help but feel like the show could’ve been reorganised to take the best episodes and ideas and present them as a ten-episode series that makes the same point. I was hoping this season would be about an unstable, time slipping Loki bouncing around the infinite multiverse encountering variants of He Who Remains and trying to prevent his creation. Instead, it was largely a race against time to find ways to repair and stabilise the Temporal Loom, with each approach failing because Loki is seemingly doomed to fail, especially at being anything but a villain. These aspects are where Loki shined the most, the ways it presented new aspects of Loki’s personality. I loved how he encouraged Brad’s criticism and seemingly veered towards his villainous ways when interrogating him, and that Loki constantly takes a higher path, offering support to his friends when they lose control and constantly trying to empathise with others. This season is, however, let down somewhat by the lack of variety in the time periods visited, with most of the action happening in the increasingly chaotic TVA, and failing to explore the multiverse as widely as I’d hoped. As a character-driven season, it’s pretty fascinating, but many of the narrative beats are recycled from the last season. Loki’s encounter with He Who Remains isn’t that much different to last time and, while its bittersweet to see Loki replace He Who Remains, it feels like all this madness could’ve been avoided if he’d just done that in the last season. Still, season two did a good job tying up some loose ends and giving many of these characters a satisfying send off, I just think it had the potential to be even better.

My Rating:

Rating: 3 out of 5.

Pretty Good

Did you enjoy the second season of Loki? Were you happy to see Loki evolve into a more heroic and balanced character? Did you also enjoy the friendship he shared with the likes of Mobius and OB? Were you also disappointed that the time slipping aspect was downplayed? Did Victor Timely also annoy you and what was your reaction when Loki finally took the place of He Who Remains? Drop your thoughts on Loki below, check out my other Asgard-adjacent content, and donate to my Ko-Fi to fund more reviews like this.

Movie Night: Ant-Man and the Wasp: Quantumania

Dr. K5 Comments

Released: 17 February 2023
Director: Peyton Reed
Distributor: Walt Disney Studios Motion Pictures
Budget: $200 million
Stars: Paul Rudd, Evangeline Lilly, Jonathan Majors, Kathryn Newton, Michelle Pfeiffer, and Michael Douglas

The Plot:
After aiding the Avengers in saving the world, Scott Lang/Ant-Man (Rudd) has become a beloved celebrity now focused on making up for lost time with his daughter, Cassie (Newton). However, when Cassie inadvertently sucks Scott and his family into the mysterious Quantum Realm, Ant-Man faces his greatest challenge when he comes face-to-face with the maniacal Kang the Conqueror (Majors), a tyrannical despot from beyond time!

The Background:
In his first comic book appearance, Doctor Hank Pym/Ant-Man wasn’t the unstable, garishly-costumed hero who would form the Avengers, nor was he the only character to take up the Ant-Man mantle. Perhaps his most notable successor was Scott Lang, a reformed criminal created by David Michelinie, Bob Layton, and John Byrne, who assumed the role in 1979, and both characters eventually featured in the first live-action Ant-Man (Reed, 2015) film. Ant-Man’s impressive $519.3 million gross and largely positive reviews led to a sequel, Ant-Man and the Wasp (ibid, 2018), which outperformed the first at the box office but was met with more mixed reviews. Although the core cast returned to the film, Emma Fuhrmann was disappointed to learn she’d been recast; Kathryn Newton replaced her as Cassie in a decision apparently motivated to better highlight Cassie’s coming-of-age story. Having been established as one a pivotal hero of the Marvel Cinematic Universe (MCU) in Avengers: Endgame (Russo and Russo, 2019), the third film sought to further explore the Quantum Realm and the complexities of time travel through the inclusion of Kang the Conqueror. Returning director Peyton Reed was excited to pit Ant-Man against such a villain as part of his wish to produce a pivotal entry in the MCU rather than a simple palette cleanser, and Majors was equally excited about exploring the multiple facets and iterations of Kang in this film and beyond after previously portraying an alternative version of the character in Loki (Various, 2021 to present). Following numerous delays, Ant-Man and the Wasp: Quantumania finally released to a nearly $450 million worldwide box office and mixed reviews; critics expressed disappointment with the pacing and content of the film, though Jonathan Majors’ performance was met with unanimous praise and that there were some visually impressive sequences to be found amidst the jumbled plot.

The Review:
I was surprised by how much I enjoyed Ant-Man; I’ve never been the biggest fan of the character, especially as his characterisation and relationships can be a bit dated, hokey, and inconsistent, but framing it as a superhero heist film and focusing on Scott Lang as this flawed, but loveable, reluctant hero, a dad just trying to make amends, was a really refreshing idea and helped contrast the MCU’s cosmic scope with a nice grounded adventure. I remember not really being too impressed by Ant-Man and the Wasp; I really should revisit it sometime, especially as it laid a lot of the foundation not just for a major plot point in Avengers: Endgame but also for this film, which takes Ant-Man so far away from a quirky, sci-fi action comedy and into the absolutely batshit realm of other dimensions and timelines. Scott is a great character to thrust into these situations; despite all of the abilities the Pym Particles give him, he’s still just a regular guy, someone who reacts realistically to the crazy events happening around him, so he makes for a charismatic and relatable character to help focus these mind-bending concepts through.

While there’s surprisingly little for Hope to do, Scott and Cassie’s relationship is a focal point of the film.

This is immediately emphasised in the opening scene of Ant-Man and the Wasp: Quantumania; Scott is now a recognised and celebrated personality who remains awestruck at the fantastical things he’s seen in his adventures. However, as much as he enjoys the limelight, the abilities afforded to him by the Pym Particles, and the experiences he’s had alongside his fellow Avengers, Scott is now content to focus on promoting his inspirational memoirs and making up for lost time with his family. Hope van Dyne/The Wasp (Lilly) has now taken control of her father’s company, renaming and restructuring it in her image and to help displaced families following the Blip. She and Scott are seen to have a loving relationship and are no longer at odds with each other like in the previous film, but the two spend a surprising amount of time apart considering both of their names are in the title of the movie, so Quantumania is less a story about these two pint-sized heroes/lovers saving the Quantum Realm and more focused on developing the relationship between Scott and his daughter, Cassie. Cassie is now a somewhat rebellious teenager; she’s getting arresting and causing Scott headaches because she wants to follow in his example, “look out for the little guy”, and help others, and is disappointed in him giving up his superhero duties when there are still people that need help. Her arc throughout the film is both learning the value of patience and how to control her own shrinking/growing abilities, and understanding that the life she is so enamoured by is dangerous. While Scott is proud of her moral compass, her ingenuity, and her moxie, he also wants to protect her first and foremost; thankfully, while this is a point of contention between the two, the film doesn’t portray her as a cliché sulky teenager who acts without thinking or unreasonably lashes out at her father and they still have an adorable bond, she just wants his respect.

Janet’s stubbornness and fear cost the characters valuable time.

As part of this, Cassie has secretly been spending her time working with Hank (Douglas) to research and map the mysterious Quantum Realm. Despite Hope’s repeated efforts to find out more about the time her mother spent trapped there, Janet (Pfeiffer) remains stubbornly tight-lipped and this was a real issue for me in the early going of the film. Because Janet refused to talk about the Quantum Realm, the characters had no idea of the dangers that lurked there; her warnings came too late to prevent them all being sucked down there and, once they are stranded in the Quantum Realm, she continues to refuse to tell them anything for no real reason at all when that knowledge really would have helped them be better prepared once the source of her fears, Kang, inevitably showed up. Instead, Janet leads Hank and Hope on a merry tour of the Quantum Realm, now expanded into a strange alien environment full of colourful beings and bizarre creatures, most of whom, like the enigmatic Lord Krylar (Bill Murray), know Janet from her time as a freedom fighter. Hank, who has spent his entire life researching the Quantum Realm, is understandably fascinated by the ecosystem and society that dwells there, and equally stunned to get a glimpse of his wife’s tumultuous life amongst these beings. Both characters receive more screen time this time around and are certainly more of a focal point to the plot than Hope, and Hank’s demeanour is now noticeably far more relaxed; he’s lost a lot of his edge and is now portrayed as a quirky scientist with an unhealthy obsession with ants, whereas Janet is shown to be unreasonably cagey and to have fought against the all-powerful Kang during her time trapped in the Quantum Realm

With his nuance performance and incredible power, Kang was the undeniable highlight of the movie.

Although we get a glimpse of his arrival in the Quantum Realm in the film’s opening moments, Kang is a mystery throughout most of the film; he’s talked about with a mixture of awe and fear by the colourful freedom fighters Scott and Cassie hook up with and Janet is so terrified of him that she goes out of her way to keep her family in the dark just to try and avoid catching his attention. This is a shame as, once Kang arrives onscreen, he is unquestionably the most interesting and charismatic character, eclipsing even Scott with his nuanced performance. A cold, calculating, driven individual, Kang is a man from beyond time who was betrayed by his own alternate selves (or “variants”) and banished to the Quantum Realm because of his destructive nature. I know a little bit about Kang from the comics but am by no means a Kang expert, and Quantumania decides to keep his exact backstory and motivations a bit vague, presumably to explain them in further productions. It’s not really explained how or why he has the powers he exhibits or what his limits are; at first, he’s weak and helpless and needs Janet’s help to repair his ship, then he regains his fantastically comic accurate suit and shows an ability to stop characters in their tracks with a thought and swat his pint-sized adversaries out of the air. Yet, though he appears unstoppable and has built an empire comprised of (literal) faceless stormtroopers and advanced technology, Kang can still get down and dirty in a fist fight. Yet, for all his imposing menace and the captivating allure of his unhinged psyche, Kang is very much a desperate man; he’s clearly been broken by some unknown tragedy and is fuelled not just be a need to conquer and avenge himself, but a desperate desire to bring a twisted order to the multiverse, regardless of who he has to torture, enslave, or kill along the way. He’s not just some maniacal villain, though; he seems to genuinely value Janet’s friendship and is driven to violence only as a means to facilitate his escape and seems to regard himself as a necessary evil n the face of some unknown future threat.

The Nitty-Gritty:
There are a few themes at work in Quantumania; you might think that it’s a movie about Scott and Hope as surrogate parents and the dynamic of the Pyms and van Dynes co-existing as this superhero family, but it’s sadly not. You might also think that it’s geared towards showcasing Cassie’s journey into her own superhero persona and, while that certainly is a development in the movie, the focus is more on Scott learning to accept that her daughter wants in the life (which he’s happy to do, he just worries about her) and her learning to walk before she runs (perfectly exampled when Scott has to teach her how to properly make use of the Pym Particles in a fight). The film does shed a bit more light on Janet, a largely mysterious character who clearly has been through some stuff and seen some things down in the Quantum Realm, but it, like her, is unnecessarily coy about the specifics and we’re left with only the briefest, vaguest mentions of her as an inspirational fighter in the war against Kang. Like the other Ant-Man movies, Quantumania leans heavily on the comedy; mostly, this is demonstrated through character’s being awestruck by their surroundings, struggling to adapt to the Quantum Realm’s bizarre society and characters, and riffing off each other. For the most part it works, though the absence of Scott’s more comedic supporting cast is felt in the movie and there’s one scene in particular where the dramatic tension is completely undercut by unnecessary forced comedy.

While the visuals generally impress, others are a bit cartoonish and disappointingly realised.

This would be the death of Darren Cross (Corey Stoll), who’s revealed to have survived the ending of Ant-Man but been left a misshapen and embittered troll of a man; rebuilt by Kang’s technology into the ultimate cybernetic killing machine, he chases down Scott and his family with a vengeance as the MCU version of George Tarleton/ Mechanised Organism Designed Only for Killing (M.O.D.O.K.) M.O.D.O.K. is one of the most bizarre villains of Marvel Comics and one I never thought we’d ever see translated to screen, so it’s pretty amazing to see him flying about shooting lasers and missiles and sprouting buzzsaws, but then the face plate lifts up and we’re forced to look at this really unsettling, cheap-looking CGI face and listen to Darren spouting pithy declarations and the character loses a lot of his menace. It’s a shame but, for the most part, Quantumania looks really good; it’s naturally a very CGI-heavy film and as far removed from its more grounded predecessors as you could get and goes to great lengths to expand upon the Quantum realm, while also handwaving a lot of the specifics. Humanoid characters like Jentorra (Katy O’Brian) and telepath Quaz (William Jackson Harper) exist alongside anthropomorphic houses and surreal alien creatures like the protoplasmic Veb (David Dastmalchian) and a robot with a laser for a head! These characters, while visually interesting, aren’t very well developed, though; I barely caught most of their names and their single characteristic is wanting to oppose and dethrone Kang, but they do help to show how versatile the Quantum Realm is. Before, characters couldn’t survive in the Quantum realm without special suits or suffering severe time dilation; that is now no longer a problem as they’ve conveniently travelled to a part of the dimension where they don’t need their helmets to breath and suffer no consequences of lost time once they return. The world is colourful and alive, but also feels strangely restricted; I also can’t help but feel like exploring the Quantum realm should’ve been a sub-plot in Ant-Man and the Wasp and that maybe it would’ve been better if Quantumania had take place entirely in Kang’s city, Chronopolis, to avoid the slow start to this movie. Everything also just feels a bit too cartoonish and intangible, and it’s again far too obvious that many actors aren’t actually in the same shots in some scenes, which really took me out of it.

There’s an intriguing conflict and looming menace lurking amidst the bombardment of spotty CGI.

Yet, there are still some exciting and bonkers action scenes on offer here; any time M.O.D.O.K. shows up the screen I filled with explosions and frantic action, and seeing Scott, Hope, and Cassie come together in their small and giant forms for the finale was exhilarating, though it was difficult to appreciate Giant-Man’s scale from the framing. One really inventive scene in the film sees Scott shrink further down to reach the core of Kang’s ship; there, he splits into an infinite number of variants and they must work together to get him closer to the core, literally evoking the image of an ant colony working together. Cassie later has a cool coming-of-age moment where she inspires the people of the Quantum Realm to rise up against Kang, and even Hank gets to have a moment to shine by leading his army of technologically advanced ants into battle, though the same unfortunately can’t be said for Hope, who spends most of the film sporting a ridiculous haircut and being understandably annoyed at her mother’s stubbornness before swooping in to aid Ant-Man in reaching the core and in defeating Kang. After Scott retrieves his ship’s core, Kang sets about escaping his confinement using an elaborate set of spinning rings, which will bring him and his army out of the Quantum Realm and allow him to get back to conquering the multiverse. Giant-Man storms his citadel and, despite all of Kang’s vaulted and incomprehensible time powers, a fist fight breaks out between Scott and the conqueror that sees Ant-Man absolutely decimated. Scott frantically gets his family to safety and chooses to stay behind and sacrifice his freedom to prevent Kang’s escape, only for Hope to show up and help fend Kang off, presumably killing him or banishing him to a further sub-sub-atomic dimension. The film then teases that Scott and Hope will be trapped in the Quantum Realm but the Cassie just immediately saves them and everything’s fine…save for Kang’s troubling warning of an oncoming danger and an entire legion of his variants turning their attentions towards the MCU following Kang’s defeat. Personally, I think it would’ve made more sense for someone in the core cast to die or even have it be Hank and Janet who make the last-minute save and end up trapped in the Quantum Realm. That would’ve been quite fitting given Hank’s obsession with it and small things and Janet’s past there but, instead, things wrap up in a nice little bow despite Kang’s Variants still posing a threat.

The Summary:
I had high expectations for Ant-Man and the Wasp: Quantumania; knowing full well that Kang was set to be an Avengers-level threat in the future and having had some knowledge of the character, I expected this to be a little darker, a little more high stakes, and to have serious repercussions for the MCU going forward. Hell, there was the suggestion that Ant-Man might not live through the tale, let alone be victorious, and it seemed like this could be the shake-up the MCU needed to start seriously working towards their next big team-up movie. Instead, it was just lacking in a lot of ways; I get the idea of exploring and expanding upon the Quantum Realm, but it felt like it took way too much time and I just wasn’t that interested in what was happening there as it felt somewhat inconsequential. It tied in nicely to Cassie’s arc of wanting to help people no matter where or who they are, but a lot of the new characters were forgettable, despite being visually interesting. There was next to no onscreen chemistry or development for Scott and Hope; she could’ve been entirely absent and it wouldn’t have mattered all that much as Cassie could’ve easily done everything she did. Paul Rudd continues to shine as Ant-Man but he’s bogged down by all this CGI mess and protracted world-building, and the environment really didn’t give his unique powers a chance to stand out. The sole saving grace was Kang; Jonathan Majors did an excellent job of portraying a nuanced villain, one who is filled with regret for the evils he must do, and he stole every scene he was in. sadly, though, we really don’t learn anything about him; I have no idea where he’s from or why he’s compelled to be the way he is, meaning a lot of the connection I felt to him came from inference, which is fine but I would’ve liked to see some of the early runtime focused more on him so we get a better sense of his motivations. I think Ant-Man and the Wasp: Quantumania will land better on repeat viewings, especially once Kang returns to the MCU in future productions but, for now, it was a bit of a let-down for me and definitely a case of style over substance.

My Rating:

Rating: 2 out of 5.

Could Be Better

Did you enjoy Ant-Man and the Wasp: Quantumania? How did you think it compared to the other Ant-Man films? What did you think to the exploration and expansion of the Quantum Realm? Did you enjoy seeing Cassie develop into her own heroic role and the relationship between her and Scott? Were you disappointed by M.O.D.O.K.’s portrayal and the effects used to bring him to life? What did you think to Kang and his motivations, and are you excited to see him return in the MCU? Whatever you think about Ant-Man and the Wasp: Quantumania, drop your thoughts below and be sure to check out my other Ant-Man content.